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Kandahar (2001)
Tomatometer
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Reviews Counted:96
Fresh:85
Rotten:11
Average Rating:7.5/10
Consensus: Eerily timely, Kandahar offers haunting images of a bleak land.
Theatrical Release:Dec 14, 2001 Limited
Synopsis: Iranian director Mohsen Makhmalbaf presents this partially fictionalized documentary that illustrates the suffering of Afghan women under the Taliban regime in Afghanistan in the year 2000. The... Iranian director Mohsen Makhmalbaf presents this partially fictionalized documentary that illustrates the suffering of Afghan women under the Taliban regime in Afghanistan in the year 2000. The quiet, stark, powerful film follows an Afghan native, Nafas (the stunningly beautiful Noulifar Pazira), who left Afghanistan years back and got a journalism degree in Canada, upon which she built a career reporting the plight of women in oppressive nations. When she receives a letter from her sister, who is still in Afghanistan and who has decided that she will kill herself on the night of the next eclipse, Nafas decides to sneak back inside the border to rescue her. Traveling in a Red Cross helicopter to Pakistan, where she is lead on a treacherous all-night trek across an icy river and over deadly mountains, Nafas finally crosses over the border. But from there she must get to Kandahar, with only three days left before the eclipse. As a woman in Afghanistan she cannot speak out loud, travel without a husband, or show her face, elements which make her journey nearly impossible. Disguised in a heavy head-to-toe burka (the mandatory dress for women), she begins a Kafkaesque journey across the barren land, encountering obstacles both threatening and mesmerizing along the way. [More]
Starring: Niloufar Pazira, Hassan Tantai, Sadou Teymouri, Hayatalah Hakimi
Starring: Niloufar Pazira, Hassan Tantai, Sadou Teymouri, Hayatalah Hakimi
Director: Mohsen Makhmalbaf
Director: Mohsen Makhmalbaf
Screenwriter: Mohsen Makhmalbaf
Producer: Mohsen Makhmalbaf
Composer: Mahamed Reza Darvishi
Studio: Avatar Films
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Reviews for Kandahar
[Let me] remove the wool over so many critics’ eyes and call Kandahar what it is: a boring, pedantic and obvious story [lent some] timeliness by the events of Sept. 11.
Reduces the magnitude of its subject’s impact from a scream to a whisper through sheer filmmaking incompetence.
While one can easily respect the noble intentions behind it, one has to admit that purely as a work of cinema, it doesn't equal the best of recent Iranian films.
It wants to be both a documentary and a feature film, but, sadly, it doesn't succeed with either.
Didactic and slow-moving, it tests the endurance of even the most die-hard aficionado of Iranian cinema.
While its themes are remarkably relevant, 'Kandahar' is otherwise an inarticulate, laborious effort (with a) bloated sense of artistic and didactic self-importance.
Amateurishly made and acted, but its lifting of the veil of the oppression of women does have its powerful moments.
A collection of malformed ideas, ineffectual performances, and, perhaps unfortunately, the occasional blinding, incandescent image.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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