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Kandahar (2001)
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Reviews Counted:96
Fresh:85
Rotten:11
Average Rating:7.5/10
Consensus: Eerily timely, Kandahar offers haunting images of a bleak land.
Theatrical Release:Dec 14, 2001 Limited
Synopsis: Iranian director Mohsen Makhmalbaf presents this partially fictionalized documentary that illustrates the suffering of Afghan women under the Taliban regime in Afghanistan in the year 2000. The... Iranian director Mohsen Makhmalbaf presents this partially fictionalized documentary that illustrates the suffering of Afghan women under the Taliban regime in Afghanistan in the year 2000. The quiet, stark, powerful film follows an Afghan native, Nafas (the stunningly beautiful Noulifar Pazira), who left Afghanistan years back and got a journalism degree in Canada, upon which she built a career reporting the plight of women in oppressive nations. When she receives a letter from her sister, who is still in Afghanistan and who has decided that she will kill herself on the night of the next eclipse, Nafas decides to sneak back inside the border to rescue her. Traveling in a Red Cross helicopter to Pakistan, where she is lead on a treacherous all-night trek across an icy river and over deadly mountains, Nafas finally crosses over the border. But from there she must get to Kandahar, with only three days left before the eclipse. As a woman in Afghanistan she cannot speak out loud, travel without a husband, or show her face, elements which make her journey nearly impossible. Disguised in a heavy head-to-toe burka (the mandatory dress for women), she begins a Kafkaesque journey across the barren land, encountering obstacles both threatening and mesmerizing along the way. [More]
Starring: Niloufar Pazira, Hassan Tantai, Sadou Teymouri, Hayatalah Hakimi
Starring: Niloufar Pazira, Hassan Tantai, Sadou Teymouri, Hayatalah Hakimi
Director: Mohsen Makhmalbaf
Director: Mohsen Makhmalbaf
Screenwriter: Mohsen Makhmalbaf
Producer: Mohsen Makhmalbaf
Composer: Mahamed Reza Darvishi
Studio: Avatar Films
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Reviews for Kandahar
Kandahar works best as a semidocumentary, explaining the overwhelming hunger and poverty, the savage effects of land mines and the barbaric treatment of women in Afghanistan.
Makhmalbaf fully achieves his aim of showing life in a society devoid of hope (especially for women) and ruled by soul-crushing barbarians.
It's a film that is sometimes naive and at other times unsettling, but it has a rawness and power that sticks in your throat.
'...doesn’t quite have the cohesion and power of the sublime Gabbeh... but still remains strong and compelling'
Makhmalbaf gives Kandahar an eerie grace, making it not only a timely movie but a poetic one.
There's no denying the film has its share of fascinating moments -- or that, on whole, it has a lasting power, especially its bleak, sucker-punch ending.
Moves not like a story but a poem, and the images it presents to us are unforgettable.
Adds valuable perspective and context to the war in Afghanistan by providing ideas and images that the nightly news cannot deliver.
Makes up in indignation, passion and poetry what it lacks in filmmaking gloss.
Its themes are universal, its performances are effective in their simplicity and the direction is confident and unfussy.
The film gives a glimpse into a land that is as far removed from Western society as any in the world.
Unforgettable images resonate throughout Iranian director Mohsen Makhmalbaf's compelling docudrama.
The film's physical and thematic terrain, that of Afghanistan and the struggles of its people, register with emotion.
If the dramatics of the movie fail to engage as fully as they should, Kandahar remains fascinating as a piece of lyrical journalism.
Perhaps best appreciated as a record of what life was like before the U.S. invasion and as a lesson in why the rest of the world should have cared even before the terrorist attacks.
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