The jazz world of 1930s Kansas City serves as the backdrop for an offbeat story of kidnapping, political corruption, and organized crime in director Robert Altman's loving but unsentimental look at his childhood hometown. The film's intricate story is triggered by petty thief Johnny O'Hara (Dermot Mulroney), who aims for a big score by trying to rob notorious crime boss Seldom Seen (Harry Belafonte), only to end up Seen's captive. In fear for her husband's life, Johnny's wife Blondie (Jennifer
Jason Leigh) decides to take action. Following an eccentric personal logic, she takes as a hostage the wife of a prominent local politician, in hopes of getting the woman's husband to help; unfortunately, he is on the road with an upcoming presidential campaign, putting a major hitch in Blondie's plans. The film moves freely among its idiosyncratic characters in an overt attempt to mimic the improvisational structure of 1930s jazz. Indeed, many of the film's most important sequences take place in Seldom Seen's club, with contemporary jazz greats imitating the period's master musicians and Harry Belafonte shining as the magnetic, menacing Seen. The central narrative never achieves the seemingly effortless integration of Altman's greatest works, but those who share Altman's obvious passion for the period and its music will find much to admire. ~ Judd Blaise, Rovi
A sadly ordinary motion picture, and, in less sure hands, it might have been something of an unfortunate mess. Even with Altman at the helm, however, it manages to be singularly unremarkable.
A minor work in Altman's oeuvre that can't bridge the gap between its larger issues--sharp inequality, American political process--and the two women at its center that are not interesting as characters or actresses (Jason Leigh and Miranda Richardson)
"Kansas City" is an extremely slight film in Robert Altman's filmography. I was surprised that Altman forgets the basic ingredients that are so important to making film noir work. The biggest sin "Kansas City" commits is that the film is never nasty. A good film noir should always make you feel uncomfortable. Altman
understood this in "The Long Goodbye," but for some reason it's obviously absent from "Kansas City." Moreover, Jennifer Jason Leigh and Miranda Richardson are sorely miscast, making the pedestrian proceedings even more uninteresting. "Kansas City" could have been a great film if Altman had dared to take more interesting choices, something that effects all of his late 90s works. As it stands, this is just aggressively mediocre.
May 9, 2011
Steven Carrier
Super Reviewer
boring, but interesting and decently made... also just my opinion but Jennifer Jason Leigh makes Dane Cook seem oscar worthy (seriously).
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