Average Rating: 7.4/10
Reviews Counted: 19
Fresh: 18 | Rotten: 1
No consensus yet.
Release Date: Feb 11, 2009 Wide
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Average Rating: 3.6/5
User Ratings: 356
A woman forced to revisit an ugly episode from her past seeks to purge her anger through revenge in this dark drama. Katalin Varga (Hilda Peter) has been married for nearly eleven years when her husband abruptly throws her out of the house after learning he's not the biological father of their son Orban (Norbert Tanko). The grim truth is that Katalin became pregnant after a long and brutal rape, and in order to win back her husband, she has to find the men who attacked her. With Orban in tow,
Feb 11, 2009 Wide
Feb 22, 2010
Memento Films
All Critics (19) | Fresh (19) | Rotten (1) | DVD (1)
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Impressive as it is, though, you can't help feeling it's essentially a festival favourite that will be more admired than enjoyed.
Like a folk tale crossed with a thriller and road movie. Without a doubt it is one of the best new British films of the year, if you can justly call it fully British.
The most striking aspect of a slow, self-consciously poetic film is the complex soundtrack.
Superb central performances in this tragic drama.
A film of remarkable assurance and intensity.
Newcomer Peter Strickland's slow-burning tale of female revenge in deepest Romania impresses with its pared-down storytelling, its eerie visual and aural atmosphere and the ambiguity of its characterizations.
A complex moral terrain and slow-burning tone reminiscent of Pawel Pawlikowski (My Summer of Love) announce the arrival of a genuine film-making talent.
A slow-moving, insistently gripping, faintly Dostoyevskian tale of violence and retribution set in the swooningly photographed Hungarian countryside.
An impressive debut from expat British director Peter Strickland with a powerful central performance from Hilda Péter.
Deliberately paced, it has the timeless, brooding quality of a tragic folk tale, in which violence begets more violence. Strickland builds and sustains an ominous atmosphere through stark images, artfully heightened sound design and an otherworldly score.
Tidy revenge tragedy that successfully resists the influence of the Romanian New Wave.
An eerie, intelligent drama lifted into the realm of must-see territory thanks to Péter's gently nuanced performance, plus a haunting soundtrack.
Be warned, this is an intense, dark story where no one makes the right decisions. If you can handle that, Katalin Varga will be a name you won't forget.
Misery at 24 frames per second.
At times we seem to be watching the reconstruction of an ancient folk tale, and Strickland, as if entrusted with its telling, hardly puts a foot wrong.
Artistic and insightful, this sharply well-made film has an emotional resonance that becomes thoroughly haunting as the story travels to places we don't expect it to go. A sense of foreboding terror keeps us gripped, as does an underlying hope.
Strickland delivers a psychologically complex twist on the genre's usual cathartic blood-letting. Haunted performances, an intricate and creepy score and a folklore-like setting add to the foreboding atmosphere.
It's a story about a rape victim seeking vengeance once her husband discovers the fact some 10-11 years after the unfortunate event. While it's not your regular vengeance (kicking asses ŕ la 'I Spit On Your Grave') kind of flick, it's nothing incredible either. Worth a shot, maybe, but nothing that would linger upon
August 29, 2010Super Reviewer
From the beginning we know that Katalin Varga is on to something: after her husband discovers that she was raped 10 years ago and that their child is not really his, she leaves the village in a carriage with her son. She tells him that they're going to visit his grandmother, who is sick. This sounds believable to no
August 26, 2010Super Reviewer
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