When it comes to an emotional payoff at the end, unlike most Hollywood films, it has earned it.
Keane (2004)
Tomatometer
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Reviews Counted:58
Fresh:48
Rotten:10
Average Rating:7.1/10
Consensus: The scrutinizing camera angles of Keane might at first feel too close for comfort, but this powerful portrait of a man distraught by the abduction of his child plumbs the depths of mental illness and the corners of fleabag hotels in an intimate and touching examination of the seedier side of life.
Runtime: 90 mins
Genre: Dramas
Theatrical Release:Sep 9, 2005 Limited
Synopsis: British actor Damian Lewis (BAND OF BROTHERS) gives a stunning lead performance in Lodge Kerrigan's powerful drama KEANE. He stars as William Keane, a man whose daughter was recently abducted at... British actor Damian Lewis (BAND OF BROTHERS) gives a stunning lead performance in Lodge Kerrigan's powerful drama KEANE. He stars as William Keane, a man whose daughter was recently abducted at the Port Authority in Manhattan, so he patrols the bus depot, recreating in his mind exactly how it happened to see if he can figure out who took her or where she might be. He talks to himself, shouts suddenly, and looks over his shoulder with fear and paranoia, an edgy, twitchy, wholly unnerving, and remarkable performance. When he befriends a down-on-her-luck woman (Amy Ryan) and her young daughter (Abigail Breslin), it is hard to know whether he is just being helpful or whether he has some kind of ulterior motive, as the young girl is about the same age as his missing daughter. Kerrigan makes no judgments about Keane; although it is clear he is suffering from some kind of mental illness, in some ways he represents an everyman. The talented writer-director lets the tale tell itself; there is no score, and he uses only natural sound and lighting. Some of the film was even written while on location in order to make it yet more realistic, which adds to both its horror and its glory. KEANE is like no other movie ever made on the subject of child abduction, a grittily authentic film that will stay with viewers for a very long time. [More]
Starring: Damian Lewis, Abigail Breslin, Amy Ryan, Tina Holmes
Starring: Damian Lewis, Abigail Breslin, Amy Ryan, Tina Holmes, Stephen Henderson
Director: Lodge Kerrigan
Director: Lodge Kerrigan
Screenwriter: Lodge Kerrigan
Producer: Andrew Fierberg
Studio: Magnolia Pictures
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Reviews for Keane
Lodge Kerrigan is one of the great, though largely unheralded, filmmakers of our time.
The movie isn't a crowd-pleaser, but it moves the soul, and that's enough.
The film is held together by the raw intensity of Damian Lewis' portrait of the emotional torment of a man whose life is falling apart.
Aside from Lewis's excellent acting, there's little reason to spend two hours with Keane.
The role of Keane is a tall order, as he's onscreen for every frame of the film, but Lewis is just brilliant, holding our attention and ultimately our compassion for a deeply troubled man.
The director is able to rivet us with this small story, simply because he observes it all with such a hard, unblinking gaze.
A surprise, and a highly effective film, much more accomplished and less punishing than Clean, Shaven.
As good as Lewis is -- and he's in every frame of this 93-minute movie -- it's Kerrigan's astounding gift for addressing the wounded that demands celebration.
The next time you see someone railing in the streets -- fighting a battle you'll never understand -- you may remember Keane and pause to reflect.
It's not fun, but it's as much an antidote to fake Hollywood nonsense as anything you'll see this year.
Tense and intense as Clean,Shaven, but not as compelling, Keane is an uncompromising but frustrating film, marred by slender narrative and elevated by cinema verite style
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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