An epic story of white-knuckle tension in a setting of harsh, unearthly beauty, it's the kind of story Hemingway might have told if he'd made it to the Xinjiang Uygur Autonomous Region.
Kekexeli: Mountain Patrol (2006)
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Reviews Counted:49
Fresh:48
Rotten:1
Average Rating:7.6/10
Consensus: In a setting both visually stunning and cruel, this Eastern film evokes the epic spirit of old-fashioned Westerns.
Theatrical Release:Apr 14, 2006 Limited
Synopsis: Kekexili, the largest animal reserve in China, is home to many rare species, including the Tibetan antelope. Prized for its skin that is used in making luxurious, albeit illegal, shahtoosh scarves,... Kekexili, the largest animal reserve in China, is home to many rare species, including the Tibetan antelope. Prized for its skin that is used in making luxurious, albeit illegal, shahtoosh scarves, the antelope's numbers have been dwindling drastically in the past 20 years as poachers slaughter the animals, often hundreds at a time. In the 1990s local Tibetans formed a volunteer patrol to try to stop the illegal poaching—sometimes at the cost of their own lives. MOUNTAIN PATROL: KEKEXILI chronicles the life-and-death struggle between these volunteers and the poachers, and takes place in the 5,000-meter (3.1-mile) high Kekexili on the Qinghai-Tibetan Plateau. Photographer Ga Yu arrives at the camp of the Kekexili patrolmen just as they are mourning the death of one of their members. Their leader, Ri Tai, is at first suspicious about Ga Yu's presence, but when the photographer suggests that his work can help bring about their goal of creating a natural reserve for the Tibetan antelope, Ri Tai allows him to join the patrol. After an evening of song and feasting where Ga Yu witnesses the strong brotherly bond between the patrolmen, he is awakened very early the next day. As the men pack their guns and supplies, Ri Tai tells him they are heading for the mountains. Ga Yu witnesses the heartfelt and tearful good-byes of the family members and begins to wonder what is in store for them, seeing a mixture of fear and sorrow in their relatives' eyes as they depart. The patrol enters the bleakly beautiful landscape that seems to stretch for miles without end—barren tundra like the surface of the moon. They stop a truck to check its cargo, and Ri Tai tells Ga Yu that the Mountain Patrolmen only have the authority to stop, confiscate and fine but not to arrest anyone. They drive on to meet up with another border patrol team at the base camp and although there is sadness about the recent death of a member, Ga Yu is struck by the natural joy for life that the patrolmen have. In stark contrast, the following day, Ga Yu witnesses a scene of death as the patrolmen find a field of hundreds of antelope carcasses near a lake, some still being picked apart by vultures. They find two men still at the lake and force them to help bury the remains. Ri Tai informs Ga Yu that the patrolmen bury 10,000 antelope a year. A prayer is said as they burn the remains with the same respect shown to one of their own. As the patrol proceeds, driving swiftly across the rough terrain, a gunshot is fired and one of the patrol trucks swerves off the road. The driver is dead and Ga Yu is suddenly face-to-face with the dangerous reality of their situation. Ri Tai vows to track down the killers. --© Sony Pictures [More]
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Reviews for Kekexeli: Mountain Patrol
Instead of a laudable ecological crusade, the film feels more like a futile Captain Ahab obsession, with patrol leader Ri Tai (Duobujie) vainly chasing a poaching kingpin through the harsh, windy wilderness.
A quiet little gem of a film that stuns with spectacular beauty, shocks with awful savagery and leaves you pondering the relationship of man and nature.
One of the most beautiful and disturbing widescreen epics in last year's Seattle International Film Festival.
What is remarkable is that this film is based on a true story, and filmed on the actual locations.
A nomadic life-and-death struggle evoking classic Hollywood western themes of dogged honor and rugged idealism.
This second film by Chinese director Lu Chuan is a solid and atmospheric drama.
Despite the far-off locale, we soon feel surprisingly comfortable, merely because of the film's shape.
Our eyes cram the stunning, dry, bare-boned mountainscapes of a Chinese/Tibetan Wild West called Kekexili.
Never has a movie so soberingly made the fight to save life and the struggle to hold on to it seem so futile.
Other than raising awareness for endangered wildlife, Mountain Patrol: Kekexili doesn't have anything profound to say, but it has a lot to show.
The most crucial element of Mountain Patrol's success is Duo's portrayal of Ri Tai, a tough, terse hero who could have sprung fully formed from the imagination of Akira Kurosawa or Sergio Leone.
The director's strong, vigorous style suits the setting perfectly, making Mountain Patrol the closest thing to a Hollywood western in years. And as in the best westerns, the landscape assumes its own character in the story.
A fascinating film that benefits greatly from the stunning scenery of the Tibetan plateau and from a quicksand scene that will leave you gasping.
An astonishing, fact-based story of sacrifice and courage in one of the world's most forbiddingly beautiful regions, Kekexili: Mountain Patrol exerts an almost mythic hold on your attention.
The spirit of the hardboiled American Westerns of the 1950s wends its way through this moody, panoramic Chinese chase thriller.
The stunning adventure Mountain Patrol: Kekexili is like a John Ford western set, not in the master's beloved Monument Valley, but in remotest China.
Latest News for Kekexeli: Mountain Patrol
October 05, 2006:
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