Lu Chuan's film may be an old-fashioned outdoor adventure. But it's a harrowing one that leaves little doubt that there are some outdoor regions human beings have no business in, however noble their reasons for going there.
Kekexeli: Mountain Patrol (2006)
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Reviews Counted:49
Fresh:48
Rotten:1
Average Rating:7.6/10
Consensus: In a setting both visually stunning and cruel, this Eastern film evokes the epic spirit of old-fashioned Westerns.
Theatrical Release:Apr 14, 2006 Limited
Synopsis: Kekexili, the largest animal reserve in China, is home to many rare species, including the Tibetan antelope. Prized for its skin that is used in making luxurious, albeit illegal, shahtoosh scarves,... Kekexili, the largest animal reserve in China, is home to many rare species, including the Tibetan antelope. Prized for its skin that is used in making luxurious, albeit illegal, shahtoosh scarves, the antelope's numbers have been dwindling drastically in the past 20 years as poachers slaughter the animals, often hundreds at a time. In the 1990s local Tibetans formed a volunteer patrol to try to stop the illegal poaching—sometimes at the cost of their own lives. MOUNTAIN PATROL: KEKEXILI chronicles the life-and-death struggle between these volunteers and the poachers, and takes place in the 5,000-meter (3.1-mile) high Kekexili on the Qinghai-Tibetan Plateau. Photographer Ga Yu arrives at the camp of the Kekexili patrolmen just as they are mourning the death of one of their members. Their leader, Ri Tai, is at first suspicious about Ga Yu's presence, but when the photographer suggests that his work can help bring about their goal of creating a natural reserve for the Tibetan antelope, Ri Tai allows him to join the patrol. After an evening of song and feasting where Ga Yu witnesses the strong brotherly bond between the patrolmen, he is awakened very early the next day. As the men pack their guns and supplies, Ri Tai tells him they are heading for the mountains. Ga Yu witnesses the heartfelt and tearful good-byes of the family members and begins to wonder what is in store for them, seeing a mixture of fear and sorrow in their relatives' eyes as they depart. The patrol enters the bleakly beautiful landscape that seems to stretch for miles without end—barren tundra like the surface of the moon. They stop a truck to check its cargo, and Ri Tai tells Ga Yu that the Mountain Patrolmen only have the authority to stop, confiscate and fine but not to arrest anyone. They drive on to meet up with another border patrol team at the base camp and although there is sadness about the recent death of a member, Ga Yu is struck by the natural joy for life that the patrolmen have. In stark contrast, the following day, Ga Yu witnesses a scene of death as the patrolmen find a field of hundreds of antelope carcasses near a lake, some still being picked apart by vultures. They find two men still at the lake and force them to help bury the remains. Ri Tai informs Ga Yu that the patrolmen bury 10,000 antelope a year. A prayer is said as they burn the remains with the same respect shown to one of their own. As the patrol proceeds, driving swiftly across the rough terrain, a gunshot is fired and one of the patrol trucks swerves off the road. The driver is dead and Ga Yu is suddenly face-to-face with the dangerous reality of their situation. Ri Tai vows to track down the killers. --© Sony Pictures [More]
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Reviews for Kekexeli: Mountain Patrol
...interesting both as a character study and as a portrait of a rural culture with one foot in the modern world.
Since Lu depicts the punishing, unforgiving determination on both sides of the conflict, the film is not entirely pitiless for the pathetic criminal class.
Being in this pitiless environment stiffens the spine of the film's tale.
Based on depressingly true events, Mountain Patrol: Kekexili tracks the heroic efforts of a small group of Tibetans struggling to keep the Tibetan antelope from extinction.
Mountain Patrol: Kekexili is sometimes slow going, yet it builds in power as nature begins to take its toll on the patrol, and its cumulative effects are haunting.
The film's somber beauty is recommendation enough, but the way political, personal, and symbolic tensions seethe silently below the surface turn it into riveting drama.
Many characters perish, some at the hands of poachers, others by the elements, and, in the film's most chilling scene, one via a pit of quicksand. It's heavy going to be sure.
Director Lu Chuan took his lumps by filming the movie on location in an inhospitable locale, but his decision to do so is validated by the final result.
For better or worse, no film of the last decade, not even Malick's The New World, has displayed such a ferocious intimacy with extreme landscape.
Though without the charm of 'Grizzly Man' and 'March of the Penguins,' this is a fleshed-out human story of men working to protect antelopes in the Tibetan mountains.
Ranks alongside Werner Herzog's Lessons of Darkness as one of the most succinct and distressing expressions of landscape in crisis.
A richly cinematic chronicle/harrowing survival tale of these brave souls, set against a truly breathtaking backdrop.
Exquisite to behold and with a stimulating storyline that mixes guns with ecological consciousness.
[It's] austere, unsentimental, morally complex, and grimly realistic...
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