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as Billy Casper
as Mrs. Casper
as Mr. Farthing
as Mr. Sugden
as Comedian at Pub
as Fish and Chip Shop M...
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Critic Reviews for Kes
Kes is one of the most astute, engaged films about education and what it takes for kids to be excited about learning or passionate about anything, really, whether in the classroom or roaming the fields with a feathered friend.
Simply, the filmmakers have brought the background of the boy's life vividly into reality.
One of the most powerful coming-of-age stories ever told, containing passages of great beauty.
Kes, admirably photographed by Chris Menges (who was camera operator on Poor Cow) is not to be lightly dismissed; and Loach's success with young players especially makes one eager to see his forthcoming film for the Save the Children Fund.
Audience Reviews for Kes
Whoops,...I had never heard of this British gem.
Well directed drama feels almost entirely undirected. Social-realist look at young boy growing up in a Northern mining town. I thought the domestic scenes a bit cliche, but the school scenes were great and the football scene was hilariously on the mark.
Billy Casper looks just like a young Mark E. Smith of the Fall ... no?
An achingly beautiful tale. The bucolic music and the landscapes wandered by the formidable protagonist child and his trained kestrel, embellish the cold and austere north of England. The child's tender look upon the bird is that of yearning, of high spirit and care free mind, far beyond the predicaments of acceptance raised in his school and in his own home. Its gritty, unapologetic and sometimes despairing naturalism hits delicate fibres.
This much adored Ken Loach picture is a likable, smart and rightfully depressing film. However for me there was a small sense of a lack of emotional involvement. The tone of it frequently changed from being a coming of age drama to a family film and then back again, which I found slightly confusing. However the performances are genuinely emotionally resonant and the narrative itself is interesting and inspirational. Despite having one of the most unredemptive endings i've ever seen for what was meant to be, essentialy, a film partly about redemption. It's sweet yet edgy, and it maintains as a good example of classic British cinema.
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