Aram Khachaturian may be one of the most important composers of the last century. That doesn't make him one of the most interesting.
Khachaturian: A Musician and His Fatherland (1955)
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Reviews Counted:9
Fresh:5
Rotten:4
Average Rating:6/10
Theatrical Release:Oct 17, 2003 Limited
Synopsis: Based on the memoirs of famed Armenian composer Aram Khachaturian (1903-1978); narrated by Eric Bogosian. Combining rare archival materials from Russian and Armenian archives with interviews,... Based on the memoirs of famed Armenian composer Aram Khachaturian (1903-1978); narrated by Eric Bogosian. Combining rare archival materials from Russian and Armenian archives with interviews, amazing performances and family mementos, "Khachaturian" explores the fine line a man had to tread between being a loyal party functionary and a fighter for artistic freedom. Khachaturian was the Deputy Chairman of the powerful Composer's Union of the Soviet Union, and as a Communist party functionary wielded great influence over the course of Russian music; he was also a comrade and personal friend to dissident composers of the time - Shostakovich, Prokofiev, and others. The life and music of one of the world's most-loved composers provides an interesting prospective into Stalin's regime and the ever changing cultural politics of the Soviet Union. -- © 7th Art Releasing [More]
Studio: Seventh Art Releasing
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Reviews for Khachaturian: A Musician and His Fatherland
Much like rhythm and melody complement each other in a fine composition, artistry and history come together in this splendid documentary about the great Armenian composer.
Eric Bogosian's narration ... suggests that a few liberties were taken with the autobiographical material, and Rosen doesn't quite know where to go after chronicling the musician's downfall.
Rosen attempts to provide a rounded picture of the composer's life and work through archival footage and voice-over readings by Eric Bogosian from Khachaturian's diaries and letters, but the man remains a less vivid presence than his music.
The doc is better suited to public TV, for which it was made, than the big screen.
With the exception of the final profiled piece, Spartacus, the segments are unimaginatively photographed -- static shots over the heads of an audience. Still, it is fascinating to learn the history behind the composition of these familiar melodies.
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