The Kid Stays in the Picture is not simply an informative documentary. It is a witty, funny, wildly entertaining, and often poignant look at the last man to truly control Tinseltown.
The Kid Stays in the Picture (2002)
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Reviews Counted:106
Fresh:97
Rotten:9
Average Rating:7.7/10
Consensus: Though not objective by any means, The Kid Stays in the Picture is irresistibly entertaining.
Rated: R [See Full Rating] for language and some brief violent and sexual images
Runtime: 1 hr 33 mins
Genre: Education/General Interest
Theatrical Release:Jul 26, 2002 Limited
Box Office: $1,332,561
Synopsis: The Kid Stays in the Picture traces the meteoric rise, fall, and rise again of legendary Hollywood producer Robert Evans. Adapted from Mr. Evans's tell-all autobiography, the movie takes the... The Kid Stays in the Picture traces the meteoric rise, fall, and rise again of legendary Hollywood producer Robert Evans. Adapted from Mr. Evans's tell-all autobiography, the movie takes the audience on an intimate journey into the mind of this Hollywood legend. Robert Evans lived the life that many only dream of. His film career started in 1956, at the oddest of places: poolside at the Beverly Hills Hotel. His good looks, charm, and overwhelming confidence captured the eye of screen legend Norma Shearer. She offered him a role in the picture "Man of a Thousand Faces." After a glamorous, but short-lived, career as a movie star, Evans decided to try his hand at producing. Miraculously, at the age of 34, with no producing credits to his name, he landed a job as chief of production at Paramount Pictures. Evans ran the studio from 1966-1974. During his tenure, Evans was responsible for bringing some of the greatest films of the era to the screen, including "The Godfather," "Rosemary's Baby," "Love Story," "The Odd Couple," "The Conformist," "Harold and Maude," and "Chinatown." By the early '80s, the "Golden Boy" of Hollywood was losing his luster. After a failed marriage to Ali MacGraw, a cocaine bust, and, finally, a rumored involvement in the "Cotton Club" murder, Evans disappeared into near-obscurity. Only through tremendous will and uncanny luck did he once again rise as "the kid who stays in the picture." -- © 2002 USA Films [More]
Starring: Robert Evans, Dustin Hoffman, Phyllis George, Ali MacGraw
Starring: Robert Evans, Dustin Hoffman, Phyllis George, Ali MacGraw, Paul Newman, Bob Hope, Herve Villechaize
Director: Nanette Burstein, Brett Morgen
Director: Nanette Burstein, Brett Morgen
Screenwriter: Brett Morgen
Producer: Nanette Burstein, Brett Morgen, Graydon Carter
Studio: USA Films
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Reviews for The Kid Stays in the Picture
A blessed gift to film geeks and historians. If the '70's were your idea of a good time at the movies, this will make you very happy.
Aggressive self-glorification and a manipulative whitewash. Stay for the credits and see a devastating comic impersonation by Dustin Hoffman that is revelatory.
Evans' narration (taken from the memoirs and compiled by Morgen) makes it consistently interesting.
A colorful and captivating biography… So sly and mischievously engaging that at times you feel like it could be the first movie to actually buy you drinks and shag you silly.
'... paints a remarkably compelling portrait of the prototype producer, a man who has accomplished what many can only daydream about...'
There's a disreputable air about the whole thing, and that's what makes it irresistible.
For a life lived boldly and productively if imperfectly, Robert Evans deserves this trenchant, revealing, vastly entertaining documentary.
Giddy, absurdly entertaining account of Evans' rise and fall in the movie biz.
While the now 72-year-old Robert Evans been slowed down by a stroke, he has at least one more story to tell: his own.
An engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character.
Though it's equally solipsistic in tone, the movie has enough vitality to justify the notion of creating a screen adaptation of Evans' saga of Hollywood excess.
This kid certainly stayed in the picture and was resilient enough to stick around and witness the rolling ending credits of his own tantalizing production.
This is classic Hollywood, at its best and worst, sticky rich and scabrous.
Latest News for The Kid Stays in the Picture
January 21, 2007:
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