Kill Bill, Volume 2 Reviews
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It does have it's moments and especially the showdown between Thurman and Hannah is pleasure to watch here. Still Volume 2 is a huge disappointment and does not come even close to Vol.1.
One of the biggest flaws in some of Tarantino's films are the endless and pointless dialogue which does not serve the film in any possible way. It seems that Tarantino is too in love with his dialogue which in past ten years has gone just downhill with every film of his. This Volume 2 is further proof of that. Especially his biggest nadir so far, which is Death Proof, is perfect example of badly written dialogue.
It is also kinda sad to see that Kill Bill: Volume 1 promised something much more bigger and funnier than we in the end get. Here is a film that is very anticlimatic and ends into whimper. A huge disappointment.
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"The Bride Is Back For The Final Cut"
Kill Bill Vol. 2 is a good addition to the first film. Where the first film was a wall to wall action packed entry, this one slowed it down just a little bit and made for a more conversational film. It still had action and it still had the awesome choreography the first had; it just had longer scenes with more dialogue. For some action movies, that wouldn't work, but when Tarantino I'd the filmmaker; dialogue is a great thing. The more dialogue, the better, in my opinion. I liked this one just as much as the first and I think a second viewing of both would make me like them even more.
You should know the plot as it is the title, but this is the one where she actually kills Bill. Along the way she kills some other people that had a hand in her death. We also see the scene right before Bill tries to kill her at the church, and we see her get training from the very man that Bill got his training from. Like the first one, and just about every Tarantino film, the plot jumps around. It's told in a very non-linear fashion, which has proven to work perfectly for Tarantino.
Film lovers love these movies because there is just so much to take away from them, even on the first viewing. Tarantino's love for movies come out in these Kill Bill movies more than any other movie he has made. Everything about Kill Bill is done in a very detailed, very technical, very workmanlike way. Every shot, every song, every piece of dialogue, is exactly the way Tarantino wants it. A lot of what's going on in these movies is paying homage to the movies he loved.
As a combination, these movies are amazing. Uma Thurman is the perfect fit for her character, as is David Carradine. These movies are a film buffs dream, but so is Quentin Tarantino. The Kill Bill movies are must see films. If you love any genre that these movies touch, it's necessary. If you love smart, exciting, action packed, funny films, watch these movies. You won't be disappointed in the four hour long runtime of the two films together.
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Vernita Green (Vivica A. Fox) and O-Ren Ishii (Lucy Liu) are out for the count but for the Bride (Thurman), there's still unfinished business and three to go - the brooding brother Budd (Michael Madsen), the murderous one-eye Elle Driver (Daryl Hannah), and of course, the big dog. The top banana himself, Bill (Carradine).
After the success of the first, it can be tricky to maintain the same level of quality. Wisely though, Tarantino changes the whole tone and mood this time. He doesn't try to emulate the first. If anything he delivers the opposite. Where Volume 1 explored an eastern theme, Volume 2 is very much the western. It's a clever structural device from Tarantino and my being a big spaghetti western fan this second installment just about shades it for me.
If the first one was his channeling of Akira Kurasawa and John Woo, this is his John Ford and Sergio Leone. This time around the characters are more fleshed out. We are given tons of backstory and the reasons for all the carnage we have witnessed. This is when it all comes together. The big reveal. What this lacks though, is some of the visual splendor from Vol. 1. There's no scene that can quite match the climactic "The House Of The Blue Leaves" confrontation. What we get to make up for it, is an excellent modern spaghetti western complete with Ennio Morricone style music and a female frenzied fight between The Bride and Elle as well as the conscience ridden, snarling brother Budd and finally, the elusive Bill.
A third installment is now being discussed but if it doesn't transpire (and maybe it shouldn't) this is a fitting end to a marvellous double-feature from the imaginative mind of Tarantino. Any film that has a martial arts move called 'the five-point palm exploding heart technique' is okay in my book.
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...no it wasn't
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