Kill Me Later (2001)
25 %
Reviews Counted: 20 Fresh: 5 Rotten:15 Average Rating: 4.3/10
Runtime: 1 hr 45 mins
Theatrical Release: Sep 14, 2001 Limited
Synopsis: Selma Blair and Max Beesley play amusingly star-crossed lovers in Dana Lustig's KILL ME LATER. Blair is Shawn, a young woman struggling with her own self-negating romantic impulses. She's involved with a selfish married man (D.W. Moffett) who, completing the poor romantic choice... [More]
Genre: Dramas
Starring: Selma Blair, Max Beesley, D.W. Moffett, Brendan Fehr, Lochlyn Munro
Director: Dana Lustig
Screenwriter: Annette Goliti-Gutierrez
Producer: Carole Curb Nemoy, Mike Curb, Ram Bergman, Dana Lustig
Composer: Tal Bergman, Renato Neto
Screenwriter: Annette Goliti-Gutierrez
Producer: Carole Curb Nemoy, Mike Curb, Ram Bergman, Dana Lustig
Composer: Tal Bergman, Renato Neto
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Reviews
Comment
...about an hour after it's over, you'll barely remember what it was about.
12/09/02
A long-on-style-short-on-insight mish-mash... the filmmakers trade on credit they haven’t earned, hoping you’ll fill in the narrative gaps.
08/27/02
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08/09/02
Top Critic
Dana Lustig has taken a fairly heavy-handed approach, treating the material as if it were the basis of a longform music video ...
12/21/01
Plausibility is a problem with this would-be-giddy antic about newfound lovers on the lam.
12/09/01
By the end of it, you'll wish you had just stayed home and watched Total Request Live.
09/19/01
Top Critic
Badly employing all kinds of tricks ... [Lustig] ultimately overpowers her actors and does in her own film.
09/17/01
Top Critic Top Critic
Happily the filmmakers here are more interested in its people and their lives than in the chase that follows.
09/14/01
Top Critic
The kind of quirky film the movie world could use more of in these days of cookie-cutter studio pictures.
09/14/01
Top Critic
The performances in several smaller roles are so mechanical that they lend Kill Me Later the tone of a vanity production.
09/13/01
Top Critic
Screenplay gets the job done provided viewers are in the proper frame of mind to accept it as a romantic-fantasy trifle, with only the most tenuous connection to reality.
09/13/01
Film school editing only makes matters worse in a film that looks made to fit into WOR-TV's 5 p.m. midweek schedule.
09/07/01
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