The Killing Reviews
Scene-Stealers.com
A brisk, satisfying film noir that features all the details of a racetrack heist gone wrong - even if the timeline is all shuffled out of order. It's thick with atmosphere and razor-sharp dialogue.
Full Review
| Original Score: 3.5/4
Q Network Film Desk
Despite this only being his third feature and his first with a significant budget, Kubrick displays many of the thematic preoccupations and visual traits that would come to define his unique, cinematic voice.
Full Review
| Original Score: 3.5/4
Cinema Sight
A tight heist thriller from master director Stanley Kubrick.
Full Review
| Original Score: 3.5/4
TIME Magazine
Top CriticAt 27 Writer-Director Stanley Kubrick, in his third full-length picture, has shown more audacity with dialogue and camera than Hollywood has seen since the obstreperous Orson Welles went riding out of town on an exhibitors' poll.
eFilmCritic.com
May be the greatest of American heist films because it bursts the genre to the point of existentialism.
Full Review
| Original Score: 5/5
Cinemania
1956 and it's already Kubrick, being Kubrick.
Full Review
| Original Score: 81/100
Film4
Kubrick made grander and greater films, but this is among his most dramatic.
Empire Magazine
Even though he was just staring out, Kubrick instantly mastered the crime genre. A stunning film.
Full Review
| Original Score: 5/5
[The film] at first tends to be somewhat confusing, soon settles into a tense and suspenseful vein which carries through to an unexpected and ironic windup.
Arguably Stanley Kubrick's most perfectly conceived and executed film.
Slant Magazine
Stanley Kubrick's masterful manipulation of chronology brings an excruciating sense of doom to The Killing, a classical noir about a carefully threaded heist unraveled by the scheming of a fiendish femme.
Characteristically Kubrick in both its mechanistic coldness and its vision of human endeavour undone by greed and deceit, this noir-ish heist movie is nevertheless far more satisfying than most of his later work.
Combustible Celluloid
Stanley Kubrick's third film established him as a full-fledged filmmaker and a potential master.
Full Review
| Original Score: 4/4
EmanuelLevy.Com
Kubrick's breakthrough film is one of his very best, a classic film noir that has influenced many directors (including Tarantino) in narrative structure, visual style, and tone.
Full Review
| Original Score: A
Cinema em Cena
Com uma estrutura narrativa avançada para sua época, este longa é mais uma prova (desnecessária, claro) de que Kubrick sempre foi um Mestre em sua arte.
| Original Score: 5/5
Netflix
Strongly recommended for any film noir fan -- it's full of double-crosses and surprises, loaded with honest crooks, weak men, one wicked woman and some great two-fisted dialogue.
Full Review
| Original Score: 4/5
eye WEEKLY
Among his most energetic works.
Full Review
| Original Score: 4/5
Filmcritic.com
Stellar Kubrick film noir.
Full Review
| Original Score: 4/5
Edinburgh U Film Society
A brilliant film, and one well worth seeing -- whether as an example of what Kubrick was capable of doing with limited resources, a classic film noir, or one of those many movies which Tarantino has liberally drawn from.
