A well-researched docudrama on the twisted mind of the 25-year-old Mark David Chapman, the nobody who killed John Lennon.
The Killing of John Lennon (2008)
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Reviews Counted:32
Fresh:12
Rotten:20
Average Rating:4.9/10
Consensus: Despite a committed performance by newcomer Jonas Ball, The Killing of John Lennon is ultimately a flimsy character study.
Theatrical Release:Jan 2, 2008 Limited
Synopsis: Writer-director Andrew Piddington (SHUTTLECOCK, THE FALL) delves deep into the mind of Mark David Chapman in THE KILLING OF JOHN LENNON. Jonas Ball makes his feature-film debut as Chapman, the... Writer-director Andrew Piddington (SHUTTLECOCK, THE FALL) delves deep into the mind of Mark David Chapman in THE KILLING OF JOHN LENNON. Jonas Ball makes his feature-film debut as Chapman, the crazed gunman who shot John Lennon on December 8, 1980. Basing his script on Chapman's own words from interviews, writings, court transcripts, and depositions, Piddington retraces the events leading up to the shooting, which reverberated around the world. He goes back three months, showing Chapman's dysfunctional relationship with his mother (Krishna Fairchild) and his inattentiveness to his wife (Mie Omori) in Honolulu, where he was living after leaving his hometown of Decatur, Georgia. Chapman soon becomes obsessed with J. D. Salinger's classic novel THE CATCHER IN THE RYE, seeing himself as fictional character Holden Caulfield, who must root out the phonies of the world. By accident, he chooses former Beatle John Lennon as his victim, ultimately reasoning that Lennon sings about imagining no possessions yet is a millionaire living in the ritzy Dakota building in New York City, so he must be brought down. Chapman buys a gun, heads to the Big Apple, and starts stalking the Dakota, gripping his copy of Lennon's comeback album, DOUBLE FANTASY, recorded with his wife, Yoko Ono. Through voice-over narration, dialogue, and poignant one-person scenes, Piddington follows Chapman's dark, dangerous descent that results in cold-blooded murder. The film is shot on location in Decatur, Honolulu, and Manhattan, at the exact spots where the actual events took place. Ball gives a quirky, deeply felt performance, part Travis Bickle in TAXI DRIVER, part Rupert Pupkin in THE KING OF COMEDY, part Valerie Solanas in I SHOT ANDY WARHOL, embodying Chapman, while Piddington manages to hold viewers in suspense even though they know what is going to happen. [More]
Starring: Jonas Ball, Krishna Fairchild, Gunter Stern, Gail Kay Bell
Starring: Jonas Ball, Krishna Fairchild, Gunter Stern, Gail Kay Bell, Mie Omori, Robert Kirk, Richard Sherman
Director: Andrew Piddington
Director: Andrew Piddington
Screenwriter: Andrew Piddington
Producer: Rakha Singh
Composer: Martin Kiszko
Studio: IFC Films
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Release:
Aug 5, 2008
Reviews for The Killing of John Lennon
As the narrative lugubriously sticks to the documented events, we are served nothing more than a filmed transcript.
It's well-constructed and acted, but mainly just left me feeling like I needed a shower after an exercise in voyeurism surrounding an event that's still hard to watch.
Fastidiously researched, dubiously suspenseful character portrait is unable to salvage a lick of hindsight from the tragedy beyond "murderous narcissists are people too."
Despite its vivid and imaginative style, The Killing of John Lennon is tough slogging for its nearly two-hour running time.
Even if you can forgive [director] Piddington's mangling of the basics, you will find it hard to overlook his frantic use of slo-mo, a wobbly camera, freeze frames, double exposures and a close-up of a single eye.
Though the psychic space Piddington and Ball create is certainly a terrifyingly claustrophobic place to be, it's also stultifying and banal in the way other people's crazed obsessions become after a very short while.
The only revelations in The Killing of John Lennon are those we could have picked up ourselves, assuming we cared enough to do so.
Only slightly better than Chapter 27, it's questionable whether even the most morbidly curious John Lennon fan might have any interest in sitting through nearly two hours of this creepy lunatic.
[W]e have only the perspective of a madman here, and it is no more enlightening than the ramblings of any given violent schizophrenic or criminal psychotic.
Piddington does a beautiful balancing act, creating a movie that works both on the level of suspense and as a detailed factual chronicle.
Andrew Piddington's devastating re-enactment of events leading up to, including and immediately after the murder is taken from interviews, depositions and court transcripts.
Piddington never dares to diagnose Chapman's rage, settling for Wikipedia-style objectivity dressed in the more fatuous-than-provocative manner of Robinson Devor's Zoo.
A stunning performance by newcomer Jonas Ball in the role of Mark David Chapman, the killer of John Lennon.
A pertinent exploration of the relationship between celebrities and their fans in a fame-obsessed world.
Charting Chapman’s relationship with The Catcher in the Rye to being quizzed after the murder, this is an engrossing study – but paper thin.
This tells us precisely nothing about John Lennon and a sight too much about his killer, Mark Chapman.
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