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Movies / On DVD / The Killing of John Lennon
The Killing of John Lennon

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The Killing of John Lennon (2008)

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Reviews Counted:32

Fresh:12

Rotten:20

Average Rating:4.9/10

Consensus: Despite a committed performance by newcomer Jonas Ball, The Killing of John Lennon is ultimately a flimsy character study.

Rated: Not Rated

Runtime: 1 hr 55 mins

Genre: Dramas

Theatrical Release:Jan 2, 2008 Limited

Synopsis: Writer-director Andrew Piddington (SHUTTLECOCK, THE FALL) delves deep into the mind of Mark David Chapman in THE KILLING OF JOHN LENNON. Jonas Ball makes his feature-film debut as Chapman, the... Writer-director Andrew Piddington (SHUTTLECOCK, THE FALL) delves deep into the mind of Mark David Chapman in THE KILLING OF JOHN LENNON. Jonas Ball makes his feature-film debut as Chapman, the crazed gunman who shot John Lennon on December 8, 1980. Basing his script on Chapman's own words from interviews, writings, court transcripts, and depositions, Piddington retraces the events leading up to the shooting, which reverberated around the world. He goes back three months, showing Chapman's dysfunctional relationship with his mother (Krishna Fairchild) and his inattentiveness to his wife (Mie Omori) in Honolulu, where he was living after leaving his hometown of Decatur, Georgia. Chapman soon becomes obsessed with J. D. Salinger's classic novel THE CATCHER IN THE RYE, seeing himself as fictional character Holden Caulfield, who must root out the phonies of the world. By accident, he chooses former Beatle John Lennon as his victim, ultimately reasoning that Lennon sings about imagining no possessions yet is a millionaire living in the ritzy Dakota building in New York City, so he must be brought down. Chapman buys a gun, heads to the Big Apple, and starts stalking the Dakota, gripping his copy of Lennon's comeback album, DOUBLE FANTASY, recorded with his wife, Yoko Ono. Through voice-over narration, dialogue, and poignant one-person scenes, Piddington follows Chapman's dark, dangerous descent that results in cold-blooded murder. The film is shot on location in Decatur, Honolulu, and Manhattan, at the exact spots where the actual events took place. Ball gives a quirky, deeply felt performance, part Travis Bickle in TAXI DRIVER, part Rupert Pupkin in THE KING OF COMEDY, part Valerie Solanas in I SHOT ANDY WARHOL, embodying Chapman, while Piddington manages to hold viewers in suspense even though they know what is going to happen. [More]

Starring: Jonas Ball, Krishna Fairchild, Gunter Stern, Gail Kay Bell

Starring: Jonas Ball, Krishna Fairchild, Gunter Stern, Gail Kay Bell, Mie Omori, Robert Kirk, Richard Sherman

Director: Andrew Piddington

Director: Andrew Piddington
Screenwriter: Andrew Piddington
Producer: Rakha Singh
Composer: Martin Kiszko
Studio: IFC Films

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Release:

Aug 5, 2008

[DVD Details]
 
 
  • Mark David Chapman, a 25 year old security guard in Hawaii, bought a plane ticket to New York with the intention of killing the world's greatest musician and dreamer: The Beatles' John Lennon. Camping outside Lennon's apartment in New York waiting for an autograph, Chapman's childlike obsession with this "celebrity phony" descends into madness. Both gritty and dreamy, The Killing Of John Lennon is a stunning examination of a stalker's mind just before the kill.
  • Source: Genius Productions Inc.
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    Reviews for The Killing of John Lennon

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    1 - 20 (sorted by comments)
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    Who is the audience here, besides depraved Beatles completists?

    Full Review Source: Village Voice | comment 2 Comments
    01/02/08
    Aaron Hillis
    Aaron Hillis
    Village Voice

    The makers of this tasteless and generally bleak recreation of Chapman’s life in the three months before the killing just didn’t get it. The man who shot the ex-Beatle deserves to rot unforgotten in his six by ten, not have films made about him.

    Full Review Source: Daily Mirror [UK] | comment 1 Comment
    12/07/07
    Daily Mirror [UK]

    Piddington never dares to diagnose Chapman's rage, settling for Wikipedia-style objectivity dressed in the more fatuous-than-provocative manner of Robinson Devor's Zoo.

    Full Review Source: Slant Magazine | comment 1 Comment
    12/26/07
    Ed Gonzalez
    Ed Gonzalez
    Slant Magazine

    Charting Chapman’s relationship with The Catcher in the Rye to being quizzed after the murder, this is an engrossing study – but paper thin.

    Full Review Source: This is London | comment Comment
    12/07/07
    This is London

    Fastidiously researched, dubiously suspenseful character portrait is unable to salvage a lick of hindsight from the tragedy beyond "murderous narcissists are people too."

    Full Review Source: L.A. Weekly | comment Comment
    02/15/08
    Aaron Hillis
    Aaron Hillis
    L.A. Weekly

    This tells us precisely nothing about John Lennon and a sight too much about his killer, Mark Chapman.

    Full Review Source: Independent | comment Comment
    12/07/07
    Anthony Quinn
    Anthony Quinn
    Independent

    Piddington has pulled off a delicate balancing act, presenting Chapman as an explosive by-product of our celebrity-obsessed times, while resisting the temptation to validate Chapman's own elaborate self-mythologising.

    Full Review Source: Channel 4 Film | comment Comment
    11/30/07
    Anton Bitel
    Anton Bitel
    Channel 4 Film

    A transfixing recreation of the events that shocked the world.

    Full Review Source: Empire Magazine | comment Comment
    12/07/07
    David Parkinson
    David Parkinson
    Empire Magazine

    A well-researched docudrama on the twisted mind of the 25-year-old Mark David Chapman, the nobody who killed John Lennon.

    Full Review Source: Ozus' World Movie Reviews | comment Comment
    07/15/09
    Dennis Schwartz
    Dennis Schwartz
    Ozus' World Movie Reviews

    Chapman was on a simple, skewed quest for infamy. And he got it. One gathers he’d be chuffed to see this film. And that’s the biggest issue of all.

    Full Review Source: Time Out | comment Comment
    12/07/07
    Derek Adams
    Derek Adams
    Time Out

    Only slightly better than Chapter 27, it's questionable whether even the most morbidly curious John Lennon fan might have any interest in sitting through nearly two hours of this creepy lunatic.

    Full Review Source: ComingSoon.net | comment Comment
    01/03/08
    Edward Douglas
    Edward Douglas
    ComingSoon.net

    Unlike Chapman, The Killing of John Lennon is no phony.

    Full Review Source: New York Press | comment Comment
    01/02/08
    Eric Kohn
    Eric Kohn
    New York Press

    Despite its vivid and imaginative style, The Killing of John Lennon is tough slogging for its nearly two-hour running time.

    Full Review Source: Film Journal International | comment Comment
    01/07/08
    Eric Monder
    Eric Monder
    Film Journal International

    The only revelations in The Killing of John Lennon are those we could have picked up ourselves, assuming we cared enough to do so.

    Full Review Source: Newsday | comment Comment
    01/03/08
    Gene Seymour
    Gene Seymour
    Newsday
    Top Critic Icon Top Critic

    A stunning performance by newcomer Jonas Ball in the role of Mark David Chapman, the killer of John Lennon.

    Full Review Source: Compuserve | comment Comment
    12/25/07
    Harvey S. Karten
    Harvey S. Karten
    Compuserve

    Piddington does a beautiful balancing act, creating a movie that works both on the level of suspense and as a detailed factual chronicle.

    Full Review Source: New York Daily News | comment Comment
    01/02/08
    Jack Mathews
    Jack Mathews
    New York Daily News
    Top Critic Icon Top Critic

    The power of the film is the way it charts, indeed enacts, a man losing his grip on reality. 4/5

    Full Review Source: Times [UK] | comment Comment
    12/07/07
    James Christopher
    James Christopher
    Times [UK]

    Though the psychic space Piddington and Ball create is certainly a terrifyingly claustrophobic place to be, it's also stultifying and banal in the way other people's crazed obsessions become after a very short while.

    Full Review Source: TV Guide's Movie Guide | comment Comment
    01/04/08
    Ken Fox
    Ken Fox
    TV Guide's Movie Guide

    Even if you can forgive [director] Piddington's mangling of the basics, you will find it hard to overlook his frantic use of slo-mo, a wobbly camera, freeze frames, double exposures and a close-up of a single eye.

    Full Review Source: New York Post | comment Comment
    01/04/08
    Kyle Smith
    Kyle Smith
    New York Post
    Top Critic Icon Top Critic

    It's well-constructed and acted, but mainly just left me feeling like I needed a shower after an exercise in voyeurism surrounding an event that's still hard to watch.

    Full Review Source: Seattle Times | comment Comment
    03/21/08
    Mark Rahner
    Mark Rahner
    Seattle Times
     
     
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