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The King is Alive (2001)
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Reviews Counted:65
Fresh:39
Rotten:26
Average Rating:5.8/10
Consensus: Though the plot feels rather contrived, the ensemble acting in this Dogme 95 film is good.
Theatrical Release:May 11, 2001 Limited
Synopsis: The fourth contribution to the grass roots Dogme 95 collective, THE KING IS ALIVE is a psychological horror film that uses a bleak yet beautiful African landscape to tell a haunting tale of human... The fourth contribution to the grass roots Dogme 95 collective, THE KING IS ALIVE is a psychological horror film that uses a bleak yet beautiful African landscape to tell a haunting tale of human weakness and survival. The story concerns a group of vacationers who are traveling through the torturous Namibian desert. When they discover that the compass the driver, Moses (Vusi Kunene), has been using is actually broken, they quickly become terrified at the prospects of becoming stranded. This fear quickly turns into reality after the bus runs out of gas near a small abandoned village. The only resident, Kanana (Peter Khubeke), watches the foreigners slowly unravel with a resigned detachment. The travelers themselves--including the unhappily married couple Ray (Bruce Davison) and Liz (Janet McTeer), French intellectual Catherine (Romane Bohringer), flaky American Gina (Jennifer Jason Leigh), condescending Englishman Charles (David Calder), and sensitive actor Henry (David Bradley)--begin to lose their sanity ever so slowly, fighting with each other and themselves, until there appears to be no hope left. Henry's last attempt to keep the group unified, by engaging them in staging a performance of Shakespeare's KING LEAR, provides the weary individuals with an outlet that just might save them after all. Kristian Levring uses Dogme's tenets to breathe striking new life into an otherwise traditional genre. [More]
Starring: Miles Anderson, Romane Bohringer, Bruce Davison, Brion James
Starring: Miles Anderson, Romane Bohringer, Bruce Davison, Brion James, Jennifer Jason Leigh, Lia Williams, David Bradley, David Calder, Vusi Kunene, Janet McTeer, Chris Walker
Director: Kristian Levring
Director: Kristian Levring
Screenwriter: Anders Thomas Jensen, Kristian Levring
Studio: IFC Films
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Reviews for The King is Alive
You can take The King Is Alive as a bold gamble or a pretentious folly. No, take it as a pretentious folly.
A high-minded project that never lifts off as intended despite all the right elements seemingly coming together.
The performances are admirable, the location evocatively exploited and the psychological intensity often unbearable. But the spark isn’t there.
Levring's film isn't nearly as smart or original as he seems to think it is.
The predictability and repetitive nature of the story, our own patience is challenged.
If the purpose of the story is to get us to dislike the characters, then mission accomplished.
Kristian Levring's The King is Alive operates on a conceptual, pseudo-intellectual level, perhaps a touch too orderly to convey true madness.
The performances Levring gets from his international cast are almost strong enough to distract you from his failure to develop any of the grand themes so self-consciously set-up by the choice of King Lear.
If I'd been interested in this movie's acrimonious characters I might have appreciated the actors' performances more.
But what doesn't entirely succeed as convincing psychodrama makes one hell of an acting exercise (it's great fun to see great actors purposely mangle the Bard's immortal words), and Levring's cast -- McTeer in particular -- run with it.
There's no real sense of tragedy when these lost souls begin to drop dead in their eleventh hour -- just more pain and suffering for an already strongly unsympathetic group.
Stylish and gritty, The King Is Alive lacks the impact of revelation that might have made the journey worth taking.
Somebody should really plop these guys down in front of an old Rodgers & Hammerstein spectacle.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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