Develops an uncommonly warm and compassionate tone.
Kingdom Come (2001)
Tomatometer
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Reviews Counted:63
Fresh:18
Rotten:45
Average Rating:4.3/10
Consensus: While it has its moments, Kingdom Come is marred by a script that's low on laughs and uneven in tone.
Rated: PG [See Full Rating] for thematic elements, language and sensuality
Runtime: 1 hr 34 mins
Genre: Comedies
Theatrical Release:Apr 11, 2001 Wide
Box Office: $22,574,258
Synopsis: Whoopi Goldberg stars in KINGDOM COME as matriarch Raynelle Slocumb, whose mean-spirited husband, Ray Bud, unexpectedly falls down dead at the breakfast table in this touching and irreverent comedy... Whoopi Goldberg stars in KINGDOM COME as matriarch Raynelle Slocumb, whose mean-spirited husband, Ray Bud, unexpectedly falls down dead at the breakfast table in this touching and irreverent comedy based on the play DEARLY DEPARTED by David Dean Bottrell and Jessie Jones. Ray Bud's untimely death forces the dysfunctional Slocumb clan together for a long weekend where family tensions, grievances, and long-suffering silences are aired as they prepare the funeral of their patriarch. An all-star African American cast features L.L. Cool J as Ray Bud Jr., who is put in charge of the funeral despite his struggles to come to terms with unresolved feelings for his father while battling alcoholism and an unhappy marriage with his wife, Lucille (Vivica A. Fox). Bud Jr.'s brother, Junior (Anthony Anderson), is a small-time scheme-spinner who descends on the Slocumb family home in rural Lulu, California with his shrewish wife, Charisse (Jada Pinkett Smith), and their three monstrous children. Bud's sister, Marguerite (Loretta Devine), is a deeply religious bible-thumper whose son, Royce (Darius McCrary)--affectionately called Satan--dreams of starting a family of his own so he can live on welfare. And finally, wealthy cousin, Juanita (Toni Braxton), who competes with Charisse for Junior's affection as the whole family comes together for a wildly vibrant ride orchestrated by a slightly gaseous Reverend (Cedric The Entertainer). Set to a rollicking gospel soundtrack by Kirk Franklin, featuring a title song with Jill Scott, this entertaining combination of humor and family dynamics features a first-rate ensemble cast brimming over with vitality in this self-parody of African American family life. [More]
Starring: Whoopi Goldberg, Toni Braxton, LL Cool J, Jada Pinkett Smith
Starring: Whoopi Goldberg, Toni Braxton, LL Cool J, Jada Pinkett Smith, Anthony Anderson, Cedric the Entertainer, Loretta Devine, Darius McCrary, Vivica Fox
Director: Doug McHenry
Director: Doug McHenry
Screenwriter: David Dean Bottrell, Jessie Jones
Producer: John Morrissey, Edward Bates
Composer: Tyler Bates
Studio: Fox Searchlight Pictures
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Reviews for Kingdom Come
A heavyset daughter who never talks but eats a lot is named Delightful, which is supposed to be funny. That pretty much sums up the movie's comic tone.
While Kingdom Come follows the formula for comic combustibility, it's even more inert than Bud, who at least comes to life for a brief fantasy sequence.
It is difficult to find anything interesting about the onscreen bickering and distress concerning repeatedly harped-upon issues.
The script and plot become far too predictable -- to the point that the audience knows exactly where it's going to go and reluctantly follows it.
Awful because it's full of archaic stereotypes, glaringly bad performances and enough Parent 'Hood-ish sitcom yuks to give Spike Lee an arm-length list of reasons to make Bamboozled 2 in response.
The structure and style are a staple of many traveling black stage shows ... What slays them in the second balcony, though, flattens on the screen.
The comedy sequences are routinely played for the very broadest sort of slapstick, which makes its abrupt attempts to switch gears back into genuine dramatic emotion-mode all the more impossible to sustain.
LL Cool J and his co-stars, Devine and Goldberg, fare better than their castmates, all of whom deserve stronger material than screenwriters David Dean Bottrell and Jessie Jones's predictable, forgiveness-themed script provides.
You get the sense that many of the characters and much of the raucous familial wrangling would have worked better in a theatrical setting.
Despite an appealing cast that includes Toni Braxton and Cedric The Entertainer, Kingdom Come won't leave you with a happy feeling -- and it may just leave you feeling surly.
Kingdom Come has its moments, but clearly isn't as good or funny as it could have been.
Sometimes there's nothing to be done about death except laugh at it, which is exactly what the comedy Kingdom Come does, with most of the right laughs in most of the right places and some unexpected ones thrown in.
An offensive portrait of an extended African-American family featuring a roster of characters portrayed without respect, affection, humor, or anything resembling good taste.
A messy, largely disappointing comedy-drama that’s hopelessly torn between sincerity and outrageousness.
Sharp performances and funny dialogue, along with its innate sweetness, make Kingdom Come a winner.
A lukewarm African-American sitcom that forsakes the laugh track in favor of an R&B soundtrack.
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