A mirthless comedy about venal people doing stupid things.
King's Ransom (2005)
Tomatometer
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Reviews Counted:49
Fresh:1
Rotten:48
Average Rating:2.3/10
Consensus: Filled with crass dialogue, unlikable characters, and overdone slapstick gags, King's Ransom is an utterly inept would-be comedy.
Rated: PG-13 [See Full Rating] for crude and sexual humor and language
Runtime: 1 hr 38 mins
Genre: Comedies
Theatrical Release:Apr 22, 2005 Wide
Box Office: $3,998,889
Synopsis: Anthony Anderson sheds his usual sidekick status, heading up the ensemble cast as Malcolm King, a boorish, egomaniacal billionaire who owns a huge, equally tasteless marketing firm in Chicago. The... Anthony Anderson sheds his usual sidekick status, heading up the ensemble cast as Malcolm King, a boorish, egomaniacal billionaire who owns a huge, equally tasteless marketing firm in Chicago. The cocky businessman is quickly established as the kind of character audiences love to hate, insulting underlings with glee and emitting crass vulgarities whenever he opens his mouth. His lovable secretary Miss Gladys (Loretta Devine) tries to keep him in line, while his uber-ditz of an administrative assistant, Peaches (Regina King, SCARY MOVIE), keeps him satisfied. Kellita Smith (THE BERNIE MAC SHOW) plays Malcolm's gold-digging wife, who is sleeping with her hunky, though stuttering, pool boy (Roger Cross) while seeking a hefty divorce settlement. The cast is rounded out by Angela (Nicole Ari Parker, SOUL FOOD), the temporary VP who is passed up for the job in favor of the boss's mistress, and Corey (Jay Mohr, LAST COMIC STANDING), a loser who lives in his grandmother's basement; his gang banger sister intimidates him into taking part in criminal activities. Resentments toward King abound, and soon everyone gets the same idea: kidnap Malcolm, take him for all he's worth, and teach him a valuable lesson. Even the big man himself decides to orchestrate his own kidnapping, in order to throw a wrench in the plans of his wife's lawyer. A cacophony of mistaken identities, misunderstandings, and general mayhem ensues, during which time the supporting cast is given a chance to shine; in particular, Jay Mohr deftly handles a violent run-in with a fast food worker with hilarious results. Donald Faison (SCRUBS) and Charlie Murphy (CHAPPELLE'S SHOW) also turn in stellar performances, as a randy parking attendant and a growling ex-con on the down low. [More]
Starring: Anthony Anderson, Jay Mohr, Regina Hall, Loretta Devine
Starring: Anthony Anderson, Jay Mohr, Regina Hall, Loretta Devine, Kellita Smith, Nicole Parker, Donald Faison, Leila Arcieri, Brooke D'Orsay, Charlie Murphy
Director: Jeff Byrd
Director: Jeff Byrd
Screenwriter: Wayne Conley
Producer: Darryl Taja
Composer: Marcus Miller
Studio: New Line Cinema
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Release:
Jul 26, 2005
Reviews for King's Ransom
Needless to say, as a cringe-worthy and excruciatingly awful comedy, you shouldn't pay a dime of King's Ransom.
Populated solely with hateful characters...strictly for connoisseurs of crass.
If Hell does exist, I’m sure the only movie theatre in town will be playing nothing but Anthony Anderson movies.
The scenarios are halfway convincing and at times even passably clever; they are never, however, especially funny.
If you shelve out even $1 for this movie, you'll feel as though you've paid a "King's Ransom."
It is, quite plainly, like watching a movie that’s trying to go out of its way to be horrible.
Somewhere in a pitch meeting someone must have piped up: 'I know. We'll have a guy named 'King' and he gets kidnapped, see? So there's a 'ransom'! King's Ransom, get it? After that, I've got nothing.'
The film's tag line - 'Big Man. Big Plan. Big Mistake.' sums up the decision to make the movie... big mistake.
Byrd’s romp through the most contemptible stereotypes of women, gays, and ethnic minorities makes his film unfit for just about anyone, never mind royalty.
The wordplay of the title here is the only slightly clever element of this extremely lame comedy.
The Chronicle's Little Man was fighting an internal struggle to abandon his chair altogether, but was ultimately swayed to continue his nap, mostly by a few of the comics in supporting roles.
The desperately unfunny kidnapping farce King's Ransom is the cinematic equivalent of trampled chewing gum on a subway platform.
The script, by TV writer Wayne Conley, shares some elements with the old Danny DeVito comedy Ruthless People, but humor isn't one of them.
'Screenwriter' Wayne Conley's idea of side-splitting dialogue is to have characters repeatedly tell King to "kiss their black ass." Or announce that they just "pooted."
Little in this film suggests 'director' Jeff Byrd and writer Wayne Conley possess any facility -- or familiarity -- with irony or any other comedic device.
None of this is remotely funny, despite screenwriter Wayne Conley's resorting to virtually every known stereotype about African-Americans and more crass references to menstruation and prison sex than have ever appeared in a movie rated PG-13.
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