King's Ransom is a wit-deficient barrage of obnoxious characters and second-hand punchlines.
King's Ransom (2005)
Tomatometer
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Reviews Counted:49
Fresh:1
Rotten:48
Average Rating:2.3/10
Consensus: Filled with crass dialogue, unlikable characters, and overdone slapstick gags, King's Ransom is an utterly inept would-be comedy.
Rated: PG-13 [See Full Rating] for crude and sexual humor and language
Runtime: 1 hr 38 mins
Genre: Comedies
Theatrical Release:Apr 22, 2005 Wide
Box Office: $3,998,889
Synopsis: Anthony Anderson sheds his usual sidekick status, heading up the ensemble cast as Malcolm King, a boorish, egomaniacal billionaire who owns a huge, equally tasteless marketing firm in Chicago. The... Anthony Anderson sheds his usual sidekick status, heading up the ensemble cast as Malcolm King, a boorish, egomaniacal billionaire who owns a huge, equally tasteless marketing firm in Chicago. The cocky businessman is quickly established as the kind of character audiences love to hate, insulting underlings with glee and emitting crass vulgarities whenever he opens his mouth. His lovable secretary Miss Gladys (Loretta Devine) tries to keep him in line, while his uber-ditz of an administrative assistant, Peaches (Regina King, SCARY MOVIE), keeps him satisfied. Kellita Smith (THE BERNIE MAC SHOW) plays Malcolm's gold-digging wife, who is sleeping with her hunky, though stuttering, pool boy (Roger Cross) while seeking a hefty divorce settlement. The cast is rounded out by Angela (Nicole Ari Parker, SOUL FOOD), the temporary VP who is passed up for the job in favor of the boss's mistress, and Corey (Jay Mohr, LAST COMIC STANDING), a loser who lives in his grandmother's basement; his gang banger sister intimidates him into taking part in criminal activities. Resentments toward King abound, and soon everyone gets the same idea: kidnap Malcolm, take him for all he's worth, and teach him a valuable lesson. Even the big man himself decides to orchestrate his own kidnapping, in order to throw a wrench in the plans of his wife's lawyer. A cacophony of mistaken identities, misunderstandings, and general mayhem ensues, during which time the supporting cast is given a chance to shine; in particular, Jay Mohr deftly handles a violent run-in with a fast food worker with hilarious results. Donald Faison (SCRUBS) and Charlie Murphy (CHAPPELLE'S SHOW) also turn in stellar performances, as a randy parking attendant and a growling ex-con on the down low. [More]
Starring: Anthony Anderson, Jay Mohr, Regina Hall, Loretta Devine
Starring: Anthony Anderson, Jay Mohr, Regina Hall, Loretta Devine, Kellita Smith, Nicole Parker, Donald Faison, Leila Arcieri, Brooke D'Orsay, Charlie Murphy
Director: Jeff Byrd
Director: Jeff Byrd
Screenwriter: Wayne Conley
Producer: Darryl Taja
Composer: Marcus Miller
Studio: New Line Cinema
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Release:
Jul 26, 2005
Reviews for King's Ransom
Little in this film suggests 'director' Jeff Byrd and writer Wayne Conley possess any facility -- or familiarity -- with irony or any other comedic device.
The scenarios are halfway convincing and at times even passably clever; they are never, however, especially funny.
With the humor in this lazy farce about as subtle as a shotgun blast to the face, it's possible to see the whole movie as an accident, the cumulative result of haphazard negligence.
If you shelve out even $1 for this movie, you'll feel as though you've paid a "King's Ransom."
Somewhere in a pitch meeting someone must have piped up: 'I know. We'll have a guy named 'King' and he gets kidnapped, see? So there's a 'ransom'! King's Ransom, get it? After that, I've got nothing.'
After a while, all these odious, yammering people start to sound a lot like Charlie Brown's teacher. And they somehow all end up together at a time and a place you do not want to be.
None of this is remotely funny, despite screenwriter Wayne Conley's resorting to virtually every known stereotype about African-Americans and more crass references to menstruation and prison sex than have ever appeared in a movie rated PG-13.
The Chronicle's Little Man was fighting an internal struggle to abandon his chair altogether, but was ultimately swayed to continue his nap, mostly by a few of the comics in supporting roles.
Devoid of anything resembling wit or even guiltily amusing tasteless gags, the film lurches from one haplessly staged sequence to another, with the performers vainly struggling to infuse humor into the proceedings.
One of those barbarically unfunny romps that would be over in less than 10 minutes if just one character had an IQ higher than a cherry Pop-Tart.
If Anderson can land the role of a corporate shark who's surrounded by hot babes, it's conceivable we could soon see Jennifer Lopez as the lead in 'Memoirs of a Geisha'...
The desperately unfunny kidnapping farce King's Ransom is the cinematic equivalent of trampled chewing gum on a subway platform.
Byrd haphazardly assembles a bunch of overly exaggerated caricatures and parades them around in a dissolving farce that has all the wayward charm of a botched lobotomy
The film's tag line - 'Big Man. Big Plan. Big Mistake.' sums up the decision to make the movie... big mistake.
Unobtrusive and virtually painless as an occasionally witty laugher, but lacks the courage of its convictions to follow through with its less commercial ambitions.
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