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Kippur (2000)
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Reviews Counted:18
Fresh:14
Rotten:4
Average Rating:6.6/10
Runtime: 2 hrs 3 mins
Genre: Foreign Films
Synopsis: In 1973, on the Jewish high holy day of Yom Kippur, the Arab nations launched a massive military assault on the state of Israel. KIPPUR follows the paths of two Israeli soldiers as they face the... In 1973, on the Jewish high holy day of Yom Kippur, the Arab nations launched a massive military assault on the state of Israel. KIPPUR follows the paths of two Israeli soldiers as they face the chaos and carnage of battle. Weinraub (Leron Levo) is a sensitive, artistic sort. He quotes Herbert Marcuse to his friend, Ruso (Tomer Ruso), who is much more gung-ho, as they head off to battle. In the pandemonium at the front, the two fail to find their unit, and end up joining an airborne rescue unit. Amos Gitai avoids all sentimentality and sensation. He doesn't dwell on the politics of the war. His focus is on the men who experience the ugliness and tedium of battle and the effect this experience has on them. As the film gets deep down in the mud, literally, with these soldiers, we get a close-up look at the aftermath of the violence. These are stoic men, who never question the necessity of what they do. The actors deliver straightforward performances that enhance the realistic power of the film. Gitai is perhaps the world's best-known Israeli filmmaker, and KIPPUR is an excellent example of his intimately scaled, uncompromisingly honest work. [More]
Starring: Liron Levo, Tomer Ruso, Uri Ran Klauzner, Yoram Hattab
Starring: Liron Levo, Tomer Ruso, Uri Ran Klauzner, Yoram Hattab, Guy Amir, Juliano Merr
Director: Amos Gitai
Director: Amos Gitai
Screenwriter: Amos Gitai
Producer: Laurent Truchot
Composer: Jan Garbarek
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Reviews for Kippur
The relentless attention to the sheer awfulness of war, which is the film's great strength, is also something of a shortcoming.
an uncompromising look at war... unglamorous, unromanticized, gritty and intimate
Throughout, and even in the end, we have no emotional involvement. We watch, shrug and walk away.
It's as good a war film as I have ever seen, and that includes the gritty hard-nosed Sam Fuller's autobiography "The Big Red One."
Gitai's forceful direction realistically captures the chaos, dislocation and agony that the helicopter team witness and experience.
Gitai plunges the viewer into the reality of modern warfare, in which the enemy is often invisible -- we never see the Syrians in Kippur -- and battle lines are often unclear.
A classic war film, at once elegiac and immediate, that takes you smack into the chaos of combat yet is marked by a detached perspective.
all the more daring for its desire to convey its message without didacticism or even conventional methods of narrative.
A patience-trying docudrama almost completely devoid of any trace of narrative structure or even defined characters.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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