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Kippur

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Kippur (2000)

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Reviews Counted:18

Fresh:14

Rotten:4

Average Rating:6.6/10

Runtime: 2 hrs 3 mins

Genre: Foreign Films

Synopsis: In 1973, on the Jewish high holy day of Yom Kippur, the Arab nations launched a massive military assault on the state of Israel. KIPPUR follows the paths of two Israeli soldiers as they face the... In 1973, on the Jewish high holy day of Yom Kippur, the Arab nations launched a massive military assault on the state of Israel. KIPPUR follows the paths of two Israeli soldiers as they face the chaos and carnage of battle. Weinraub (Leron Levo) is a sensitive, artistic sort. He quotes Herbert Marcuse to his friend, Ruso (Tomer Ruso), who is much more gung-ho, as they head off to battle. In the pandemonium at the front, the two fail to find their unit, and end up joining an airborne rescue unit. Amos Gitai avoids all sentimentality and sensation. He doesn't dwell on the politics of the war. His focus is on the men who experience the ugliness and tedium of battle and the effect this experience has on them. As the film gets deep down in the mud, literally, with these soldiers, we get a close-up look at the aftermath of the violence. These are stoic men, who never question the necessity of what they do. The actors deliver straightforward performances that enhance the realistic power of the film. Gitai is perhaps the world's best-known Israeli filmmaker, and KIPPUR is an excellent example of his intimately scaled, uncompromisingly honest work. [More]

Starring: Liron Levo, Tomer Ruso, Uri Ran Klauzner, Yoram Hattab

Starring: Liron Levo, Tomer Ruso, Uri Ran Klauzner, Yoram Hattab, Guy Amir, Juliano Merr

Director: Amos Gitai

Director: Amos Gitai
Screenwriter: Amos Gitai
Producer: Laurent Truchot
Composer: Jan Garbarek

[See More Credits]

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Release:

Aug 28, 2001

No Details Exist
 
 

Reviews for Kippur

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1 - 20 (sorted by source)
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Gitai's forceful direction realistically captures the chaos, dislocation and agony that the helicopter team witness and experience.

Full Review Source: Boxoffice Magazine | comment Comment
06/05/02
Ed Scheid
Ed Scheid
Boxoffice Magazine

Gitai plunges the viewer into the reality of modern warfare, in which the enemy is often invisible -- we never see the Syrians in Kippur -- and battle lines are often unclear.

Full Review Source: Chicago Reader | comment Comment
02/07/01
Fred Camper
Fred Camper
Chicago Reader

A boldly authentic and thought provoking experience.

Full Review Source: CinemaSense.Com | comment Comment
02/07/01
Cornell & Petricelli
Cornell & Petricelli
CinemaSense.Com

A near-masterpiece.

Full Review Source: Combustible Celluloid | comment Comment
05/17/04
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

all the more daring for its desire to convey its message without didacticism or even conventional methods of narrative.

Full Review Source: Critical Eye | comment Comment
11/22/01
Mark Freeman
Mark Freeman
Critical Eye

an uncompromising look at war... unglamorous, unromanticized, gritty and intimate

Full Review Source: culturevulture.net | comment Comment
07/03/01
Arthur Lazere
Arthur Lazere
culturevulture.net

Click to read the article

Full Review Source: eFilmCritic.com | comment Comment
02/26/01
Greg Muskewitz
Greg Muskewitz
eFilmCritic.com

No review available.

comment Comment
08/12/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com
N/R

Click to read the article

Full Review Source: eye WEEKLY | comment Comment
06/12/01
Jason Anderson
Jason Anderson
eye WEEKLY

A patience-trying docudrama almost completely devoid of any trace of narrative structure or even defined characters.

Full Review Source: Hollywood Reporter | comment Comment
05/12/01
Michael Rechtshaffen
Michael Rechtshaffen
Hollywood Reporter
Top Critic Icon Top Critic

No review available.

comment Comment
08/09/02
David Poland
David Poland
Hot Button

Throughout, and even in the end, we have no emotional involvement. We watch, shrug and walk away.

Full Review Source: Jam! Movies | comment Comment
06/04/01
Bruce Kirkland
Bruce Kirkland
Jam! Movies

As bloody or breathtaking or heroic as these gussied-up Hollywood depictions of armed human conflict might try to be, none of them capture the true hellacious chaos of war like Israeli director Amos Gitai's Kippur.

Full Review Source: Jam! Movies | comment Comment
09/30/02
Steve Tilley
Steve Tilley
Jam! Movies

A classic war film, at once elegiac and immediate, that takes you smack into the chaos of combat yet is marked by a detached perspective.

Full Review Source: Los Angeles Times | comment Comment
02/07/01
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: New Republic | comment Comment
03/08/01
Stanley Kauffmann
Stanley Kauffmann
New Republic
Top Critic Icon Top Critic

The relentless attention to the sheer awfulness of war, which is the film's great strength, is also something of a shortcoming.

Full Review Source: New York Times | comment Comment
02/07/01
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

It's as good a war film as I have ever seen, and that includes the gritty hard-nosed Sam Fuller's autobiography "The Big Red One."

Full Review Source: Ozus' World Movie Reviews | comment Comment
01/07/02
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews
N/R

Click to read the article

Full Review Source: Planet Sick-Boy | comment Comment
07/16/01
Jon Popick
Jon Popick
Planet Sick-Boy
N/R

Click to read the article

Full Review Source: San Diego Metropolitan | comment Comment
10/21/02
Jean Lowerison
Jean Lowerison
San Diego Metropolitan

Simultaneously immediate and alienated, [Gitai] captures a chaotic portrait of the war with no glory, only the confusion, fear, and fatigue of a tour under fire.

Full Review Source: Seattle Post-Intelligencer | comment Comment
01/01/00
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer
 
 
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