Kiss Kiss, Bang Bang Reviews
Super Reviewer
Who would of thought that these two big names could play off each other so well with Kilmer actually being quite humorous as a gay private eye. Its all down to the writing of Shane Black of course, his quips and smart ass fast talk give both stars much material to work with and create this quite exciting banter which quick fires through the film.
To be frank if the dialog wasn't there then the film would be nothing as nothing much really happens throughout, its all down to Downey's visual comedy and Kilmer's snappy camp put downs, there is hardly any action or anything noteworthy to speak of really.
Super Reviewer
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Super Reviewer
in a brief, classic hard-boiled is all about: 1. narrative: linear causation. 2. macho wisecracking detective who is not an elite. 3. the corrupted metropolitan: los angeles or new york.
ok, my point of making efforts to introduce the framework of principles within this genre is to manifest the stark subversion of postmodernized "kiss kiss, bang bang," which overthrows those basic principles as los angeles is no longer what it used to be in the days of raymond chandler. kiss kiss, bang bang features a gay detective, and there're moments when val kilmer and robert downey jr. are compelled to kiss each other to escape the gangster or police surveillance. in one moment, robert downey's finger is accidentally chopped off by the leading woman. (symbolic castration)...thus, there's no phallic swaggery in the men here and it doesn't celebrate the magnitude of machismo as it did in the good old days. even at the last moment, robert's downey's retro-80s stunts of bravery feel like a mockery of manhood, and it's like saying "now you finally get it on, hard and firm(hm, a depiction of phallic state..ha) to save the day while being limp for the most of the show"...in one perspective of genders within postmodern detective fiction is the nullification of the overpower of straight white male by yielding the spotlight to the queer, the effeminated, the woman, any marginalized gender since the course of modernity is a cheer of masculine heroism, which is to be smeared in the realm of postmodernity. for example, the girl with the dragon tattoo.
kiss kiss, bang bang does parodies on chandler's novels without following the menchanism of linear causation as the timing of its narrative is shattered while robert downey fails to deliver his story-telling in a neat, coherent way. but who says we don't love such fragmentation? kiss kiss, bang bang has a smashed-off narration which just resembles the nowaday los angeles, whose rots and tumults are catalyzed in a much much more accelerated pace, which cannot be emulated by the knack of nostalgia.
Super Reviewer
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Update: Constantly getting lost watch this movie, it's like an American Layer Cake, great movie that I fall asleep to 90% of the time.
Super Reviewer
The film features an odd narrative style, in that the narrator, Harry Lockhart (Robert Downey Jr.) is aware he is narrating, and it seems to me, aware it is a film you are watching. Impossible in the context, but it works nonetheless. Because our voice from above is aware of his narration he makes quips and observations, apologizes for swearing, and then swears for forgetting to tell us something important about the story. I'm pretty sure it is impossible for Downey Jr. to give an uninteresting performance, and he is pitch-perfect here. Every joke hits home and by the end you'll be trying to remember them all so you can make yourself laugh again later. But be warned, the humor is a times dark, many hilarious sequences resulting from deaths, injuries and dismemberments. Despite being squarely in the realm of comedy there is a fantastic murder mystery and action pic mixed together. All three areas mesh seamlessly, and is one of the reasons why it is such a unique pleasure to behold.
We first meet up with Harry Lockhart while in the process of robbing a toy store with his partner. When the job goes bad and he is forced to flee, he winds up tossed up with a case of mistaken identity and is jetted off to Hollywood to become an actor in a detective movie. Upon arriving he meets his tutor, a real private-eye named "Gay Perry." (Val Kilmer) And as he says, he's not gay "Oh no I'm knee deep in p***y; I just liked the name so much though I'd keep it." Before Harry can say the title of the movie he's starring Harry is thrown into a real murder mystery, involving the sister of his high school sweetheart Harmony played by Michelle Monaghan. Together the mismatched trio try to untangle the web of intrigue that unfolds before them; part buddy movie and part noir, Kilmer and Downey Jr. play off each other brilliantly; both (especially Downey Jr.) giving award worthy performances.
Very minor hiccups arise relating to some confusing plot elements, but as I said they can be quickly remedied with a repeat viewing, and some overly clever jokes briefly mar any complete perfection. But with all round superb acting, the cast pulls it off flawlessly despite. Yes, KKBB is essentially perfect, but destined to be an overlooked gem, crowded out by 2005's less then perfect blockbusters, such as Harry Potter and the Goblet of Fire and the Chronicles of Narnia. So seek out this instant classic, With such originally busting from every orifice and boasting a stellar cast and top-notch writing, Kiss Kiss, Bang Bang is one you can't help but love.
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Highly recomended
Super Reviewer
Super Reviewer
Perry: I'm sorry, you peed on...?
Harry: On the corpse. My question is...
Perry: No, my question. I get to go first. Why in plu-perfect hell would you pee on corpse?
A very funny murder mystery mixed with the setup of a buddy action flick. Shot with lots of style to feel akin to a neo noir, with classy yet modern soundtrack that's fitting.
As much fun as the story is, the film survives through its dialog, the majority of which plays like a large inside joke, but it can still be hilarious with the right viewers, namely those who enjoy witty sarcasm and smart ass back talk.
Mr. Frying Pan: Well now, here we all are. Ike, Mike and Mustard.
Harry: What the hell does that mean?
Mr. Fire: You know, I'm with him on this one man, that's pretty fuckin' obscure.
Mr. Frying Pan: Horse shit, I hear that all the time.
Mr. Fire: You do?
Mr. Frying Pan: Yeah, sure.
Mr. Fire: Where, at the 1942 club?
The story revolves around a thief posing as an actor, who gets involved in the Hollywood life where he meets a private investigator, his former dream girl, and some seedy characters who all become involved in a pulpish crime mystery.
Robert Downey Jr. as a thief/actor and Val Kilmer as a tough, gay guy have great chemistry together, and work as if they need a whole detective film series. Downey's narration throughout is also great with all the sarcastic beats to play to.
Harry: [narrating] Anyway, by now you may wonder how I wound up here. Or, maybe not. Maybe you wonder how silly putty picks shit up from comic books. The point is, I don't see another Goddamn narrator, so pipe down.
Further hilarity ensues due to how dark the comedy is, body parts are severed and misunderstandings of deaths come aplenty, making things all the merrier.
Michelle Monaghan, as the femme fatal of the piece, is able to keep up with the leads, and is also very cute with some edge to her character making things all the better.
Harmony: Well, for starters, she's been fucked more times than she's had a hot meal.
Harry: Yeah, I heard about that. It was neck-and-neck and then she skipped lunch.
The plot moves and twists around, but paying attention you can see a lot of it come through and still realize how hilariously dark this movie is. It's self aware nature mixed with the hilarious treatment of the buddy comedy aspect make this into a continually great movie to enjoy.
B-Movie Actress: So what do you do for a living?
Harry: Uh, I'm retired. I invented dice when I was a kid. How about you do?
Every time someone spots this on my DVD rack and wonders what it is, I say we must watch it, and they end up enjoying it a lot. It is an underseen movie that deserves as big an audience as it can get.
Harry: Is she dead?
Perry: No, she's just resting her eyes for a minute. Of course she's fucking dead, her neck's broken.
Super Reviewer
Super Reviewer
My main problem was that Downey's narration just seemed so incredibly forced. The dialogue was supposed to be hip and catchy, but it just so unlike anything that actual people would say. It wasn't cool or interesting in a Tarantino kind of way, it was just distracting.
I thought that the plot was needlessly convoluted. I actually thought that the movie was over twice before the actual ending came, and I think my score would have been higher if the movie would have actually ended at one of those earlier points. I get what Kiss, Kiss, Bang, Bang was trying to do, but I don't think that the movie came anywhere close to being the entertaining film that it could have been.
Super Reviewer
