Opening

72% Fast & Furious 6 May 24
21% The Hangover Part III May 23
63% Epic May 24
97% Before Midnight May 24
88% We Steal Secrets: The Story Of Wikileaks May 24
83% Fill the Void May 24
17% A Green Story May 24
—— Alyce Kills May 24

Top Box Office

87% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
99% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
90% The East May 31

Kiss or Kill Reviews

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Clint Morris
Moviehole

One of the best thrillers Australia's produced

| Original Score: 3/5

March 11, 2006
Rich Cline
Shadows on the Wall

inventive road movie

| Original Score: 4/5

June 29, 2005
Dennis Schwartz
Ozus' World Movie Reviews

Makes what is familiar seem fresh.

Full Review Source: Ozus' World Movie Reviews | Original Score: B

April 28, 2004
Dan Lybarger
Nitrate Online

A clever and lively entry from Australia than introduced the world to Frances O'Connor (A.I.).

| Original Score: 4/5

December 29, 2003
Frederic and Mary Ann Brussat
Spirituality and Practice

A fresh and fast paced Australian drama about the mystery that resides in all people.

Full Review Source: Spirituality and Practice

March 1, 2002
Jack Mathews
Los Angeles Times
Top Critic IconTop Critic

Imagine Terrence Malick's Badlands done as black comedy, with the rural atmosphere of Psycho and dialogue rubbed against flint.

Full Review Source: Los Angeles Times

February 14, 2001
Mick LaSalle
San Francisco Chronicle
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The picture's velocity, style, irreverence, unexpected playful humor and new take on the noir genre make it worth a look.

Full Review Source: San Francisco Chronicle

January 1, 2000
Barbara Shulgasser
San Francisco Examiner

Kiss or Kill is, after a shaky start, surprisingly good.

Full Review Source: San Francisco Examiner

January 1, 2000
Stephen Holden
New York Times
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If this scenario sounds like stock film-noir plotting, Bill Bennett ... makes something utterly fresh and, for all its scent of evil, invigorating out of it.

Full Review Source: New York Times

January 1, 2000
James Berardinelli
ReelViews
Top Critic IconTop Critic

A chaotic-but-pointless exercise in mediocrity.

Full Review Source: ReelViews | Original Score: 2/4

January 1, 2000
Maitland McDonagh
Film Journal International

It isn't the first hellbound road movie to end up on a nuclear testing site in the desert (there's always Kalifornia), but Bennett makes you feel as though you haven't seen it before.

January 1, 2000
Jeff Vice
Deseret News, Salt Lake City

Gives the premise a few twists that make things interesting.

Full Review Source: Deseret News, Salt Lake City

January 1, 2000
Joe Baltake
Sacramento Bee
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A cleverly disguised whodunit -- a murder mystery that looks, feels and moves unlike another other murder mystery.

Full Review Source: Sacramento Bee

January 1, 2000
Stanley Kauffmann
The New Republic
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Bennett's screenplay is consistent, completely concerned with the haphazard and the jogging of conventional expectation.

January 1, 2000
Roger Ebert
Chicago Sun-Times
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I've seen countless road movies, but this one felt different, as if it had an unbalanced flywheel.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

January 1, 2000
John Hartl
Film.com
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In some ways, it's a remarkable recovery for writer-director Bill Bennett, whose much-tampered-with Sandra Bullock vehicle Two If by Sea was almost unwatchable.

January 1, 2000
Tom Keogh
Film.com
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Really does feel original and authentically creepy.

January 1, 2000
Susan Lambert
Boxoffice Magazine

The performances are lovely, the odd characters engaging and the filmmaking interesting.

Full Review Source: Boxoffice Magazine

January 1, 2000

E! Online

A mildly promising tale of lovers on the run.

Full Review Source: E! Online

January 1, 2000
Bruce Kirkland
Jam! Movies

Bennett tries to shake up the formula.

January 1, 2000
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