An extended ethnic joke, Kitchen Stories moves with a glacial indifference to conventional comedic timing. But perhaps that's what makes it so funny and so emotionally precise.
Kitchen Stories (2004)
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Reviews Counted:74
Fresh:67
Rotten:7
Average Rating:7.3/10
Consensus: By turns touching and funny, this Norwegian import offers quietly absorbing commentary on modern life and friendship.
Theatrical Release:Feb 20, 2004 Limited
Synopsis: A quaint story about the friendship between two aging men, KITCHEN STORIES is packaged as a comedy with a very strange premise. It is based on research conducted in Sweden in the 1950s when women... A quaint story about the friendship between two aging men, KITCHEN STORIES is packaged as a comedy with a very strange premise. It is based on research conducted in Sweden in the 1950s when women were observed in the kitchen for a study to determine the best housework techniques. In the film, a fictional plotline concerns a team of Swedish scientists--all men--hired to observe bachelors living alone in Norway. Their methods are absurd. The observers live in funny little trailers outside their subjects' houses. They sit in high, intimidating chairs placed in the corner of their subjects' kitchens where they take notes on a clipboard. Finally, there is a strict rule that the observer and the subject must not speak to each other or make contact of any kind. This last rule is impossible to follow, and in the case of observer Folke (Tomas Norstrom) and subject Isak (Joachim Calmeyer) it is ignored. The two aging men become fast friends, passing wintry afternoons in the rural countryside sipping coffee, smoking pipes, and telling each other fantastic stories. Writer-director Bent Hamer has created a sweet and pleasing comedy with KITCHEN STORIES, using excellent photography, interesting colors, and great performances to make a success of a uncomplicated plot. [More]
Starring: Joachim Calmeyer, Tomas Norstrom, Bjorn Floberg, Reine Brynolfsson
Starring: Joachim Calmeyer, Tomas Norstrom, Bjorn Floberg, Reine Brynolfsson
Director: Bent Hamer
Director: Bent Hamer
Screenwriter: Bent Hamer
Producer: Bent Hamer
Composer: Hans Mathisen
Studio: IFC Films
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Reviews for Kitchen Stories
What starts as a satire of the methodical, modernity-seeking society in Sweden ends as a heartwarming dramatic comedy in Norway.
An enjoyable study of ridiculous regimentation and a sure balm to anyone who has overdosed on the efficient designs at Ikea.
The subtle cracks in the Scandinavian reserve are really all this quirky film gives you, but for the most part it's enough.
A simple story told well, with plenty of lighthearted moments and kernels of thought-provoking material, but little to really excite the cinematic appetite.
What you're left with is a relationship between two men that is untouched by macho posturing or any trace of anxiety -- and a perfect respite from the action flick mentality.
The performances are understated and touching, the humour mostly deadpan, the philosophical message subtle.
Kitchen Stories is an inventive and engaging drama about how our hearts are gladdened by the sweet surprises of unexpected intimacies.
Before it settles down into a two-man character study, Kitchen offers a succession of quietly uproarious sight gags.
Taking the 'stranger in a strange land' concept and twisting it sideways, Hamer says a lot about humanity with few words.
If stoicism is your idea of killer Friday-night entertainment, you won't find many numbingly boring experiences to top this one.
This understated and delightful little film will grab you from the silly opening to the bittersweet end.
It never patronises its characters in the quest for cheap laughs, treating them instead with commendable compassion.
Folke and Isak's friendship is a beautiful thing, unexpected but inevitable, and the movie does a delightful job of shaping it.
Don't expect a profound dish. Do prepare for a light meal with enough oddball humor to maintain involvement.
The charm and chemistry of the two leads and subtle, wry moments of humor make for an endearing entertainment.
The study in the film represents a precursor to reality television in which voyeurs watch strangers go about their daily lives without having to expose themselves.
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