Stories of unethical treatment of its child actors by the filmmakers has tarnished The Kite Runner as a film made of the same brand of hubris that its lead character carries for most of the story.
The Kite Runner (2007)
Tomatometer
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Reviews Counted:167
Fresh:110
Rotten:57
Average Rating:6.5/10
Consensus: Despite some fine performances, The Kite Runner is just shy of rendering the magic of the novel on to the big screen.
Runtime: 2 hrs 7 mins 51 secs
Genre: Dramas
Theatrical Release:Dec 14, 2007 Limited
Box Office: $15,690,103
Synopsis: Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan... Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan Mahmoodzada) are young boys living in Kabul, where Hassan and his father, Ali (Nabi Tanha), work as servants for Amir and his father, Baba (Homayoun Ershadi). Amir and Hassan make an excellent team in kite competitions, with Hassan having a gift for running down kites, but after one contest, he is bullied by Assef (Elham Ehsas), who does unspeakable things to him as Amir watches from a distance and then runs away, not helping his friend. As the Russians and then the Taliban take over Afghanistan, Baba and Amir escape to America, where they make a new home in San Francisco. But even as he graduates from college and meets a beautiful young woman, Soraya (Atossa Leoni), who is also from Kabul, Amir (now played by Khalid Abdalla) is haunted by his cowardice and can't turn down an opportunity to try to make things right when it is offered by his father's old friend Rahim Khan (Shaun Toub)--even if it means risking his life. THE KITE RUNNER was adapted for the screen by David Benioff (THE 25TH HOUR), with much of the dialogue spoken in Dari, one of the primary languages in Afghanistan. Director Marc Foster (MONSTER'S BALL, FINDING NEVERLAND) does a deft job navigating the complicated story, which moves from Afghanistan to San Francisco and Pakistan (with much of the film actually shot in China), using many nonprofessional actors and a subtle score composed by Alberto Iglesias. Ebrahimi and Mahmoodzada make impressive debuts, with solid work by Abddalla, Leoni, and especially Ershadi. [More]
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni, Said Tashimaoui, Ahmad Khan Mahmidzada
Director: Marc Forster
Director: Marc Forster
Screenwriter: David Benioff
Producer: William Horberg, Walter Parkes, Rebecca Yeldham, E. Bennett Walsh
Composer: Alberto Iglesias
Studio: Paramount Vantage
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Reviews for The Kite Runner
The type of film one would expect from Marc Forster -- banal, trite and apt to ramrod simplistic symbolism down viewers' throats.
How long has it been since you saw a movie that succeeds as pure story? That doesn't depend on stars, effects or genres, but simply fascinates you with how it will turn out?
Nuanced perfs and standout production design convey story in cinematic terms, preserving the narrative's emotional power and historical sweep as it spans continents and decades.
Forster’s mix of topicality and sensationalism makes The Kite Runner sentimental, not profound.
Well-intentioned but hardly convincing depiction of the haunting Afghanistan landscape.
Epic yet intimate, Forster's faithful rendition of the beloved novel is a touching morality tale of fathers and sons, friendship, betrayal and redemption; if the film becomes a conventional and sentimental fable, so does the book.
The film has the same weaknesses and strengths as the novel. And its greatest weakness is that the main character is the least interesting and just about the least sympathetic.
... fails to rise above a Dickens-like tale of betrayal and redemption
How often does a single movie seem to capture the very essence of what it means to be alive and aware and imperfect in so simple a story? This is one of the very best films of 2007...
The film’s belief in the power of redemption and its subtle assertion of the need for moral courage in personal (or political) conflict, is never allowed to get in the way of its boldly told, intelligent, informed and affecting story.
A cracking final 20 minutes leave you realising what an evil bunch of idiots the Taliban really are.
The pacing is lugubrious, the performances unremarkable, and the movie itself mostly disposable.
Hosseini's over-done melodrama that doesn't so much open our eyes to Afghanistan as reinforce everything negative we've already suspected.
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