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The Komediant (2002)
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Reviews Counted:25
Fresh:22
Rotten:3
Average Rating:6.9/10
Theatrical Release:Apr 5, 2002 Limited
Synopsis:
The glory days of the Yiddish stage are brought to life in this bittersweet saga of a legendary theatrical family, the Bursteins.
Pesach’ke Burstein, the dancing-singing comedian, was born in a...
The glory days of the Yiddish stage are brought to life in this bittersweet saga of a legendary theatrical family, the Bursteins.
Pesach’ke Burstein, the dancing-singing comedian, was born in a small Jewish town in Poland in the late 19 th century. Drawn to the disreputable profession of komediant (actor), fourteen-year old Pesach’ke ran away from home to join a traveling troupe of Jewish actors - from that day on, the theater became his life.
Armed with an engaging ability to whistle, young Pesach’ke arrived in New York in 1924 and quickly became a leading figure in the Golden Era of Yiddish theater. On stage, he met and fell in love with sixteen-year old rising star Lillian Lux. The couple would later marry and together embark on a triumphant acting tour of South America and Europe, only to narrowly escape on the last boat out of Poland in 1939.
After the war, the Bursteins became the parents of twins, Mike and Susan, who before long were given the stage names Motele and Zisele. By the age of seven, the two children were appearing regularly on the stage, accompanying their parents as they wandered around the globe in search of the dwindling Jewish communities of a decimated and dying Yiddish culture.
In time, the pressures of theatrical life would take its toll on the Bursteins. At age 18, stage-shy Susan would escape via early marriage, followed shortly thereafter by her brother Mike, whose solo success would leave Pesach’ke and Lillian without their show’s star attraction.
Smoothly incorporating rare archival footage and interviews with Yiddish stage
veterans (including Fyvush Finkel and Shifra Lerer), this tightly edited, briskly paced documentary is as richly bittersweet – filled with laughter and tears, schmaltz and grit – as the Yiddish theater itself.
Starring: Pesach'ke Burstein, Lillian Lux, Mike Burstyn, Susan Berstein-Roth
Starring: Pesach'ke Burstein, Lillian Lux, Mike Burstyn, Susan Berstein-Roth, Fyvush Finkel, Shifra Lerer, Israel Becker, Mina Bern
Director: Arnon Goldfinger
Director: Arnon Goldfinger
Screenwriter: Oshra Schwartz
Producer: Amir Harel, Oshra Schwartz, Arnon Goldfinger
Studio: New Yorker Films
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Reviews for The Komediant
While centered on the life experiences of a particular theatrical family, this marvelous documentary touches -- ever so gracefully -- on the entire history of the Yiddish theater, both in America and Israel.
Rife with the rueful, wry humor springing out of Yiddish culture and language.
Like any Warhol/Morrissey relic, Arnon Goldfinger's The Komediant rediscovers chapters in New York's cultural past.
What might have been a predictably heartwarming tale is suffused with complexity.
Mazel tov to a film about a family's joyous life acting on the Yiddish stage.
A linguistic stew with a zesty, homemade flavor that belies its carefully researched preparation.
This rich, bittersweet Israeli documentary, about the life of song-and-dance-man Pasach'ke Burstein and his family, transcends ethnic lines.
A gentle blend of present day testimonials, surviving footage of Burstein and his family performing, historical archives, and telling stills.
It's their familial ups and downs that shift this small, stubbornly poignant documentary ... from the realm of special-interest audiences to the more universal theater of family psychodynamics.
... a light, yet engrossing piece. Lux, now in her eighties, does a great combination act as narrator, Jewish grandmother and subject – taking us through a film that is part biography, part entertainment and part history.
It's not so much enjoyable to watch as it is enlightening to listen to new sides of a previous reality, and to visit with some of the people who were able to make an impact in the theater world.
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| Tomatometer Percentage | Movie |
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| 36% 36% | Angels & Demons |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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