The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
So deliriously improbable is its blend of contributing elements, and so prescient is its peculiar version of the future, that you can almost forgive this curio the rather tepid character drama that holds together all its odd particulars.
Its plot is a credibility stretch even in these days of de rigueur media paranoia, and its relentlessly murky, moody tone might raise the odd giggle, but Tavernier's long-neglected sci-fi curiosity is compelling nonetheless.
Tavernier slips in subtle touches that seem meaningless and would normally have a big circle around it and an arrow pointing at it and saying "look at me, I'm important," but instead reinforce the droning, impersonal nature of this particular society.
While it may be conceptually rooted in science fiction, 'Death Watch' is essentially melodramatic in tone and execution: it was shot in late '70s Glasgow with not a shiny jumpsuit or flying car in sight.