Average Rating: 6.5/10
Reviews Counted: 36
Fresh: 28 | Rotten: 8
No consensus yet.
Average Rating: 5.9/10
Critic Reviews: 7
Fresh: 5 | Rotten: 2
No consensus yet.
liked it
Average Rating: 3.1/5
User Ratings: 546
Controversial filmmaker Catherine Breillat puts a new spin on an ancient story in this multileveled drama. In France in the mid-'50s, Catherine (Marilou Lopes-Benites) enjoys toying with her older sister, Marie-Anne (Lola Giovannetti), by reading her the story of the murderous and oft-married Bluebeard, embellishing the story with plenty of gore and scaring the girl out of her wits. As Catherine rereads the story, we're taken back to the year 1697, as Lord Bluebeard (Dominique Thomas) prepares
Unrated, 1 hr. 20 min.
Mar 26, 2010 Wide
Jun 22, 2010
Strand Releasing
All Critics (36) | Top Critics (7) | Fresh (28) | Rotten (9) | DVD (2)
A simple device, the parallel structure freshens and enlarges the familiar story precisely because Breillat doesn't put too much weight on it.
Those looking for a re-interpretation of a classic fairytale will certainly find it in Bluebeard. They just won't find a very good one.
A movie that has all the when-will-he-draw-the-scimitar suspense of Friday the 13th as made by Robert Bresson. In other words, none at all.
All fairy tales have morals and the one in Ms. Breillat's Bluebeard is brutal, suitably bloody and, like all good retellings, both similar to and different from earlier iterations.
Bluebeard revisits themes often found in Breillat's films -- sibling rivalry, pedophilia, gender conflict -- but it remains fresh and new.
Psychologically rich, unobtrusively minimalist, at once admirably straightforward and slyly comic.
Breillat's ideas owes much to Angela Carter, yet The Bloody Chamber author would surely be depressed by the lack of dynamism on display.
Murky and cold, this retelling of the fairy tale has an effectively grim tone that cleverly plays with our expectations while examining some provocative themes. But it's not very engaging.
Catherine Breillat's move from arthouse provocations to ponderous period dramas continues with this austere, slyly experimental adaptation of Charles Perrault's grisly classic.
It's a playful approach, but Breillat's flat visual style and the deliberately stiff and austere performances she gets from her actors make this more of a chore than it should be.
Complex, comic and discomfiting. So, vintage Breillat...
Breillat's chamber-piece of oblique eroticism is beautifully designed and acted but rendered slightly unsatisfying by a pointless second level of narrative reality.
Taking itself too seriously is just the first of many grave offences committed by the wretched Bluebeard.
It's a surreal little film with an intriguing Freudian subtext and a haunting blend of magic and gritty realism.
What's most surprising about this adaptation is how free of violence it is: rather than embrace its potential for serial-killer bloodlust, [Breillat] has produced a witty, graceful and unusually tender reading of the story.
Catherine Breillat delivers a new spin on an old tale that doesn't underestimate the female spirit.
The bare bones of the narrative are icily, elusively etched. All the better to let its underlying sexual politics ferment, and let the viewer's imagination begin rooting around the sub-conscious.
Breillat has produced her funniest and most immediately pleasurable film to date.
We end with a head on a platter. But the head is oddly bloodless, like the whole film.
The disconcerting saga springs two particularly nasty surprises, even if the "modern" segment doesn't quite work.
Breillat's simplistic, spare approach pays dividends, particularly harnessed to sympathetic playing from the two girls, particularly Creton.
Breillat directs the Bluebeard story line with a deliberate flatness, like a literal retelling, where all the actors appear stiff
A moody fantasia of barely repressed compulsions and desire.
Breillat directs it more like a rarefied period drama than a fantasy, stirred with poetic touches and offbeat humor and dark twists...
A barebones DVD release of a predictably, spectacularly toothsome Catherine Breillat film.
An aristocrat with a blue beard marries young girls, who always wind up dead. There are a few startling images near the end that pop out because the rest of the story so flat, but the for the most part the matter-of-fact minimalist style fades the magic and mystery of the fairy tale.
September 9, 2010
Super Reviewer
A strangely disjointed tale, based on the Bluebeard fairy tale, told as a cautionary tale that leaves the viewer feeling somehow short-changed. One questions the artistic decision to tell the tale as a young girl reading it to her older sister, and then dissolving to the action of the story. The scenery is sumptuous,
September 17, 2010Super Reviewer
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