Like all great works of art, the film has a purity of line and structure as it plays out its theme.
La Belle Noiseuse (1991)
Tomatometer
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Reviews Counted:21
Fresh:21
Rotten:0
Average Rating:8.1/10
Runtime: 4 hrs
Genre: Foreign Films
Synopsis: Frenhofer (Michel Piccoli), a renowned French artist, hasn't lifted his brush in years. But when he meets the stunningly beautiful girlfriend (Emmanuelle Beart) of a young painter visiting his... Frenhofer (Michel Piccoli), a renowned French artist, hasn't lifted his brush in years. But when he meets the stunningly beautiful girlfriend (Emmanuelle Beart) of a young painter visiting his chateau, she inspires him to return to work on an abandoned masterpiece, known as "La Belle Noiseuse." Frenhofer had set the painting aside a decade earlier when it threatened to consume him entirely and destroy his fragile relationship with his wife. Stirred to action once more, he and the young model embark on a perilous collaboration that will forever change them both. New Wave legend Jacques Rivette's beautiful, passionate film honestly depicts the painful choices an artist must sometimes make between commitment to life and loved ones, or total submission to the often devastating demands of art. [More]
Starring: Michel Piccoli, Emmanuelle Beart, Jane Birkin, Marianne Denicourt
Starring: Michel Piccoli, Emmanuelle Beart, Jane Birkin, Marianne Denicourt, David Bursztein, Gilles Arbona, Bernard Dufour
Director: Jacques Rivette
Director: Jacques Rivette
Screenwriter: Pascal Bonitzer, Christine Laurent, Jacques Rivette
Producer: Pierre Grise Productions
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Reviews for La Belle Noiseuse
The characters are unsympathetic, the circumstances are hard to relate to, the dialogue is laboured and the running time brutal. But there is also a surfeit of intelligence and beauty (in technical filmmaking terms) in Rivette's difficult film.
Obviously, the film is aimed at a fairly narrow audience -- primarily the art community. But the passion felt during those painting-and-posing sequences reaches a much broader spectrum.
In this molasses-slow four-hour drama, Jacques Rivette proves that he's got an understanding of fine art, but a minimal one of the art of movies.
Rivette is a quality director who has the skills and knowledge to tell such a non-action story and never allow the story to be anything but an honest intellectual effort.
What's good about the film is the sense of real evolution, of believable character change, instead of the Speedy Gonzalez transformations movie characters usually experience. What's also good is a realistic feel for the act of creation.
A four-hour French masterpiece about the creative process of an artist
As impeccably shot as its subject deserves, the film is more accessible than most of Rivette's work, with characteristically playful passing nods to the relationship between life and performance.
The underlying ideas may be a little droopy, but they're staged in such exacting, private terms that they are redeemed.
I won't explain what happens with the masterpiece; even at four hours, the film cooks up a certain amount of suspense and surprise.
By methodically examining the rigors and contemplation that go into creating great art, French New Wave master Jacques Rivette, has created something of a masterpiece himself.
Rivette's superb sense of rhythm and mise en scene never falters, and the plot has plenty of twists.
Jacques Rivette's much praised Cannes Grand Prize winner vacillates between genuine insight and didactic mystique-of-the-artist bull****.
Some movies are worlds that we can sink into, and La Belle Noiseuse is one of them.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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