The Blue Room (2014) - Rotten Tomatoes

The Blue Room (2014)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: The Blue Room proves a sobering study of the dark side of human nature, as well as a coolly assured directorial effort from star and co-writer Mathieu Amalric.

Movie Info

Two adulterous lovers go from pillow talk to possible murder in this sexy, brain-teasing thriller. Mathieu Amalric (The Diving Bell and the Butterfly, Grand Budapest Hotel) directs and stars as Julien, a middle-aged salesman embroiled in a steamy love affair with a married woman who, after a round of kinky sex, makes a startling suggestion. Suddenly Julien is caught up in a police investigation-but just what exactly happened? Based on a novel by celebrated crime writer Georges Simenon, this beguiling cinematic puzzle unfolds in an elliptical style that keeps the audience guessing every step of the way. (C) IFC Filmsmore
Rating: R (for sexual content including graphic nudity)
Genre: Mystery & Suspense, Drama
Directed By:
Written By: Mathieu Amalric, Stéphanie Cléau, Georges Simenon
In Theaters:
On DVD: May 18, 2015
Runtime:
IFC Films - Official Site

Cast

Léa Drucker
as Delphine Gahyde
Mathieu Amalric
as Julien Gahyde
Stéphanie Cléau
as Esther Despierre
Laurent Poitrenaux
as Le juge d'instructio...
Blutch
as Psychologist

News & Interviews for The Blue Room

Critic Reviews for The Blue Room

All Critics (62) | Top Critics (27)

The ultimate triumph in what Amalric has done is to show us all the different forces that can be at work in an affair.

Full Review… | January 1, 2015
The New Republic
Top Critic

A dazzling deconstruction of the mystery genre that turns its conventions on their heads.

Full Review… | October 31, 2014
Philadelphia Inquirer
Top Critic

If anything, it's a backhanded testimony to the plodding effectiveness of detail-minded detective work and the slow grinding of the bureaucratic justice machine.

Full Review… | October 24, 2014
San Diego Reader
Top Critic

'The Blue Room" is a tight little look at love gone wrong, something of a stripped-down French "Gone Girl" without the surprises.

Full Review… | October 24, 2014
Detroit News
Top Critic

It's an accomplished film, if a bit cool and tidy; you wish there were a little more to it.

Full Review… | October 23, 2014
Seattle Times
Top Critic

The pleasure of a whodunit generally derives from trying to figure out who done it, but in the case of this arty, terminally obscure French mystery, most of the story has already transpired before one can even piece together what was done.

Full Review… | October 23, 2014
Chicago Reader
Top Critic

Audience Reviews for The Blue Room

It is very hard to find something appealing in a sterile drama that plods along with a suspense devoid of tension, dull courtroom scenes and a whodunit plot that is never engaging, all without making us relate to its characters in any level, especially when they are all equally dull.

blacksheepboy
Carlos Magalhães

Super Reviewer

Despite the orgasmic moans and gasps in the opening frames, the sex although plentiful is understated and the nudity discreet. This film blends the qualities of classic cinema - the balletic structures of Jean Renoir; the melodrama and angst, and the anti-heroine, of the Nouvelle Vague; and the elegant twists of Hitchcock. The soundtrack of piano solo and strings recalls the accompaniment to early films. The story is of a dark side to the cinq à sept, the reputed sport of adultery, French style. Amalric has perfected the role of the passive lover, forced on his character by terrible circumstance in The Diving Bell and the Butterfly, and ingrained here willingly in the psychology of the shivering Julien. Julien's paramour Mme Despierre dominates him. Of course it had to be this woman who is venal and possessive. The film unfortunately reverts to sexist stereotypes - was Simenon that simplistic? The screenplay defends vigorously the miserable wife, who seems determined to keep suffering in silence. Julien is cast as victim - his blame translates into charm. It is an old fashioned formula: the madonna, the whore, and the boy-man to be indulged. Must we have this, now that we also have existentialism and feminism? Still, women will brush aside the standard pattern, which is easy enough to put up with when laced with painterly cinematography, French style and some picturesque travelogue. The film will no doubt disappoint those hoping for pornography; you can see who they are when the lights come on, because they look embarrassed. This is not blue; rather more like a conventional pastel.

KimF
. ..

Super Reviewer

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