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Movies / On DVD / La Strada
La Strada

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La Strada (1954)

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Reviews Counted:31

Fresh:30

Rotten:1

Average Rating:8.7/10

Runtime: 1 hr 48 mins

Genre: Foreign Films

Synopsis: Zampano (Anthony Quinn), a performer in a traveling carnival outside of Rome, purchases the young, poor Gelsomina (Giulietta Masina) to be his wife and assistant. Although she shows genuine... Zampano (Anthony Quinn), a performer in a traveling carnival outside of Rome, purchases the young, poor Gelsomina (Giulietta Masina) to be his wife and assistant. Although she shows genuine enthusiasm as an assistant, putting on a fabulous clown act akin to Charlie Chaplin, nobody seems to appreciate her; she quietly endures a life of emotional coldness and cruelty. When she meets "The Fool," Ilmatto (Richard Basehart), a quicksilver trapeze artist who befriends her and offers her warmth, kindness, and an uplifting vision of the world, Gelsomina convinces herself that she and Zampano are in love. She is plunged into despair, however, after Zampano interferes in a jealous rage, precipitating a tragedy that will haunt him forever. Federico Fellini establishes a style and certain key themes in this film that he repeats as trademarks in subsequent films: the beach as a symbol of purity and release; haunting, soft female singing as a symbol of memory; examinations of Catholics and their religion as a cult behavior; and, above all, a chaotic, circus-oriented cyclical pattern that guides his films. The Oscar-winning LA STRADA is the perfect place from which to begin an exploration of Fellini's expertly crafted movies. [More]

Starring: Giulietta Masina, Anthony Quinn, Richard Basehart, Aldo Silvani

Starring: Giulietta Masina, Anthony Quinn, Richard Basehart, Aldo Silvani

Director: Federico Fellini

Director: Federico Fellini

[See More Credits]

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Release:

Nov 11, 2003

No Details Exist
 
 

Reviews for La Strada

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1 - 20 (sorted by source)
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Has an unmistakable other-ness to it, as it is an early precursor to the sort of magical realism that would take hold in Fellini’s late-career efforts.

Full Review Source: Apollo Guide | comment Comment
08/25/04
Dan Jardine
Dan Jardine
Apollo Guide

The searing, tearful tell that won Fellini his best Oscar for best foreign film and may be his finest masterpiece.

Full Review Source: Arizona Daily Star | comment Comment
09/17/04
Phil Villarreal
Phil Villarreal
Arizona Daily Star

No review available.

comment Comment
03/31/03
Philip Martin
Philip Martin
Arkansas Democrat-Gazette

An overwhelming humanism underscores the whole film and leaves its ultimate meaning up to interpretation.

Full Review Source: Austin Chronicle | comment Comment
03/10/03
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

A marvellous film.

Full Review Source: BBC | comment Comment
11/03/01
Jamie Russell
Jamie Russell
BBC

Two unforgettable performances anchor one of Fellini's most powerful films.

comment Comment
06/09/05
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

Early mush from the master, Federico Fellini.

Full Review Source: Chicago Reader | comment 3 Comments
04/27/09
Dave Kehr
Dave Kehr
Chicago Reader
Top Critic Icon Top Critic

La Strada is the first film that can be called entirely 'Felliniesque.'

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

No review available.

comment Comment
10/07/02
Mark Palermo
Mark Palermo
Coast (Halifax, Nova Scotia)

No review available.

comment Comment
12/12/06
Cole Smithey
Cole Smithey
ColeSmithey.com

A landmark in Federico Fellini's career.

Full Review Source: Combustible Celluloid | comment Comment
06/13/05
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

A fairly straightforward story whose poignancy is accentuated by Masina's delicate performance and Nino Rota's exquisite score.

Full Review Source: Creative Loafing | comment Comment
11/25/03
Matt Brunson
Matt Brunson
Creative Loafing

Leaves me cold… no critical account of it I have read has struck me as compelling or illuminating.

Full Review Source: Decent Films Guide | comment Comment
11/22/04
Steven D. Greydanus
Steven D. Greydanus
Decent Films Guide

One of Fellini's weakest films, but no less with all his basic assurances of competency.

comment Comment
07/10/03
Greg Muskewitz
Greg Muskewitz
eFilmCritic.com

Fellini once described this masterpiece, which marks his break with the strictures of neo-realism, as "the complete catalogue of my mythical world;" It could be seen as another, poetic version of Beauty and the Beast fable.

Full Review Source: EmanuelLevy.Com | comment Comment
01/24/07
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Whimsical but gritty.

Full Review Source: Empire Magazine | comment Comment
07/06/05
David Parkinson
David Parkinson
Empire Magazine

simple yet memorable

Full Review Source: Filmcritic.com | comment Comment
11/26/03
Doug Hennessy
Doug Hennessy
Filmcritic.com

No review available.

comment Comment
12/26/03
Carol Cling
Carol Cling
Las Vegas Review-Journal

Fellini made several films with actress Giulietta Masina, whom was also his wife, but the character of Gelsomina is the one which, over the years, has been most fondly spoken of and written about.

Full Review Source: Light Sleeper: Late Night Writings on Cinema | comment Comment
02/17/05
Saul Symonds
Saul Symonds
Light Sleeper: Late Night Writings on Cinema

Signor Fellini has used his small cast, and, equally important, his camera, with the unmistakable touch of an artist. His vignettes fill his movie with beauty, sadness, humor and understanding.

Full Review Source: New York Times | comment Comment
05/20/03
A.H. Weiler
A.H. Weiler
New York Times
 
 
1 - 20 (sorted by source)
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