Has an unmistakable other-ness to it, as it is an early precursor to the sort of magical realism that would take hold in Fellini’s late-career efforts.
La Strada (1954)
Tomatometer
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Reviews Counted:31
Fresh:30
Rotten:1
Average Rating:8.7/10
Runtime: 1 hr 48 mins
Genre: Foreign Films
Synopsis: Zampano (Anthony Quinn), a performer in a traveling carnival outside of Rome, purchases the young, poor Gelsomina (Giulietta Masina) to be his wife and assistant. Although she shows genuine... Zampano (Anthony Quinn), a performer in a traveling carnival outside of Rome, purchases the young, poor Gelsomina (Giulietta Masina) to be his wife and assistant. Although she shows genuine enthusiasm as an assistant, putting on a fabulous clown act akin to Charlie Chaplin, nobody seems to appreciate her; she quietly endures a life of emotional coldness and cruelty. When she meets "The Fool," Ilmatto (Richard Basehart), a quicksilver trapeze artist who befriends her and offers her warmth, kindness, and an uplifting vision of the world, Gelsomina convinces herself that she and Zampano are in love. She is plunged into despair, however, after Zampano interferes in a jealous rage, precipitating a tragedy that will haunt him forever. Federico Fellini establishes a style and certain key themes in this film that he repeats as trademarks in subsequent films: the beach as a symbol of purity and release; haunting, soft female singing as a symbol of memory; examinations of Catholics and their religion as a cult behavior; and, above all, a chaotic, circus-oriented cyclical pattern that guides his films. The Oscar-winning LA STRADA is the perfect place from which to begin an exploration of Fellini's expertly crafted movies. [More]
Starring: Giulietta Masina, Anthony Quinn, Richard Basehart, Aldo Silvani
Starring: Giulietta Masina, Anthony Quinn, Richard Basehart, Aldo Silvani
Director: Federico Fellini
Director: Federico Fellini
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Reviews for La Strada
The searing, tearful tell that won Fellini his best Oscar for best foreign film and may be his finest masterpiece.
An overwhelming humanism underscores the whole film and leaves its ultimate meaning up to interpretation.
La Strada is the first film that can be called entirely 'Felliniesque.'
A fairly straightforward story whose poignancy is accentuated by Masina's delicate performance and Nino Rota's exquisite score.
Leaves me cold no critical account of it I have read has struck me as compelling or illuminating.
One of Fellini's weakest films, but no less with all his basic assurances of competency.
Fellini once described this masterpiece, which marks his break with the strictures of neo-realism, as "the complete catalogue of my mythical world;" It could be seen as another, poetic version of Beauty and the Beast fable.
Fellini made several films with actress Giulietta Masina, whom was also his wife, but the character of Gelsomina is the one which, over the years, has been most fondly spoken of and written about.
Signor Fellini has used his small cast, and, equally important, his camera, with the unmistakable touch of an artist. His vignettes fill his movie with beauty, sadness, humor and understanding.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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