A Mexican thriller-with- a-message, brings the message and forgets the thrills.
La Zona (2007)
Tomatometer
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Reviews Counted:19
Fresh:15
Rotten:4
Average Rating:6.7/10
Consensus: A slick and smart Mexican thriller of middle-class panic and vigilantism, that is lean, mean and often shocking.
Runtime: 1 hr 37 mins
Genre: Dramas
Starring: Maribel Verdú
Starring: Maribel Verdú
Director: Rodrigo Plá
Director: Rodrigo Plá
Screenwriter: Rodrigo Plá
Reviews for La Zona
a complex, ambitious anatomisation of the workings of justice in a deeply iniquitous world
A smart movie, dramatically lean and mean, exciting and often shocking.
An explosive Mexican drama depicting how the poor are being given the shaft in a class war that is raging around the world as the privilges of the rich and the powerful are protected.
Un excelente thriller dramático, narrado con precisión y buen elenco, que es sobre todo una inquietante reflexión sobre uno de los temas más candentes y polémicos de nuestro tiempo.
This slick, serious-minded tale of upper-crust vigilantes protecting their gated community at any cost is a nihilistic but thoughtful portrait of a country divided .
The viral atmosphere of intimidation is alarming, and thick with resonant premonitions of a legion of dystopian urban tomorrows.
Dark, compelling, and with the courage of its hard-nosed convictions, La Zona starts off gripping and squeezes like a vice come the disturbing conclusion.
Some may sniff at director Rodrigo Plá’s deliberately exaggerated style, but it makes no pretensions to authenticity. Indeed, it’s just audacious enough to work -- like Crash reimagined by Rod Serling.
If the insult of La Zona is not as significant as Paul Haggis's Crash, that's because director Rodrigo Plá doesn't trivialize a society's racial dynamics, only its class relations.
Director Rodrigo Plá pulls off a biting critique of middle-classes living in smug seclusion, but doesn’t compromise on tension as the suburbanites’ morals spiral out of control.
Signals another promising discovery in a film industry that is definitely coming into its own golden age.
This is a well-made realist study of what happens when society is divided between rich and poor. But it is also so schematic that some of its power drains away.
The screenwriter, Laura Santullo, is slightly heavy-handed at times, but she expertly captures the mood of paranoia and self-righteousness gripping this middle-class enclave.
Latin American middle-class panic needs no translation in this strong thriller about the worries of the wealthy. Fans of JG Ballard's novels will relish it.
Gripping thriller with strong performances and a script that is both chilling and scarily prescient.
Sacrifica o que poderia se tornar um forte comentário político em função da absoluta falta de sutileza com que desenvolve a narrativa.
An impressive feature debut that sweeps the viewer into the horrors of vigilante justice
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| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
| | Leap Year | 1/8 |
| 83% 83% | Youth in Revolt | 1/8 |
| | The Book of Eli | 1/15 |
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