The technique is impressive.
The Lady and the Duke (2002)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:70
Fresh:50
Rotten:20
Average Rating:6.6/10
Consensus: Visually stunning, The Lady and the Duke uses current technology to elegantly bring the past to life.
Theatrical Release:May 10, 2002 Limited
Box Office: $124,812
Synopsis: This visually breathtaking film from New Wave director Eric Rohmer uses hand-painted sets that depict 18th-century Paris, the English lady's home, and the surrounding countryside with a vivid... This visually breathtaking film from New Wave director Eric Rohmer uses hand-painted sets that depict 18th-century Paris, the English lady's home, and the surrounding countryside with a vivid effect that looks like a realist oil painting brought to life. Set in the mid-1700s during the French Revolution, THE LADY AND THE DUKE tracks the profound friendship between Grace Elliot (Lucy Russell), an English woman who lives in Paris and insists on staying there throughout the war, and The Duke of Orleans (Jean-Claude Dreyfus), the cousin of Louis XVI and Grace's former lover. Russell (FOLLOWING) gives a superb performance as the headstrong, political, beautiful, and daring Grace Elliot, whose real-life memoirs inspired Rohmer to make the film. Dreyfus (DELICATESSEN) plays her perfect counterpart--powerful and unwavering, yet charming, caring, and honest. As each scene of the film magically bleeds into the next, the painterly backdrops make it difficult to discern 3-D objects such as chairs from the trompe l'oiel flat painted sets. Characters enter or exit with shocking life as the camera matches them to the color and texture of the painting. Majestic black horses that pull carriages over the "cobblestone" streets shimmer with velveteen realness. Meanwhile, tension brought on by the war adds strain to the friendship between the lady and the duke, and as the audience endures the fall of the Bastille, the September Massacres, and the finally, the king's execution, they are captivated, entertained, and historically nourished. [More]
Starring: Lucy Russell, Jean-Claude Dreyfus, Francois Marthouret, Leonard Cobiant
Starring: Lucy Russell, Jean-Claude Dreyfus, Francois Marthouret, Leonard Cobiant, Caroline Morin, Charlotte Véry, Alain Libolt, Marie Rivière
Director: Eric Rohmer
Director: Eric Rohmer
Screenwriter: Eric Rohmer
Producer: Françoise Etchegaray
Studio: Sony Pictures Classics
Get This Movie
Reviews for The Lady and the Duke
Watching living actors interact against the lush, studied inertia of the backdrops gives us the impression of history come to life, or statues magically transformed into living creatures.
Talky, artificial and opaque...an interesting technical exercise, but a tedious picture.
The film has almost nothing much to offer a viewer who doesn't already have a historian's keen interest in the minutiae of 1792 Paris politics.
Any film by Rohmer deserves to be celebrated, and I can't dismiss this one simply because it dares to be difficult.
Seeing the paint actually dry, however, would probably be more fun than most of this overly expository film.
The laser-projected paintings provide a spell-casting beauty, while Russell and Dreyfus are a romantic pairing of hearts, preciously exposed as history corners them.
A plodding look at the French Revolution through the eyes of aristocrats.
... the texture is startling: a past filtered through our most common visual window on the age.
... a fascinating curiosity piece -- fascinating, that is, for about ten minutes. After that it becomes long and tedious like a classroom play in a college history course.
When the painted backdrops in a movie are more alive than its characters, you know you're in trouble.
Cultivated? Sure it is. Respectable? You bet. And now the honest part. Terminally dull? Uh huh.
This fascinating experiment plays as more of a poetic than a strict reality, creating an intriguing species of artifice that gives The Lady and the Duke something of a theatrical air.
Despite its lavish formalism and intellectual austerity, the film manages to keep you at the edge of your seat with its shape-shifting perils, political intrigue and brushes with calamity.
It's ... worth the extra effort to see an artist, still committed to growth in his ninth decade, change while remaining true to his principles with a film whose very subject is, quite pointedly, about the peril of such efforts.
It doesn't look real, but it looks marvelously unreal, a perfect marriage of low and high tech.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- The Lady and the Duke at Rotten Tomatoes
- The Lady and the Duke at AskMen
Fresh Links
Featured

Take a look at MSN's choices for the Top 10 films of 2009.

Last week, Moviefone offered us their worst films of the 2000s. Now see their 40 best!

Hollywood.com explores why QT's characters resonate so well with audiences.

TIME chimes in with their own list of the best films released this year.

Click through to see which movies BuzzSugar placed in their Best-of-Decade list!
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


