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Lady and the Tramp (1955)



Average Rating: 7.6/10
Reviews Counted: 38
Fresh: 34 | Rotten: 4

A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience.


Average Rating: 4.5/10
Critic Reviews: 5
Fresh: 2 | Rotten: 3

A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience.



liked it
Average Rating: 3.5/5
User Ratings: 857,972

My Rating

Movie Info

Lady and the Tramp represented two "firsts" for Disney: It was the studio's first Cinemascope animated feature, and it was their first full-length cartoon based on an original story rather than an established "classic". Lady is the pampered female dog belonging to Jim Dear and Darling. When her human masters bring a baby into the house, Lady feels she's being eased out; and when Darling's insufferable Aunt Sarah introduces her nasty twin Siamese cats into the fold, Lady is certain that she's no

Feb 7, 2012

Buena Vista Pictures

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All Critics (38) | Top Critics (5) | Fresh (34) | Rotten (4) | DVD (37)

Walt Disney has for so long parlayed gooey sentiment and stark horror into profitable cartoons that most moviegoers are apt to be more surprised than disappointed to discover that the combination somehow does not work this time.

September 1, 2008 Full Review Source: TIME Magazine | Comments (3)
TIME Magazine
Top Critic IconTop Critic

The wider canvas and extra detail work reportedly meant an additional 30% in negative cost. It was a sound investment.

June 2, 2008 Full Review Source: Variety
Top Critic IconTop Critic

Disney's imagination seems at a low ebb, saddled with a shrunken, excessively naturalistic style in line with the diminished possibilities of postwar animation, and not yet graced by the inspiration that would redeem that style in Sleeping Beauty.

February 9, 2007 Full Review Source: Chicago Reader | Comments (8)
Chicago Reader
Top Critic IconTop Critic

Happily the cameo lowlife, an excellent manic beaver, the famously villainous Siamese, and classic songs rescue the film from dumb animal sentiment.

June 24, 2006 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

The sentimentality is mighty, and the use of the CinemaScope size does not make for any less awareness of the thickness of the goo.

March 25, 2006 Full Review Source: New York Times | Comment (1)
New York Times
Top Critic IconTop Critic

This tale (oh hah hah!) of two canines in love has withstood the test of time to remain a family classic.

September 8, 2013 Full Review Source: Trespass

I just love hand drawn animation, it really brings to life all the characters in a very expressive way. The imperfections doing it by hand give everything a rougher edge but more heart.

April 22, 2012 Full Review Source: Eclipse Magazine
Eclipse Magazine

Handsomely, seductively drawn, Lady and the Tramp owns its place in the canon...

March 20, 2012 Full Review Source: Film Freak Central
Film Freak Central

in many ways it is closer to the man Walt Disney's view of the world than any of his preceding films, especially the way it is filtered largely through his sense of nostalgia for the Victorian era

February 13, 2012 Full Review Source: Q Network Film Desk
Q Network Film Desk

A somewhat dry, but very good Disney animated effort punctuated by a few Disney-defining classic moments.

February 12, 2012 Full Review Source: IGN DVD

Share the love of "Lady and the Tramp" with your loved ones this Valentine's Day.

February 10, 2012 Full Review Source: Entertainment Spectrum
Entertainment Spectrum

A wonderful blend of timeless romance, wholesome adventure, and breathtaking animation.

January 31, 2012 Full Review Source: Movie Metropolis
Movie Metropolis

Classic Disney dogs paw their way into hearts.

December 25, 2010 Full Review Source: Common Sense Media
Common Sense Media

Easily the most beautifully-animated piece to come out of the Disney Studios since the Golden Age ended.

November 12, 2009 Full Review Source: Antagony & Ecstasy
Antagony & Ecstasy

[It made] more money than any other film from the 1950s except The Ten Commandments and Ben-Hur.

September 1, 2008 Full Review Source: TV Guide's Movie Guide
TV Guide's Movie Guide

A charming piece of vintage entertainment from Walt Disney, replete with wholesome family values.

September 1, 2008 Full Review Source: Film4

...somewhat overrated...

March 18, 2006 Full Review Source: Reel Film Reviews
Reel Film Reviews

One of Disney's simplest and most delightful animated features

March 9, 2006 Full Review Source: Combustible Celluloid
Combustible Celluloid

The vintage animation is brilliant, and Disney has done a wonderful job with the transfer to DVD.

March 8, 2006 Full Review Source: Reno Gazette-Journal

They don't make movies like Lady and the Tramp any more. I know that's a cliche, but it's true.

March 2, 2006 Full Review Source: 7M Pictures
7M Pictures

Audience Reviews for Lady and the Tramp

One of the big steps we take in becoming adults is learning to accommodate our nostalgia for the things we loved as a child. We shouldn't deliberately disown the films, TV shows and other cultural icons of our youth; they played a crucial part in making us who are we, for better or worse, and in some way they continue to shape our cultural choices as adults. But we mustn't let ourselves be governed by a rose-tinted view of the past; it is a dangerous blinker on the critical mind, and most attempts to recapture said past result in failure.

Of course, it's very easy for me to say all this when I'm referring to things which did not affect me personally. I brought up this line of argument in my review of the fourth Indiana Jones film, since that series did not really impact me until I was a teenager; by then I already liked adventure stories, and they merely helped to cement this love. Lady and the Tramp, on the other hand, is one of the first films I can remember seeing, both in my home and in the cinema. Part of me regrets that it doesn't hold up quite as well in 2013 as it did in the early-1990s, but the rest of me can take comfort in the moments that make it a nice little charmer.

Like many Disney films released in the 1950s, Lady and the Tramp had a long gestation period, partly as a result of the delays caused by World War II. The original concept, involving Lady being replaced by the new-born baby, was first floated in 1937, but Disney dismissed it as being too sweet and not having enough action. The Tramp was added in the early-1940s, though he was originally known as Homer, Rags or Bozo. The animators worried that 'Tramp' would be too sexual for a children's story, pointing to the jazz standard 'The Lady Is A Tramp' which satirised New York polite society through the character of a socially wayward woman.

Over the next few years characters' names changed and various scenes were added or removed as Disney searched for the perfect story arc. In this time the only aspects of the film that remained constant were the two main characters and the dog's-level perspective on the human world (more on that later). It wasn't until 1953, around the release of Peter Pan, that Disney had the story anywhere near its finished shape, and even then changes were made right up to the release. The now-iconic spaghetti scene was almost cut by Disney, who felt that it was too silly; fortunately his animator Frank Thomas convinced him otherwise.

Lady and the Tramp is significant for being the first full-length Disney feature to be based on contemporary sources - namely Joe Grant's original pitch about Lady and Ward Greene's short story 'Happy Dan, The Whistling Dog' which created the Tramp. This is a little misleading, however, since the film is still essentially a period piece, judging by its fashions, transport and modes of address. The film has a contemporary spirit and a very 1950s view of the past, but it doesn't have the same flaws which hampered later modern-day efforts like The Rescuers or Oliver & Company.

The film is stylistically interesting in the lack of space given to human characters or faces. This idea is not without precedent - many Tom and Jerry cartoons featured just the hands, legs or voices of the humans. But what is interesting, at least artistically, is how much faith Disney puts in his audience being able to emote with animals as much as they would with people. He is so confident in the characters and (beautiful) animation that he deliberately reduces the humans' screen time, and gives very little that could explain the relationship between humans and animals, even in terms of scale.

In the past Disney stories centred around animals had always set up a balance between humans and animals in terms of screen time, and the boundaries in which the two could interact. Dumbo may be driven by its title character, but the ringmaster is shown at the same level or perspective as the elephant. The Adventures of Ichabod and Mr. Toad may have a lot of animal characters, but a human villain is inserted on their level to humanise them. In Lady and the Tramp, everything is seen from the diminished view of a dog; the film deliberately resists giving out details about the human world, leaving Lady as the only way in.

Like Dumbo or Bambi, there isn't really a lot of story in Lady & the Tramp. None of these stories have the great sweep or classic beats of the fairy tales adapted by the company: their charm is more slight and simple, playing on innocence and childlike curiosity about the world rather than exploring more complex tropes and ideas. Ultimately its staying power is not that great, since it's not as visually rich or narratively substantial as Snow White or Sleeping Beauty. But it does have a number of memorable moments, some of which have become icons of the Disney canon as a whole.

The visuals of Lady and the Tramp are very inviting. It begins modestly enough, opening like one of the package films of the 1940s with the shots of suburbia, falling snow and the heavenly choir. It's very close in fact to the Once Upon A Wintertime segment of Melody Time, right down to the slightly strange movements of the horses. But once Lady is introduced, the colour palette opens up and the rich summery colours begin to fill the screen and warm us up. The film is the first that Disney made in Cinemascope, and the widescreen format compliments the dog's-eye-view aesthetic.

The music is pretty nice too, even though none of the songs are as catchy as 'Heigh-Ho' or 'Baby Mine'. 'He's A Tramp' is one of the highlights, sung memorably by Peggy Lee and accompanied by great character animation. The film's use of barbershop in the dogs' howling is a nice touch, taking something relatively dissonant and shaping it to fit the character dynamics in the pound. Standouts elsewhere include 'What Is A Baby?' (also sung by Lee) and 'Bella Notte', with the resounding tenor complimenting the Italian chefs. 'The Siamese Cat Song' would also be memorable, were it not for the un-PC characterisation of the cats themselves, much like their counterparts in The Aristocats.

Like many Disney efforts of the time, Lady and the Tramp is at its best when it allows darker elements to encroach upon its sunny, chocolate-box world. The scene of Lady being chased by the dogs and the Tramp fighting them off is pretty tense; if we think of it in terms of human interaction, it's downright creepy. Likewise the scenes with the rat are quite threatening, like something had escaped from the dark woods in Snow White and the film was struggling to get rid of it by any means possible.

For the most part, however, the film is light, cheery and relatively stake-free. It's not as overtly schmaltzy as Bambi (which some may count as a mercy), but it's still a story driven by character interaction rather than reaction to other circumstances, and that in itself is no bad thing. We know pretty much from the outside where the story is going to go, and the film doesn't really deviate from the tried-and-tested beats of a class-driven romance. But the two main players are charming and convincing, with Barbara Luddy on fine form as Lady and Larry Roberts giving the Tramp a real swagger.

The supporting cast are well-voiced and generally solid. Verna Felton does a very good job as the highly strung Aunt Sarah, a complete departure from her graceful turn as Cinderella's fairy godmother. Bill Thompson is good as Jock, but he and Trusty don't have much to do other than stand around explaining the plot to Lady. Stan Freberg makes a nice little cameo as the Beaver, stretching out a single joke as far as it will possibly go. And the Mellowmen sing well for the dogs' barbershop quartet, even if their speaking accents are completely off-kiltre.

Lady and the Tramp is a good, solid, charming slice of fun which deserves some of its status as a Disney classic. It has none of the depth or staying power of the company's fairy tale ventures, and is hardly the most ambitious or ground-breaking love story committed to film. But its aesthetic departures and warm characters are enough to keep it both historically interesting and an enjoyable watch - especially with spaghetti.
September 10, 2013
Daniel Mumby
Daniel Mumby

Super Reviewer

One of my favourite classic Disney pictures. Not only is the story one of the greatest and most true to life, but the visuals are beautiful, which is a perfect match, considering the overall film is nothing but gorgeous storytelling. As a family gains a puppy, the grows up, the family has a baby, and the puppy is left behind. That's when the story begins to follow Lady, whom finds friends along the way and a lost lover who will show her the "stray" ropes along the way. Everything about this film is perfect, I would not change a thing. Easily one of Walt Disney's the best!
March 24, 2013
KJ Proulx

Super Reviewer

Returning to this film after 12 years, 'Lady and the Tramp' still has its loving magic. It contains such powerful moments of joy, emotion and a scene of intensity. This film even features one of Disney's most admired scenes of love and the song 'Bella Notte'. For all Disney fans, this is a true classic and a must watch.
August 12, 2012
Samuel Riley
Samuel Riley

Super Reviewer

    1. Tramp: Woof.
    – Submitted by Venkatesh S (2 years ago)
    1. Tramp: Just a cute little bundle... of trouble. Yeah, they scratch, pinch, pull ears... Aw, but shucks, any dog can take that. It's what they do to your happy home. Move it over, will ya, friend? Homewreckers, that's what they are!
    2. Jock: Look here, laddie! Who are you to barge in? Tramp: The voice of experience, buster. Just wait 'til Junior gets here. You feel the urge for a nice, comfortable scratch, and... "Put that dog out! He'll get fleas all over the baby!" You start barking at some strange mutt... [Barks]
    3. Tramp: Stop that racket, you'll wake the baby!
    – Submitted by Saunche W (2 years ago)
    1. Tramp: You see, Pidge, when you're footloose and collar-free, you take nothing but the best!
    – Submitted by Diego T (2 years ago)
    1. Tramp: Here, Little Fritzi, that's me, Pidge, makes this his Monday home.
    – Submitted by Diego T (2 years ago)
    1. Tramp: Oh, now, now. Who could ever harm a little trick like you?
    2. Lady: [Angry] Trick? Trick! Oh, that reminds me. Who is Trixie?
    3. Tramp: Trixie?
    4. Lady: And Lulu and Fifi and Rosita Chiquita wh... whatever her name is?
    5. Tramp: Chiquita... chiquita, oh... Oh! Yes! Well, I-I...
    – Submitted by Diego T (2 years ago)
    1. Beaver: Say, it works swell!
    – Submitted by Diego T (2 years ago)
View all quotes (9)

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Foreign Titles

  • Susi und Strolch (DE)
  • La Belle et le Clochard (FR)
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