A brilliant movie, and everything in it is terrific.
The Lady from Shanghai (1948)
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Reviews Counted:26
Fresh:22
Rotten:4
Average Rating:7.8/10
Runtime: 87 mins
Genre: Dramas
Synopsis: THE LADY FROM SHANGHAI, an atmospheric film noir based on Sherwood King's novel IF I DIE BEFORE I WAKE, features Orson Welles as producer, director, co-screenwriter, and star. Welles plays rogue... THE LADY FROM SHANGHAI, an atmospheric film noir based on Sherwood King's novel IF I DIE BEFORE I WAKE, features Orson Welles as producer, director, co-screenwriter, and star. Welles plays rogue seaman Michael O'Hara, complete with Irish brogue. After saving beautiful Elsa Bannister (Rita Hayworth) from thieves in Central Park, O'Hara is requested to serve on the yacht owned by Elsa's husband, Arthur (Welles veteran Everett Sloane), an older man who needs special crutches in order to walk. A fiery passion lurks underneath the relationship between Michael and Elsa; in actuality, the marriage between Welles and Hayworth was ending at the time the film was shot. Enter George Grisby (the eerie-sounding Glenn Anders), one of Bannister's associates and a man with a very special offer for O'Hara, luring him into a web of lies and murder. Although Welles claimed he made THE LADY FROM SHANGHAI just to finance other projects and the film does not show off his typical Wellesian flair, it still plays like a classic noir that draws the viewer in and never lets go. The characters are complex and fascinating, and the tension runs high and hot as the truth behind all the lies starts to come out. The film is most famous for its thrilling climax, which takes place in a hall of mirrors. Welles might have considered THE LADY FROM SHANGHAI workmanlike, but this noir thriller is only as workmanlike as any Welles film can be. [More]
Starring: Orson Welles, Rita Hayworth, Everett Sloane, Glenn Anders
Starring: Orson Welles, Rita Hayworth, Everett Sloane, Glenn Anders, Ted De Corsia, Erskine Sanford, Gus Schilling, Harry Shannon
Director: Orson Welles
Director: Orson Welles
Screenwriter: Orson Welles
Producer: Orson Welles
Composer: Heinz Roemheld
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Reviews for The Lady from Shanghai
All his style and willingness to experiment weren't enough for Welles to hide weaknesses in the script.
Forget Kane. The Lady From Shanghai presents Welles at his most finely tuned baroque.
For a fellow who has as much talent with a camera as Orson Welles and whose powers of pictorial invention are as fluid and as forcible as his, this gentleman certainly has a strange way of marring his films with sloppiness.
Like most of Welles' Hollywood efforts, Shanghai was shanghaied by studio tampering ... but it also contains some of his greatest set pieces, topped by the delirious shootout in the funhouse hall of mirrors.
The Lady from Shanghai (1948) is an imaginative, complicated, unsettling film noir who-dun-it thriller, with fascinating visuals and tilting compositions, luminous
Visually brilliant, complex thriller, from the master of the baroque crime film.
One of Orson Welles' best films, this highlight of 1940s film noir stars Rita Hayworth at her most desirable. French director Francois Truffaut said it best: The raison d'etre for this work is "cinema itself"--the climactic mirror sequence is a stunner
Convoluted and roughly edited, Welles' signature photography is stamped all over the film, but his usual savvy sense of plot and character development is lacking.
...curious newcomers to Welles' work should leave this one 'til the end of his oeuvre (and I'm including Transformers: The Movie in that list).
An encyclopedia of genre conventions, played out to such a "decadent" extent.
...a typical noir effort...dark tone, dark streets, dark shadows...trust no one.
An uneven film, perhaps, but one which only seems to improve with age.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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