The story is so convoluted and ultimately preposterous that you're almost embarrassed by the earnestness of the actors trying to carry it off.
Lady in the Water (2006)
Tomatometer
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Reviews Counted:37
Fresh:5
Rotten:32
Average Rating:3.9/10
Consensus: A far-fetched story with little suspense and unconvincing scenarios, Lady In The Water feels contrived, pretentious, and rather silly.
Theatrical Release:Jul 21, 2006 Wide
Box Office: $42,219,433
Synopsis: M. Night Shyamalan (THE SIXTH SENSE, THE VILLAGE) continues his mission to revive the ancient art of storytelling--which he has diagnosed as a dying art--melding aspects of the fantastic with the... M. Night Shyamalan (THE SIXTH SENSE, THE VILLAGE) continues his mission to revive the ancient art of storytelling--which he has diagnosed as a dying art--melding aspects of the fantastic with the mundane, and bringing to life a mythology of his own concoction. Paul Giamatti (SIDEWAYS) is Cleveland Heep, the depressed caretaker of an apartment complex in suburban Philadelphia called the Cove--a location from which the film virtually never strays. He tends the homes of a host of loveable eccentrics, including Jeffrey Wright (SYRIANA) as a single dad, Sarita Choudhury (SHE HATE ME) and the director himself as brother-and-sister roommates, Bob Balaban as a cynical film critic, and Cindy Cheung as a college girl Cleveland befriends. When Cleveland is pulled from the pool by a mysterious young woman (Bryce Dallas Howard, THE VILLAGE) after a nasty bump on the head, he quickly discovers her true identity as a narf, one of an ancient race of water beings whose attempts at communication with humans have long ago ceased. As Cleveland attempts to return her to her world, uncovering the intricacies of the story from which she emerged and protecting her from the beasts that seek to thwart her, she helps him and many of the other residents find their true purpose in life, reaffirming the meaning it holds for them. Though the tale borders on overpopulation with many thinly drawn characters, and Shyamalan's own role is overtly reflective of the ego he is so often accused of, the tale manages to stimulate the imagination nonetheless. It achieves this by invoking universally affecting elements of myth and magic, and mesmerizing viewers with stunning photography by Wong Kar-Wai (CHUNGKING EXPRESS) regular Christopher Doyle. [More]
Starring: Paul Giamatti, Bryce Dallas Howard, Bob Balaban, Jeffrey Wright
Starring: Paul Giamatti, Bryce Dallas Howard, Bob Balaban, Jeffrey Wright, Sarita Choudhury, Freddy Rodriguez, Bill Irwin, Jared Harris, Mary Beth Hurt, M. Night Shyamalan
Director: M. Night Shyamalan
Director: M. Night Shyamalan
Screenwriter: M. Night Shyamalan
Composer: James Newton Howard
Studio: Warner Bros.
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Reviews for Lady in the Water
In the end, Shyamalan's stumbling Lady never gives us a reason to believe.
Crazy as this might sound, it turns out that self-indulgent ramblings designed to put your children to sleep are pretty much the opposite of art.
It's a busy made-up universe -- with rules, rituals, and a deity-tree that could give the Hindu hierarchy a run for its rupee. And it's extremely silly.
Viewers may see religious implications in the movie, with its messianic mermaid and chlorinated holy water, but it really isn't worthy of such deep analysis.
With his work beginning to seem as insular as the communities he's imagining, Shyamalan really needs to try directing someone else's screenplay.
It is yet another of Shyamalan's attempts to wade into the deep end of the profundity pool, where not even chlorine can kill the brackish residue of his design.
The movie is a muddle, burdened with too many characters and a sorry lack of thrills, flair and coherence. Yet Shyamalan's talent is real.
M. Night Shyamalan doesn't have an ego problem. He's just a humble screenwriter and director who makes himself a star of his own movie -- as a character who is a writer, whose words will save the world from despair and destruction.
Hey, wanting a movie to compute is not the same as resisting fairy-tale eloquence.
Lady is not likely to convert critics who believe Shyamalan is only a one-trick pony. Those willing to risk a dip in this pool, on the other hand, may be refreshed, if not reborn.
These days, movie fans have grown accustomed to being force-fed a film's reality, to having it hammered home from first loud frame to last. Lady in the Water offers more subtle submersion, a baptism of soulful quirks and daringly sweet imagination.
Who am I to knock the work of the man who, in his own film, casts himself as a writer whose ideas will inspire a future leader who will save the world -- an artist whose work will not be fully understood in his own time, but only many years later?
It is possible to wrestle yourself from the movie's hokey ambitions. There is a good chunk of Lady in the Water that is simply too well made and affectingly acted to dismiss as a mere exercise in arrogance.
Murky like the water in the pool, or like Christopher Doyle's cinematography.
Lady in the Water challenges us to believe in the power of myth. But the big challenge here is surviving the tedium of Shyamalan's meandering inventiveness. What's supposed to be fanciful storytelling is really just audience punishment.
Though the result is too idiosyncratic to be regarded as just one more summer-movie whiff, those who see it may feel a need to act like a pool lifeguard and blow the whistle on Shyamalan.
It's hard to think of a deadlier shotgun marriage than Jacques Tourneur's poetry of absence and Spielbergian uplift, but Shyamalan has patented the combo, adding pretentious camera movements that are peculiarly his own -- even the jokes are pretty solemn.
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