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Lady in the Water (2006)
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Reviews Counted:204
Fresh:49
Rotten:155
Average Rating:4.2/10
Consensus: A far-fetched story with little suspense and unconvincing scenarios, Lady In The Water feels contrived, pretentious, and rather silly.
Theatrical Release:Jul 21, 2006 Wide
Box Office: $42,219,433
Synopsis: M. Night Shyamalan (THE SIXTH SENSE, THE VILLAGE) continues his mission to revive the ancient art of storytelling--which he has diagnosed as a dying art--melding aspects of the fantastic with the... M. Night Shyamalan (THE SIXTH SENSE, THE VILLAGE) continues his mission to revive the ancient art of storytelling--which he has diagnosed as a dying art--melding aspects of the fantastic with the mundane, and bringing to life a mythology of his own concoction. Paul Giamatti (SIDEWAYS) is Cleveland Heep, the depressed caretaker of an apartment complex in suburban Philadelphia called the Cove--a location from which the film virtually never strays. He tends the homes of a host of loveable eccentrics, including Jeffrey Wright (SYRIANA) as a single dad, Sarita Choudhury (SHE HATE ME) and the director himself as brother-and-sister roommates, Bob Balaban as a cynical film critic, and Cindy Cheung as a college girl Cleveland befriends. When Cleveland is pulled from the pool by a mysterious young woman (Bryce Dallas Howard, THE VILLAGE) after a nasty bump on the head, he quickly discovers her true identity as a narf, one of an ancient race of water beings whose attempts at communication with humans have long ago ceased. As Cleveland attempts to return her to her world, uncovering the intricacies of the story from which she emerged and protecting her from the beasts that seek to thwart her, she helps him and many of the other residents find their true purpose in life, reaffirming the meaning it holds for them. Though the tale borders on overpopulation with many thinly drawn characters, and Shyamalan's own role is overtly reflective of the ego he is so often accused of, the tale manages to stimulate the imagination nonetheless. It achieves this by invoking universally affecting elements of myth and magic, and mesmerizing viewers with stunning photography by Wong Kar-Wai (CHUNGKING EXPRESS) regular Christopher Doyle. [More]
Starring: Paul Giamatti, Bryce Dallas Howard, Bob Balaban, Jeffrey Wright
Starring: Paul Giamatti, Bryce Dallas Howard, Bob Balaban, Jeffrey Wright, Sarita Choudhury, Freddy Rodriguez, Bill Irwin, Jared Harris, Mary Beth Hurt, M. Night Shyamalan
Director: M. Night Shyamalan
Director: M. Night Shyamalan
Screenwriter: M. Night Shyamalan
Composer: James Newton Howard
Studio: Warner Bros.
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Reviews for Lady in the Water
Shyamalan will have to settle for another curmudgeonly critic giving him another negative review.
Though originating as a bedtime story for his children, it functions less as a morality tale and more as an egotistical salvo toward his critics.
I guess the best thing to call this is a "mackrel in the moolight." That means it looks shiny and beautiful, but stinks to high heaven.
I enjoyed every moment, from the pictographs that set up the ancient legend to the emotional climax.
The only frightening thing about this horror fantasy film was in how bad it was.
The movie makes direct fun of standard Hollywood storytelling conventions, and that's enjoyable. But its utter lack of narrative discipline is just plain amateurish, not subversive.
Turns out those Disney executives who refused to make M. Night Shyamalan's latest film, Lady In The Water, knew exactly what they were doing.
despite the childlike nature of the story, Lady in the Water will prove too confusing for most kids, which is a shame, since they're also the ones most like to greet that giant-eagle business with something other than a derisive laugh.
Shyamalan has a well-deserved reputation for pulling rabbits out of a hat and calling it magic. It's the talent for doing so that fails him here.
The story is so convoluted and ultimately preposterous that you're almost embarrassed by the earnestness of the actors trying to carry it off.
In the end, Shyamalan's stumbling Lady never gives us a reason to believe.
Crazy as this might sound, it turns out that self-indulgent ramblings designed to put your children to sleep are pretty much the opposite of art.
Much narrative energy is devoted to the arcane details of the narf mythology, and those familiar with the director's methods grow impatient waiting for the air to clear.
It's a busy made-up universe -- with rules, rituals, and a deity-tree that could give the Hindu hierarchy a run for its rupee. And it's extremely silly.
If moviegoers are willing to go with the movie's questionable, sometimes painfully self-conscious flow, Shyamalan's new tale may once again sweep them into his idiosyncratic world.
Once the plot is actually engaged, all it really is, is a basic damsel-in-distress story with a lame stab at magical realism thrown in.
Lady is the height of folly, an endeavor as wrongheaded as The Postman, as foolish as any 'vanity' project of the past 20 years.
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