Lady in White (1988)


No Top Critics Tomatometer score yet...


Critic Consensus: No consensus yet.

Movie Info

In this supernatural nostalgia piece, a young boy tracks down a murderer with help from the ghosts of a slain little girl and her mother. In a voice-over, grown-up writer Frankie Scarlatti describes the disturbing events that intruded on his idyllic small-town boyhood. Locked in the school cloakroom by some other boys on Halloween 1962, young Frankie (Lukas Haas) encounters the ghost of Melissa Anne Montgomery (Joelle Jacobi), who re-enacts her own death by strangulation just before an unseen … More

Rating: PG-13 (adult situations/language, violence)
Genre: Mystery & Suspense, Horror
Directed By:
Written By: Frank LaLoggia
In Theaters:
On DVD: Mar 14, 1998
Virgin Vision



as Frankie Scarlatti

as Phil

as Angelo Scarlatti

as Geno Scarlatti

as Mama Assunta

as Papa Charlie

as Donald

as Melissa

as Adult Frankie

as Sheriff Saunders

as Grace La Della

as Mr. Lowry

as Mrs. Agnes Cilak

as Mr. Cilak
Show More Cast

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Critic Reviews for Lady in White

All Critics (17) | Top Critics (5)

Full Review… | January 1, 2000
Chicago Sun-Times
Top Critic

Full Review… | June 24, 2006
Time Out
Top Critic

Full Review… | May 20, 2003
New York Times
Top Critic

Full Review… | January 1, 2000
Washington Post
Top Critic

Full Review… | January 1, 2000
Washington Post
Top Critic

...the majority of Lady in White's horror-based elements fall completely flat...

Full Review… | October 11, 2012
Reel Film Reviews

Audience Reviews for Lady in White

It's Halloween 1962 in the small town of Willowpiont Falls, there's a child killer on the loose and - three years on from Peter Weir's Witness - little Lukas Haas still hasn't learned when to keep his eyes shut. Before anybody gets the wrong impression, I really enjoyed this. I just feel that writer/director/composer Frank LaLoggia maybe spreads his talent a little too thinly; that he should have polished the script some more before throwing himself into the multi-tasking. There are several plot points that just don't make any sense to me. Firstly, why the school cloakroom? Even before we consider the killer's Herculean effort disposing of the body and the ludicrous risk run in doing so, the cloakroom is already looking like a most unlikely venue for a murder. Does the school have some special significance for the killer? If so, I must have missed it. Secondly, we are informed that ten years ago the police found blood in the cloakroom and had reason to suspect that the girl was murdered there. Sounds fair enough, until we recall that we saw the girl die with our own eyes - and she was strangled! So where does the blood come from, in sufficient quantity to attract the attention of the police? Thirdly, after an interval of ten years the killer goes back to the scene of his crime to retrieve an incriminating article. Although the script does trouble to explain why he can't afford to wait any longer to do this, my question would be: why has it taken him this long to get around to it? With a handful of nicely judged, kindly/creepy performances, the identity of the killer is not quite a forgone conclusion from the outset; what is inevitable, however, is how he will eventually give himself away. The thing that bothers me about this is that Lukas Haas' character, Frankie, should not need any prompting here; he ought to know who the killer is as soon as this clue is presented to him.

Stephen M

Super Reviewer

I really love this film, it?s a childhood favourite of mine and it?s still scary too!

Anthony Lawrie

Super Reviewer


A young boy encounters the ghost of a murdered girl, resulting in his becoming the killer's next target. I must admit I really liked this film when I was younger, but 20 years on it hasn't really stood up very well. Essentially it's The Sixth Sense done in the style of The Goonies, and it doesn't really work. It definitely has it's moments, particularly the scenes involving the ghosts which are almost Tim Burtonesque, but the rest of the film is amateurishly directed and punctuated with particularly poor narration. The saccharine drenched family element is loaded with sentiment and stereotypes and the race message felt forced and tacked on. The last half an hour is pretty watchable, but more often than not, I found myself hitting fast forward, looking for the "good bits". I must be getting cynical in my old age!

xGary Xx

Super Reviewer

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