[An] elegant documentary.
Lagerfeld Confidential (2007)
Tomatometer
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Reviews Counted:34
Fresh:14
Rotten:20
Average Rating:4.7/10
Consensus: More vanity project than documentary; reveals little of its evasive subject.
Theatrical Release:Oct 26, 2007 Limited
Synopsis: Fashion icon Karl Lagerfeld lies at the heart of this style-centric documentary from director Rodolphe Marconi (LOVE FORBIDDEN).
Director: Rodolphe Marconi
Director: Rodolphe Marconi
Studio: Koch Lorber Films
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Release:
Sep 2, 2008
Reviews for Lagerfeld Confidential
Marconi colludes like an awestruck fan, letting the witty eccentric hold court with childhood anecdotes and quotable gems. Not that we’re complaining – after all, who needs reality when the illusion’s sweeter than Chanel?
Apart from a few too many longueurs of Lagerfeld shooting pretty pictures of pretty models, [the film] is an entertaining bauble.
"I'm a complete improvisation," Lagerfeld declares. And it's quite a performance.
Lagerfeld could be the fashion world's Nosferatu: gimlet eyes hidden behind shades as they appraise each new collection; monstrous in his egotism; and, despite his protestations otherwise, painfully lonely after selling his soul to haute couture.
Lagerfeld keeps the shades down and the collar up in this glossy but inexpressive biography.
The designer's droll wit makes this a compelling (if bitchy) documentary.
Fascinating portrait of a decadent aristocrat with a flair for the beautiful.
Engaging, frequently amusing and occasionally moving documentary about one of fashion's most fascinating figures.
Lagerfeld Confidential, while an undisciplined piece of filmmaking, offers a rare glimpse into the soul of the fashion world, with Lagerfeld, as he admits, surviving through his philosophical fixation on The New: life as the proverbial next season.
An engaging portrait of a man who claims to eschew self-analysis and nostalgia, even as these are clearly his stock in trade.
In the end, Marconi's point of view makes for an ultimately frustrating, if still fascinating, 87 minutes of cinema.
Know not to take tips from a man who has a ponytail and wears fingerless black gloves.
If you’re one of those devils who wears Prada, seek it out. If your jeans don’t come with designer labels, you’re advised to look elsewhere.
Even by the unexacting standards of fashionista portraiture, this is a feeble effort.
Lagerfeld embodies the high fashion life – his every move would provide enough material to fill The Devil Wears Prada ten times over, but our view is dulled by Marconi's bland questioning.
You learn only as much as Lagerfeld wants you to, which isn't very much at all.
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