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Lan Yu (2002)
Tomatometer
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Reviews Counted: 34
Fresh: 22
Rotten:12
Average Rating: 6.2/10
Consensus: A well-crafted love story, but it may be too simplistic for some.
Theatrical Release:Jul 3, 2002 Limited
Synopsis: Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays... Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays as hard as he works. His loyal lieutenant Liu Zheng is one of the few who know that Handong's taste run to boys more than girls. Lan Yu is a country boy, newly arrived in Beijing to study architecture. More than most students, he is short of money and willing to try anything to earn some. He has run into Liu Zheng, who pragmatically suggests that he could prostitute himself for one night to a gay pool-hall and bar owner. But Handong happens to be in the pool-hall that evening, and he nixes the deal. He takes Lan Yu home himself, and gives the young man what turns out to be life-changing sexual initiation. Handong and Lan Yu meet often, and the boy is soon very secure in his love for the man. But Handong insists that he wants a play-mate, not a lifelong companion, and warns Lan Yu that they will eventually break up. "When people get to know each other too well," he says, "inevitably they part." Meanwhile he showers expensive gifts to Lan Yu, expecting to deflect the boy's love by turning it into gratitude or dependency. Lan Yu is undeterred until the night he arrives at Handong's apartment and finds his lover in the process of seducing a college athlete. They meet again on the night of 4 June 1989. Handong goes looking for Lan Yu, worried that he might have been caught up in the army's murderous sweep through Tiananmen Square. Handong gives Lan Yu his most lavish gifts yet - a newly built villa on the outskirts of Beijing and a car -- and they begin living together as a couple. But again Handong shies away from his feelings for the boy. He enters a whirlwind romance with Jingping, a professional translator who has helped his company in trade negotiations with Russians, and marries her. Lan Yu moves out of the villa, and Handong loses contact with him. Before long, Handong is divorced. He runs into Lan Yu by chance at the airport one day, and an invitation to try Lan Yu's home cooking leads to a resumption of their relationship. Now, at last, Handong learns to feel and show commitment to his lover -- just when his company comes under investigation for smuggling and illegal fund-raising. Handong is facing long-term imprisonment, possible worse, but to the delight of his sister Yonghong and her husband Daning (not to mention Liu Zheng and his other employees) he is bailed out by Lan Yu. The boy sells the villa and the car, and pools the proceeds with his own savings -- yielding enough to get Handong out of trouble. Finally, Handong and Lan Yu can be together. But fate can play cruel tricks... -- © 2001 GStage LLC [More]
Starring: Jun Hu, Ye Liu, Jin Su, Huatong Li
Starring: Jun Hu, Ye Liu, Jin Su, Huatong Li, Fang Lu, Yongning Zhang, Shuang Li, Minfen Zhao, Fan Zhang
Director: Stanley Kwan
Director: Stanley Kwan
Screenwriter: Jimmy Ngai
Producer: Yongning Zhang
Studio: Strand Releasing
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Reviews for Lan Yu
The characters seem one-dimensional, and the film is superficial and will probably be of interest primarily to its target audience.
Seems like something American and European gay movies were doing 20 years ago.
Hu and Liu offer natural, matter-of-fact performances that glint with sorrow, longing and love.
This delicately observed story, deeply felt and masterfully stylized, is a triumph for its maverick director.
A nicely constructed film with an unusual, though not unheard-of theme for Chinese cinema.
Lan Yu is a genuine love story, full of traditional layers of awakening and ripening and separation and recovery.
The movie is gorgeously made, but it is also somewhat shallow and art-conscious.
It's probably worth catching solely on its visual merits. If only it had the story to match.
It's a lovely, sad dance highlighted by Kwan's unique directing style.
Assured, vital and well wrought, the film is, arguably, the most accomplished work to date from Hong Kong's versatile Stanley Kwan.
The very simple story seems too simple and the working out of the plot almost arbitrary.
A beautifully crafted love story that should stand as a career breakthrough for the subtle Hong Kong stylist Stanley Kwan.
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