Opening

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The Landlord Reviews

Page 1 of 1
Dave Kehr
Chicago Reader
Top Critic IconTop Critic

Liberal guilt, with a few good laughs, a lot of frantic activity, and the occasional backfire.

Full Review Source: Chicago Reader

May 7, 2013
Emanuel Levy
EmanuelLevy.Com

Hal Ashby's feature directing debut is a poignant social satire about racial tensions in New York, extremely well acted by Beau Bridges and Lee Grant in an Oscar-nominated role.

Full Review Source: EmanuelLevy.Com | Original Score: B+

August 7, 2010
Dennis Schwartz
Ozus' World Movie Reviews

An uneven comedy of manners that bears checking out for its on the money painfully poignant moments.

Full Review Source: Ozus' World Movie Reviews | Original Score: B

February 4, 2009
David Fear
Time Out New York
Top Critic IconTop Critic

An elder spokesman of New Hollywood's vanguard, former editor Hal Ashby's debut film keeps veering away from expectations and easy answers.

Full Review Source: Time Out New York | Original Score: 4/5

January 18, 2008

TV Guide's Movie Guide

The script has a few uneven moments, none of which damage the overall quality of the film, and Willis captures the atmosphere of both rich and poor New York lifestyles with an impressive visual style.

Full Review Source: TV Guide's Movie Guide | Original Score: 3.5/4

October 31, 2007
Variety Staff
Variety
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Beau Bridges heads the uniformly excellent cast as a bored rich youth who buys a black ghetto apartment building and learns something about life.

Full Review Source: Variety

October 31, 2007
J. Hoberman
Village Voice
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The Landlord remains one of the funniest social comedies of the period, as well as the most human.

Full Review Source: Village Voice

September 25, 2007
Andrew O'Hehir
Salon.com
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It's a compelling and adventurous spectacle, which feels simultaneously like a time capsule and a crucial influence on such recent films as The Royal Tenenbaums and Half Nelson.

Full Review Source: Salon.com

September 20, 2007
Tom Huddleston
Time Out
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The Landlord succeeds thanks to terrific performances, political nous, flawless photography from Gordon Willis, a handful of sublimely witty moments and an overall sense of rebellious fun.

Full Review Source: Time Out

February 9, 2006
Jules Brenner
Cinema Signals

| Original Score: 3/5

February 18, 2005
Roger Ebert
Chicago Sun-Times
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It adds up to a more honest, if less optimistic, portrait of American race relations than we usually see in the movies.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

October 23, 2004

TIME Magazine
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A glossy, flat, fake Hollywood attempt at black social comedy.

Full Review Source: TIME Magazine

May 7, 2013
Page 1 of 1
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