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Lantana (2001)
Tomatometer
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Reviews Counted:29
Fresh:27
Rotten:2
Average Rating:7.8/10
Consensus: Lantana is an intricately plotted character study that quietly shines with authenticity.
Theatrical Release:Dec 14, 2001 Limited
Box Office: $4,277,569
Synopsis: Ray Lawrence's LANTANA is an intelligent, well-written, well-acted film that is much more than just another cop thriller--it's more like YOU CAN COUNT ON ME with its realistic, complex... Ray Lawrence's LANTANA is an intelligent, well-written, well-acted film that is much more than just another cop thriller--it's more like YOU CAN COUNT ON ME with its realistic, complex relationships and believable characters. The film opens with a slow pan over a dead body, eerily reminiscent of BLUE VELVET. Anthony LaPaglia stars as Leon, a Sydney police detective who is cheating on his wife, Sonja (Kerry Armstrong), with a married woman from their dance class (Rachael Blake), even though he still loves his wife. There's something missing from his life, but he's not sure what. His relationship with his son is strained, and even his partner, Claudia (Leah Purcell), knows something is wrong. But as his affair heats up and a murder mystery that seems to involve all of the people in his life begins to consume his attentions, he is forced to reexamine his future both as a family man and a cop. LANTANA won seven Australian Film Institute Awards, including best picture, best director for Lawrence, best actor for LaPaglia, best actress for Armstrong, best supporting awards for both Blake and Colosimo, and best adapted screenplay by Andrew Bovell, who based the script on his play SPEAKING IN TONGUES. As the murder investigation gets more complicated and the tangled web leads to even more lying, cheating, and deception, the acting intensifies, and the sharp dialogue allows the characters to blossom as beautifully as the lantana bush referred to in the title. [More]
Starring: Anthony LaPaglia, Geoffrey Rush, Barbara Hershey, Kerry Armstrong
Starring: Anthony LaPaglia, Geoffrey Rush, Barbara Hershey, Kerry Armstrong, Russell Dykstra, Daniela Farinacci, Vince Colosmo, Peter Phelps
Director: Ray Lawrence
Director: Ray Lawrence
Screenwriter: Andrew Bovell
Composer: Paul Kelly
Studio: Lions Gate Films
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Reviews for Lantana
A meditation on fidelity in marriage where the suspense and surprises stem from who has -- or hasn't -- been betraying each other and how.
Solving the mystery of the dead body would be enough for most Hollywood movies. In Lantana, it's merely a device to launch us into more rewarding explorations.
Lantana is so rich in secondary characters and performances it's hard to mention them all. But you will certainly appreciate them.
The thorns in this film prick real blood, the color of which too few films can or care to examine. It is fine stuff indeed.
The film is as dense as its namesake, and it reminds us how few contemporary thrillers are adult.
Has a refreshingly keen ability to see everything from multiple angles.
A psychological thriller that emphasizes the psychology over the thrills. It's a smart, heart-twisting picture.
If some of the connections stretch credulity, an exquisite ensemble cast ... inhabit their characters with a subtle authenticity.
It sounds pretty bleak. It is. And it’s slow. But it’s not bleak as in despairing and dull.
The film is powerfully acted, with nary a weak performance to be found.
Remarkably non-bummer viewing. Bleak as its outlook is, it's not so much psychodrama as psychocomedy of manners.
After seeing [LaPaglia] in Lantana, no one will ever look at him without recognizing an actor of the first rank.
What's surprising is how easy it is to follow the plot, and how the coincidences don't get in the way.
Mr. LaPaglia, Ms. Armstrong, Mr. Rush and Ms. Hershey invest their roles with a profound humanity.
Neither writer nor director supply good reasons why these miserable moderns do what they do. But this leaves the actors to do what they like. And in this, Lantana blooms with talent.
The acting is top-notch, and LaPaglia, who makes the cop's torment palpable, gives the performance of his career.
Imagine American Beauty crossbred with Ingmar Bergman's Scenes From a Marriage and transposed down under, except that Lantana has a cool sense of tragedy and surprising reserves of passion that are all its own.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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