Neither writer nor director supply good reasons why these miserable moderns do what they do. But this leaves the actors to do what they like. And in this, Lantana blooms with talent.
Lantana (2001)
Tomatometer
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Reviews Counted:103
Fresh:93
Rotten:10
Average Rating:7.4/10
Consensus: Lantana is an intricately plotted character study that quietly shines with authenticity.
Theatrical Release:Dec 14, 2001 Limited
Box Office: $4,277,569
Synopsis: Ray Lawrence's LANTANA is an intelligent, well-written, well-acted film that is much more than just another cop thriller--it's more like YOU CAN COUNT ON ME with its realistic, complex... Ray Lawrence's LANTANA is an intelligent, well-written, well-acted film that is much more than just another cop thriller--it's more like YOU CAN COUNT ON ME with its realistic, complex relationships and believable characters. The film opens with a slow pan over a dead body, eerily reminiscent of BLUE VELVET. Anthony LaPaglia stars as Leon, a Sydney police detective who is cheating on his wife, Sonja (Kerry Armstrong), with a married woman from their dance class (Rachael Blake), even though he still loves his wife. There's something missing from his life, but he's not sure what. His relationship with his son is strained, and even his partner, Claudia (Leah Purcell), knows something is wrong. But as his affair heats up and a murder mystery that seems to involve all of the people in his life begins to consume his attentions, he is forced to reexamine his future both as a family man and a cop. LANTANA won seven Australian Film Institute Awards, including best picture, best director for Lawrence, best actor for LaPaglia, best actress for Armstrong, best supporting awards for both Blake and Colosimo, and best adapted screenplay by Andrew Bovell, who based the script on his play SPEAKING IN TONGUES. As the murder investigation gets more complicated and the tangled web leads to even more lying, cheating, and deception, the acting intensifies, and the sharp dialogue allows the characters to blossom as beautifully as the lantana bush referred to in the title. [More]
Starring: Anthony LaPaglia, Geoffrey Rush, Barbara Hershey, Kerry Armstrong
Starring: Anthony LaPaglia, Geoffrey Rush, Barbara Hershey, Kerry Armstrong, Russell Dykstra, Daniela Farinacci, Vince Colosmo, Peter Phelps
Director: Ray Lawrence
Director: Ray Lawrence
Screenwriter: Andrew Bovell
Composer: Paul Kelly
Studio: Lions Gate Films
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Reviews for Lantana
The acting is top-notch, and LaPaglia, who makes the cop's torment palpable, gives the performance of his career.
Imagine American Beauty crossbred with Ingmar Bergman's Scenes From a Marriage and transposed down under, except that Lantana has a cool sense of tragedy and surprising reserves of passion that are all its own.
This richly nuanced psychological drama circles around the complicated subject of love and offers ample insights into some of the sources of emotional illiteracy.
A very adult picture with adult concerns that lingers in the mind the way so many of this year's Hollywood releases have not.
A fascinating domestic drama -- wrapped in the trappings of a mystery -- that proves Lawrence's talents have lost none of their luster.
A gripping story about real people trying to deal with an assortment of complex, bottled-up emotions.
A gifted cast keeps the bummer moving forward with an intensity that's a thrill to behold.
A small, personal film, which ponders the importance of honesty, trust and love in a relationship.
Virtually all of the film's drama is character driven. The motivations are unforced and believable.
The performances are gritty, and director Ray Lawrence does a noble job of keeping the pace natural and real.
Deserves its accolades for, if nothing else, setting a tone for Australian filmmakers and reaching a level to which they should now aspire.
Well-realized characterizations are undermined by the strained and artificial developments of the plot.
Suffers from performances that are virtually all pitched to the same note of existential ennui.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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