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L'Argent (1983)
Tomatometer
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Reviews Counted:16
Fresh:15
Rotten:1
Average Rating:8.3/10
Runtime: 82 mins
Genre: Foreign Films
Synopsis: Robert Bresson won a Best Director Award at the 1983 Cannes Film Festival, as well as the Grand Prize for Creation, for this contemporary revision of Leo Tolstoy's short story. The tragedy tells of... Robert Bresson won a Best Director Award at the 1983 Cannes Film Festival, as well as the Grand Prize for Creation, for this contemporary revision of Leo Tolstoy's short story. The tragedy tells of how an innocent prank goes wrong and becomes the definitive moment in a man's life. When a young man passes a forged 500-franc note at a photography shop, the photographer passes it along to an unsuspecting victim. It eventually lands in the hands of Yvon Targe (Christian Patey), an innocent man who is detained when he tries to use it to pay for a meal. Hiring an attorney to hopefully bring the truth to light, Yvon is shocked to discover that the photographer will not budge from his story. To make matters even worse, he has goaded his assistant into lying along with him. This causes Yvon to lose his job and self-respect, triggering a downward spiral that results in a murder. Bresson's final film is a haunting commentary that condemns materialism and its sinful offspring, exploring universal themes that only continue to grow in importance in modern society. Proving that not all filmmakers weaken as they age, L'ARGENT remains as profound a work of art as the director's early masterpiece, A MAN ESCAPED. [More]
Starring: Christian Patey, Caroline Lang, Sylvie Van den Elsen
Starring: Christian Patey, Caroline Lang, Sylvie Van den Elsen
Director: Robert Bresson
Director: Robert Bresson
Screenwriter: Robert Bresson
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Reviews for L'Argent
Bresson is not often noted for his engagement with social issues, but in fact his films consistently address the physical and spiritual effects of poverty and crime.
blank in style and bleak in message... Yet like money itself, the value of L'Argent is no more or less than what one is willing to give it.
The ending, most of all, shows Bresson’s ability to find an alternate route to grace, given the circumstances.
L'Argent showcases the filmmaker at the height of his formal ingenuity, particularly his use of narrative ellipses and fragmented space (close-ups of legs, hands, objects).
As others have pointed out, it does not feel like the work of a man in his 80s.
A powerful and harrowing film that renews one's faith that modern cinema can bring to light what no other medium can do in the same way.
Based on a novella by Tolstoy, this French film offers an elegant study of money.
Bresson's obsessive leg and arm shots force us to use our imaginations; there are no eyes to tell us what the characters are feeling.
A work of true cinematic genius that stands head and shoulders above most other pictures and seems to defy critical judgment.
| Tomatometer Percentage | Movie |
|---|---|
| 45% 45% | Ice Age: Dawn of the D… |
| 19% 19% | Transformers: Revenge … |
| 55% 55% | Orphan |
| 43% 43% | The Proposal |
| 26% 26% | Land of the Lost |
| Tomatometer Percentage | Movie |
|---|---|
| 98% 98% | Up |
| 88% 88% | Ballast |
| 67% 67% | The Merry Gentleman |
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