No review available.
The Last Tycoon (1977)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:18
Fresh:8
Rotten:10
Average Rating:5.4/10
Runtime: 2 hrs 5 mins
Genre: Dramas
Synopsis: The seedy underbelly of the Hollywood film industry is brought to light in Elia Kazan's powerful adaptation of F. Scott Fitzgerald's last, unfinished novel. Robert DeNiro anchors the film with his... The seedy underbelly of the Hollywood film industry is brought to light in Elia Kazan's powerful adaptation of F. Scott Fitzgerald's last, unfinished novel. Robert DeNiro anchors the film with his commanding portrayal of 1930s movie mogul Monroe Stahr (modeled after MGM's studio head Irving Thalberg), a ruthless businessman who dominates studio politics but remains haunted by a lost love from his past. Scripted by playwright Harold Pinter, this rich evocation of 1930s Hollywood features strong supporting performances by Tony Curtis, Robert Mitchum, Jeanne Moreau, and Jack Nicholson. [More]
Starring: Robert De Niro, Tony Curtis, Robert Mitchum, Jack Nicholson
Starring: Robert De Niro, Tony Curtis, Robert Mitchum, Jack Nicholson, Jeanne Moreau, Theresa Russell, Donald Pleasence, Ray Milland, Dana Andrews, Ingrid Boulting, Anjelica Huston
Director: Elia Kazan
Director: Elia Kazan
Screenwriter: Harold Pinter
Story: F. Scott Fitzgerald
Producer: Sam Spiegel
Composer: Maurice Jarre
Get This Movie
Reviews for The Last Tycoon
An exquisite screen interpretation of F. Scott Fitzgerald's unfinished novel on Hollywood during the Thirties
De Niro proves again how well he can carry a part, and is particularly good in scenes dealing with the day-to-day business of movie-making.
The movie is full of echoes. We watch it as if at a far remove from what's happening, but that too is appropriate: Fitzgerald was writing history as it happened.
Producer Sam Spiegel's contribution is admirable, but Elia Kazan's direction of the Pinter plot seems unfocussed though craftsmanlike. Robert De Niro's performance as the inscrutable boy-wonder of films is mildly intriguing.
Fitzgerald's unfinished novel transfers awkwardly to the screen but is saved from oblivion by that always-fascinating actor De Niro.
De Niro is well cast and star-spotting is always fun, but Kazan's direction never truly elicits the audience's empathy and Pinter's script has too many silences.
It's a film that takes Hollywood too seriously and seems to worship with piety at its altar, but was too awkwardly presented to mean much.
Out of place and not quite interesting enough to hold our attention, which is a disappointment, because it has many of the elements that can make for greatness.
Kazan's rigid directing kills the spontaneity of nearly every cast member.
Elia Kazan now admits that he directed this adaptation, his last Hollywood film, for the money. Unfortunately, it looks it.
Interessante na maior parte do tempo, o filme acaba sendo prejudicado pela fraca subtrama romântica e pelo final medíocre (adaptar um livro inacabado pode ser má idéia).
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- The Last Tycoon at Rotten Tomatoes
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


