Weir's touristy vision is strictly from the outside looking in.
The Last Wave (1977)
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Reviews Counted:15
Fresh:13
Rotten:2
Average Rating:7.4/10
Theatrical Release:Nov 30, 2001 Limited
Synopsis: David Burton (Richard Chamberlain) is a young Sydney tax lawyer with a wife, two young daughters, and a very comfortable suburban existence. His life takes a strange turn, however, when he is asked... David Burton (Richard Chamberlain) is a young Sydney tax lawyer with a wife, two young daughters, and a very comfortable suburban existence. His life takes a strange turn, however, when he is asked to defend a group of Aborigines who have been accused of murder. The mysterious young men are maddeningly reticent when it comes to discussing the circumstances, though, and he finds that factors beyond his comprehension are involved when he begins having disturbing watery visions and ghostly sightings of Chris (David Gulpilil, WALKABOUT), one of the men involved in the murder. Already in over his head, David begins an odyssey involving strange natural occurrences in downtown Sydney, the Aboriginal concept of "dream time," and what seems to the end of the world as we know it. Peter Weir infuses his film with a spooky sense of dread that gives the viewer the sensation of entering a private world. Through a combination of Chamberlain's restrained performance and a handful of minimal yet well-chosen visual effects, THE LAST WAVE is able to create a believable aura of the impending apocalypse. With its thoughtful pitting of modern society against an ancient culture, it stands as one of the touchstones of 1970s Australian cinema. [More]
Starring: Richard Chamberlain, Olivia Hamnett, David Gulpilil, Nadjiwarra Amagula
Starring: Richard Chamberlain, Olivia Hamnett, David Gulpilil, Nadjiwarra Amagula
Director: Peter Weir
Director: Peter Weir
Screenwriter: Tony Morphett, Petru Popescu
Studio: Cowboy Pictures
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Reviews for The Last Wave
Startling and mesmerizing Australian film about aborigines, nature and dreamtime.
Similar to Weir's previous film, Picnic at Hanging Rock, but not as powerful
Its creepiness is undeniable, and it seems far less dated than many late 1970s films.
a unique film that bears the uneven, yet genuine, traces of a deeply felt work not entirely settled
There's plenty of floods, thunderheads, cars submerged in water and heavy downpours to get yourself all wet on.
An interesting mixture of dreams and reality, of occult Aborigine tribal rituals and of modern-day Sydney.
Weir does a fine job of weaving real events with dream sequences, as well as capturing the aboriginal perspective.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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