L'Atalante (1934)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:23
Fresh:23
Rotten:0
Average Rating:8.7/10
Runtime: 87 mins
Genre: Foreign Films
Synopsis: Considered by critics to be one of the 20th century's best films, L'ATALANTE is the final work of French director Jean Vigo's (ZERO FOR CONDUCT) tragically brief, but brilliant career. After their... Considered by critics to be one of the 20th century's best films, L'ATALANTE is the final work of French director Jean Vigo's (ZERO FOR CONDUCT) tragically brief, but brilliant career. After their wedding, Juliette (Dita Parlo) and Jean (Jean Daste) set out on L'Atalante, the river barge that Jean captains. In a scene representative of the film's lovely, poetic cinematography, Juliette, both desiring and fearing her new life, wistfully walks atop the length of the barge, wedding dress fluttering in the wind. The couple soon settles into wedded bliss, with the companionship of quirky, tattooed bargeman Pere Jules. He provides many of the film's unexpected comedic moments (watch for the plethora of cats, and the cigarette smoking belly button). Trouble arises, however, as Jean continually foils Juliette's attempts to learn more of life by listening to the radio and exploring the barge's ports. When a charming traveling salesman/entertainer (Gilles Margaritis) entices Juliette with stories of the charm of Paris, she decides to venture out on her own. The question of whether Jean and Julliette's love will win out over their conflicting ideas, along with the naturalistic, dreamlike visual world that Vigo creates, will keep viewers enraptured to the end. [More]
Starring: Dita Parlo, Jean Daste, Michel Simon
Starring: Dita Parlo, Jean Daste, Michel Simon
Director: Jean Vigo
Director: Jean Vigo
Screenwriter: Jean Vigo, Albert Riera
Story: Jean Guinee
Composer: Maurice Jaubert
Get This Movie
Reviews for L'Atalante
| Tomatometer | Critic | Review | Category |
|---|---|---|---|
|
A major inspiration to subsequent generations of filmmakers, yet no one has ever succeeded in matching it. Full Review |
|||
|
One can't help but mourn the films an even more mature, capable and confident Vigo might have made had not TB cut him down at the tender age of 29 Full Review |
|||
|
Blending naturalism and surrealism, this is a work of unique poetic power, a masterpiece that anticipated neo-realism by a decade; the fact that it's Vigo sole completed feature doesn't lessen his status as one of the world's greatest filmmakers. Full Review |
|||
|
No review available.
|
|||
|
Originally released in 1934, Jean Vigo’s first and only full-length feature is one of the cinema’s greatest masterpieces. Full Review |
|||
|
A landmark of French cinema and one of the most beloved film romances. Full Review |
|||
|
This quiet little French number is a gossamer confection, but for a film of its era, it's gorgeous to look at. Full Review |
|||
|
A cine-poem ode to the rhythms of life and love set on a barge travelling along the Seine, Jean Vigo's L'Atalante stands as one of cinema's indisputable masterpieces. Full Review |
|||
|
This makes it a film that can be both appreciated by cineastes and enjoyed by anyone looking for a good romance story. Full Review |
|||
|
The action is episodic and diffuse but Michel Simon, as the dour and cat-loving barge hand lends a bit of comic relief to the pallidly poetic proceedings. Full Review |
|||
|
Stands as one of the most beautiful and rich celebrations of human connection in the history of cinema. Full Review |
|||
|
This 1934 French classic is a work of enduring poetry that has launched a thousand other movies. Full Review |
|||
|
A paean to evanescence and, however paradoxically, an enduring embodiment of the same concept: a wispish film from a short-lived director that has nonetheless been dreamed and re-dreamed, never the same way twice, for almost 70 years. Full Review |
|||
|
Hands down one of the most poetic, romantic and sentimental films I have ever seen.
|
|||
|
Brilliantly idiosyncratic and insightful, the warmest film of this great director's career. Full Review |
|||
|
A favorite of film buffs for decades. Full Review |
|||
|
Vigo has created a dreamworld, which makes his film an out of this world cinematic experience. Full Review |
|||
|
There is much playfulness and poetry, such visual riches. Full Review |
|||
|
Rapt, exuberant and as fragile as mist, this passionate tone poem drifts in its own bubble of oddly dissonant, almost fatalistic romanticism. Full Review |
|||
|
A poignant story of love's labor's lost for several dire hours in the streets of Paris, a work which is considered by top critics to be among the top hundred films of the twentieth century, a classic of the genre. Full Review |
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- L'Atalante at Rotten Tomatoes
Fresh Links
Featured

The director talks about puppetry perfection and his film, Fantastic Mr. Fox

Hollywood.com ponders whether or not an animated film could win Best Picture.

Richard Corliss previews the season's best offerings and hottest tickets.

The AV Club's Mike D'Angelo airs his beefs with Alfonso Cuaron's Children of Men.
Promos

Get the latest Tomatometer updates on upcoming movies!








