Opening

100% Guardians of the Galaxy Aug 01
—— Get On Up Aug 01
93% Calvary Aug 01
—— Behaving Badly Aug 01
50% Child Of God Aug 01

Top Box Office

57% Lucy $44.0M
62% Hercules $29.0M
91% Dawn Of The Planet Of The Apes $16.4M
57% The Purge: Anarchy $9.9M
43% Planes: Fire And Rescue $9.3M
18% Sex Tape $6.0M
17% Transformers: Age of Extinction $4.6M
15% And So It Goes $4.6M
23% Tammy $3.4M
90% A Most Wanted Man $2.7M

Coming Soon

—— Teenage Mutant Ninja Turtles Aug 08
—— Step Up: All In Aug 08
—— Into The Storm Aug 08
86% What If Aug 08
—— The Hundred-foot Journey Aug 08

New Episodes Tonight

—— The Fosters: Season 2
—— Hit the Floor: Season 2
—— Longmire: Season 3
—— Major Crimes: Season 3
73% Murder in the First: Season 1
—— Switched at Birth: Season 3
67% Teen Wolf: Season 4
62% Under the Dome: Season 2

Discuss Last Night's Shows

—— Agatha Christie's Poirot : Season 12
100% Falling Skies: Season 4
79% Halt and Catch Fire: Season 1
64% The Last Ship: Season 1
100% Last Tango in Halifax: Season 2
69% The Leftovers: Season 1
60% The Lottery: Season 1
87% Manhattan: Season 1
100% Masters of Sex: Season 2
50% The Musketeers: Season 1
78% Ray Donovan: Season 2
46% Reckless: Season 1
87% The Strain: Season 1
50% True Blood: Season 7
—— Unforgettable: Season 2
80% Vicious: Season 1
—— Witches of East End: Season 2

Certified Fresh TV

85% The Bridge (FX): Season 2
83% Extant: Season 1
79% Halt and Catch Fire: Season 1
100% Masters of Sex: Season 2
73% Murder in the First: Season 1
97% Orange is the New Black: Season 2
97% Orphan Black: Season 2
82% Satisfaction: Season 1
87% The Strain: Season 1
85% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Late August, Early September Reviews

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Film4

The individual plot lines fit together seamlessly and the cast is easy on the eye, but this melancholy trawl through the quagmire of modern relationships is not outstanding.

Full Review Source: Film4

March 3, 2008
David Parkinson
Empire Magazine

A disappointingly sterotypical French film.

Full Review Source: Empire Magazine | Original Score: 2/5

March 3, 2008
Jonathan Rosenbaum
Chicago Reader
Top Critic IconTop Critic

Assayas's sense of how relationships evolve between people over time is conveyed with a rich and vivid novelistic density.

Full Review Source: Chicago Reader

March 3, 2008
Sandra Contreras
TV Guide's Movie Guide

Assayas avoids easy resolutions, and Ali Farka Toure's score reminds us that each year brings with it a possibility that one will change the cycle.

Full Review Source: TV Guide's Movie Guide | Original Score: 3.5/4

March 3, 2008
Derek Elley
Variety
Top Critic IconTop Critic

A kaleidoscopic but engrossing study of the shifting sands of friendship among a group of Parisians.

Full Review Source: Variety

March 3, 2008

Time Out
Top Critic IconTop Critic

It's a bit like a Woody Allen film without the kvetching or the wisecracks, but younger and more vital.

Full Review Source: Time Out

June 24, 2006
Jeffrey M. Anderson
Combustible Celluloid

The characters are all properly engaging and interesting, but the story feels the same as many others I've seen.

Full Review Source: Combustible Celluloid | Original Score: 3/4

May 20, 2006
Rich Cline
Shadows on the Wall

clever and thoughtful

| Original Score: 3/5

September 19, 2004
Dennis Schwartz
Ozus' World Movie Reviews

Assayas puts a shiny gloss on those who choose to live loose lives...

Full Review Source: Ozus' World Movie Reviews | Original Score: B+

September 8, 2002
Paula Nechak
Seattle Post-Intelligencer

The cast is full of talented French actors -- Virginie Ledoyen, Francois Cluzet, Mathieu Amalric, Jeanne Balibar -- who play people with flaws and fears and who eventually reach a tender understanding.

Full Review Source: Seattle Post-Intelligencer | Original Score: B+

April 3, 2002
Frederic and Mary Ann Brussat
Spirituality and Practice

Reveals the terrible fragility of male friendship and the ways in which it often disappoints those who invest it with burdens it cannot bear.

Full Review Source: Spirituality and Practice

March 13, 2002
Chris Darke
Sight and Sound

Denis Lenoir's camera is almost always on the move, shoulder-borne, shuddering or looking for blurred close-up detail to put to use in the film's transitional sequences.

Full Review Source: Sight and Sound

March 5, 2002
Charles Taylor
Salon.com
Top Critic IconTop Critic

It is, in many ways, a modest film. But a director who offers glimpses of life that are recognizable in both detail and texture isn't so common that we can afford to overlook what he has achieved here.

Full Review Source: Salon.com

January 1, 2000
Dak
culturevulture.net

Although we cannot take our eyes off Ms. Balibar, whose performance is remarkable in its understated range of emotion, she is the only character with whom we can connect.

Full Review Source: culturevulture.net

January 1, 2000
Daniel Eagan
Film Journal International

This is a slow, talky movie that seems to drift aimlessly without finding an involving storyline.

Full Review Source: Film Journal International

January 1, 2000
Jeff Vice
Deseret News, Salt Lake City

The results may not be completely original or thought-provoking, but on whole, the movie is refreshingly honest and heartfelt.

Full Review Source: Deseret News, Salt Lake City | Original Score: 3/4

January 1, 2000
Peter Rainer
New York Magazine/Vulture
Top Critic IconTop Critic

The cast, including Virginie Ledoyen, François Cluzet, and Mathieu Amalric, is as well coordinated as a fine chamber-music ensemble; their entrances and vanishings and re-entries play like recurring motifs.

Full Review Source: New York Magazine/Vulture

January 1, 2000
Mick LaSalle
San Francisco Chronicle
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The film doesn't leave the audience with a moral. It just leaves a sense of having been in the stimulating company of passionate people.

Full Review Source: San Francisco Chronicle | Original Score: 3/4

January 1, 2000
G. Allen Johnson
San Francisco Examiner

Assayas creates among the most well-realized characters in current cinema.

Full Review Source: San Francisco Examiner | Original Score: 3/4

January 1, 2000
Janet Maslin
New York Times
Top Critic IconTop Critic

If Assayas doesn't always transport his film's events beyond the all too commonplace, his understatement can also yield moments of quiet simplicity.

Full Review Source: New York Times | Original Score: 3.5/5

January 1, 2000
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