Cox -- who experienced the Mormon view on gay life firsthand -- gets the sort of performances out of his characters that will help you overlook what is cliched about the story.
Latter Days (2004)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:44
Fresh:20
Rotten:24
Average Rating:5.4/10
Consensus: A melodramatic plot and character stereotypes turn the movie into a sitcom.
Theatrical Release:Jan 30, 2004 Limited
Box Office: $553,570
Synopsis: Christian (Wes Ramsey), is a young, promiscuous gay man in Los Angeles. Always up for a party and not willing to settle down with one person, he doesn't think too much about anything. When Aaron... Christian (Wes Ramsey), is a young, promiscuous gay man in Los Angeles. Always up for a party and not willing to settle down with one person, he doesn't think too much about anything. When Aaron (Steve Sandvoss), a young Mormon man, moves into his apartment complex, Christian bets his friend fifty dollars that he can seduce him. Christian appears to be on the way to winning the bet, but Aaron is reluctant act on his attraction, as homosexuality is forbidden in the Mormon Church. And when his Mormon roommates find out what he is up to, Aaron is sent back to Idaho to face his parents about his transgression. Jacqueline Bisset and Mary Kay Place costar in this touching drama that was a hit at several international film fests. [More]
Starring: Wes Ramsey, Steve Sandvoss, Joseph Gordon-Levitt, Jacqueline Bisset
Starring: Wes Ramsey, Steve Sandvoss, Joseph Gordon-Levitt, Jacqueline Bisset, Mary Kay Place, Erik Palladino
Director: C. Jay Cox
Director: C. Jay Cox
Screenwriter: C. Jay Cox
Studio: TLA Releasing
Get This Movie
Reviews for Latter Days
The screenplay is efficient to a fault, populated with stock characters.
Cox can be forgiven for getting a little preachy when he makes his point with such an open heart and loving spirit
Even if the film feels somewhat contrived, stick with it; you'll be rewarded by what it has to say.
Overall generalities about the main characters, a tendency to reveal them through monologue rather than behavior, and a lack of curiosity about the Mormon youth's core beliefs keep Latter Days from feeling genuinely personal or particularly substantive.
Despite the inherent clichés, Latter Days manages to rise above its formulaic plot, mainly because of the assured performance by Mr. Sandvoss.
Everyone in this movie has been ordered off the shelf from the Stock Characters Store, and none of them wandered in from real life.
Despite the frequent obviousness of the script and direction ... the story attains an undeniable, if somewhat soap opera-like, power.
Pilots its culture-challenging raison d'être through an increasingly insufferable collection of gaysploitation conventions.
Though the film covers familiar queer-cinema ground, Latter Days' finely observed truths about the painful costs of being yourself make even the contrivance of its happy ending forgivable.
The whole Mormon/gay thing would be plenty for one movie without also sticking in AIDS, the betrayal of friends and actors-trying- to-get-their- big-break.
This sitcom setup is as bad as it sounds, and Cox never really surmounts it.
Although a good deal of what happens is predictable, the writer-director C. Jay Cox makes much of it pleasant.
This gay romantic melodrama draws on an unconscionable number of conventions, but works in the end because of its commitment to its characters and a handful of fine performances.
Ramsey's heartbreak, stock taking and determination to see to it the relationship gets a second chance are as affecting as anything the genre has produced in recent memory.
Sounds like the kind of movie that might appeal to, I dunno, maybe all seven openly gay Mormons and not many others.
A coming-of-age, coming-out, romantic comedy, religious intolerance flick, and if that sounds a bit crowded, that's because it is.
Cox, who wrote Sweet Home Alabama, again trades heavily in stereotype and coincidence for his directing debut.
It's more melodrama than drama or love story, and Cox, who wrote Sweet Home Alabama, seems to have never met a stereotype he didn't like.
What would happen between a hedonistic fairy and an earnest but curious Mormon?
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Latter Days at Rotten Tomatoes
- Latter Days at AskMen
Fresh Links
Featured

Take a look at MSN's choices for the Top 10 films of 2009.

What were your favorites? Least favorites? The funniest and scariest? Moviefone wants to know!

Hollywood.com explores why QT's characters resonate so well with audiences.

TIME chimes in with their own list of the best films released this year.

Click through to see which movies BuzzSugar placed in their Best-of-Decade list!
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



