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L'Avventura (1960)
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Reviews Counted:26
Fresh:25
Rotten:1
Average Rating:8.6/10
Runtime: 2 hrs 40 mins
Genre: Foreign Films
Synopsis: L'AVVENTURA, one of Michelangelo Antonioni's most gripping works, features expert photography and an electric cast that, together, seem to try to fool the audience. As a result, viewers are... L'AVVENTURA, one of Michelangelo Antonioni's most gripping works, features expert photography and an electric cast that, together, seem to try to fool the audience. As a result, viewers are engrossed as they watch the majestic film unroll, waiting for Antonioni to reveal a piece of plot or offer up any cinematic clue to help them solve the film's mystery. In a style that would later be known as Hitchcockian, that moment never comes. One summery Saturday afternoon a group of friends living in Rome departs on a yachting trip out to a local island. Two of the group, Anna (Lea Massari) and Sandro (Gabriele Ferzetti), young lovers considering marriage, have a dispute; that afternoon, Sandro announces that Anna is missing. A thorough search of the island is made on Anna's behalf, but she is never found, and Sandro, who remains relatively unconcerned, is never questioned. In fact, before the yachting group even returns to the mainland, Sandro tries to pick up Anna's best friend, Claudia (Monica Vitti). Still, he is not even considered suspicious, but viewers can smell a rat. Claudia and Sandro galavant through the Italian countryside, supposedly investigating Claudia's disappearance, but their true motives are never clear, even in the last--entirely enigmatic--scene of the movie. [More]
Starring: Monica Vitti, Gabriele Ferzetti, Dominique Blanchar, Lea Massari
Starring: Monica Vitti, Gabriele Ferzetti, Dominique Blanchar, Lea Massari
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
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Reviews for L'Avventura
If it once seemed the ultimate in arty, intellectually chic movie-making, the film now looks all too studied and remote a portrait of emotional sterility.
One of Antonioni's finest films, and a landmark in the devlopment of cinematic narrative.
a bleak, even blank, portrait of humanity failing to find again the values it has so carelessly allowed itself to lose.
Like a breathless storyteller who has a long and detailed story to tell and is so eager to get on to the big doings that he forgets to mention several important things, Signor Antonioni deals only with what seems to interest him.
It's a slow paced personal film that welcomes tedium as readily as mainstream films welcome action.
Characters root themselves separately in background and foreground planes, their emotional distance rendered via the director's unnerving use of deep focus.
L'avventura heralded a new attitude in film, and in that sense it's key. But it's the unique atmosphere for which we return to it.
one of those rare achievements that embodies an entirely new mode of film language
L'Avventura has still held up remarkably well, perhaps because the creepiness of existence remains topical in these apathetic times.
Contrasting the lively Fellini ... Antonioni addresses essential matters of the soul and spirit in a much quieter manner, with simplicity and economy
Latest News for L'Avventura
July 31, 2007:
Remembering Michelangelo Antonioni
Italian director Michelangelo Antonioni, who gave the world such influential films as L'Avventura, Blow-Up, and The Passenger, died Monday at the age of 94. More...
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